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11TH REGARO TO CIAY MODElllNG I' ? " l; , l' tT '- ~ '.J 1)' i§ , ff~ ,f )~ ... / ~~EE~;j( Shinji Matsuda ", 7 v~T-T'VY7/~:Jl J~ About clay modelling ? Lt-1 'ET'I) :;~;frd:, T '-lj'-1:;A 7 'Y Tc'Hiln'tLt.:: 2 ;)(JI;:NI~~ :l1ff=:;)(JI;:Nffl. I= l.;, êll~B"J1J:~® ' ® . :í:ffJ'\7:;AtJC'~ f&~ ' g!fliHí9.Q;:::C~~C9.Qt.::60 , êll~:Nmil::1JDI!f,'jO)~~!ZO) ::f- .::z'n'?i ':) c L \.Qc::f- :;(O)t.::60êll~1J'~x. I:: < < tJ.Qo ~@]O) C'Id:~I::? Lt-1 :NmiO)mit±J l.;1~;E~~li)r:::NI~9.Qo 1J:d3êll~n\ ~~9L \ê.c l.; cId:, 8 ê. (:b9'n' 1J:~O)~L \n\:N!~c'~.Q) t/ m:imic'®.Qn'. lYéüm~ l:: m~.Ei;:-tLc L \.Q? Lt-1 C'rd:Bfl.QL \:7' Lt -ê., a(Y!L-:7y)?Lt-1~~ml.;t.::o a?Lt-1 Id:êll~B"J I=~~L\ ~Lt- r-::C'®.Qo 1J:d3? 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Lt -1:Nmi rd:C'~tJL \0 '*?Lt-1 ~.~'E~l;0)~ · ~~~S~~~~%fil.;c.60.QC ~L\o ~1ll~ c'O) I ;)('ET,)l;~iiI!i~&x1ffi~ 0)&iE1'f~~fJ5cjJJ ~B"Jc®.Qo T'-lj'-1~-1J'T'if-1:;A7~Tc~fiml.;~tL1J:L.~1J:m~J: I:J~< ~ B"J1:: :N!Yê9.Q-=t-$Cl.;C, ?Lt-1'ET')l;~'J<.Qo T' -lj'-1~-O)g~~~.r::fim l.;~ =:~r::~X..Q~60C®.Qo?Lt -1'ET')l;1d:1t!l0)@1l~fi !Yê -=.f-;Ec t~~l.;, ~IJI:J, §l:Jn"-=t- .§F < c~ .Q~60T'-lj'-1~-cl.;CO)@m~mo)~~B"Jê ffi.c~I:J~~.Q t.:60 'r::~, ~ Uc'®I:J, !Ji!if~r.,~B"J~jJJ.Cl.;ciíii~t1*-'l-=t-$C' ®-350 ? Lt-1 'E T')l;~11=~I=Id::b9"n\tJEffi*Jjl . yffij* RO)~L \C' :;*;:~<-1'><-:;1J'~1r;9.Qo 1l~~:t~~l.;~661r;9.QC~, =:;)(JI;, :l1it, @1l~~'J< -@;::: c1J: c'~:;*;:tJJr:: l.;t.:L \~O)cas.Qo 2:.t.: , ? Lt-1 'ET')l;~'J< .Q~, ~!zHI~e~r::@.QO)c'Id:1J: <, T"+.1'-1~ o)AFe'iJ~ !i!H1~ fJH~l.; C @.QJ: 5/L.\1JII1t.:L \~o)C' ®.Qo T'-+j-1 :;êll~Id:A~ O)t~~r::~x..QO)c® I:J, -mtM0066 C'Id:1J: L\fJ' S C' ®.Qo 2) ? 1/1' -=ET)V(J):g.fm~ CD7)l!-If-1Ã-t:T')l! : ~~c l6J 5:t~c" )y)l; I::'J< IJ, i§1l~~ ® A-7-)l!-t:T'JII : 1/ 10 ' 1/ 5' --;j ;E (I / I) C''J<.Qo ~;ffiI 1J:~m .~ , ilE J'\7:;A~~.Qo I /~ · 1 /2c5:ttL.Qi§1l~rd:~;;t~I= Id: I/I c'J< .Q"'Z~c®.Qn'8~~ , ~ A t---~I:: ro~Jmn\~ LJ.Qt.:601m ~fJJAA ~Jl"~ c'Id:A7 - )l;'ET')l;tJ\ ~I~B"J-=t-;Ecas.Qo~I=:;*;:~ ( ~ G . ~iêlijijilij$) ml~~I=~m~tL.Qo The main purpose 01 clay modelling is lo enable one lo evaluale lhe lormaliue qualily. volume and ouerall balance by lranslorming a 2-dimensional expressional design skelch inlo a 3-dimensional exjJre:; , sion. 11 is Iherelore diflicult lo see lhe aclual model il numerous slralch marks remain on lhe swface 01 lhe modellrom lhe processing slage. This book has been wrillen lo shine a special spotlighl onlo lhe lechnique 01 elay surfacing, While islhe besl color lo show up lhe model elearly (as even lhe slighlesl 01 shade changes can be exjJre:; sed), bul Itere I fUlve used a clay which is a h-igh grade modelling elay Ihal has lhe lighlesl hue amongsl all grey elays available 011 lhe currenl markel. In some silualíons elal' coloring is added lo lhe model ai lhe lime 01 evalualion. This acl is nol advisable. however. as lhe color will give dijlerenl volume ímpressions lo lhe model, One 01 lhe good Ihings aboul a elal' is ils capabilill' 01 corresponding well during evalualion should lormalive alteralions lo lhe elal' surface be required. The mos/ importanl Ihing dming clal' work is lo move yourselj around lhe rnodel lo lind cornlortable posilions in which lo work (il is impossible lo work well in one posilion), Clay modelling req-uires a line louch and lhe lechniques 01 human beings. '* The qllalily 01 a elal' stnface will linally be decided bl' lhe quali/y 01 lhe lools. basicall)~ lhe edging lools. '* Ii is more ellictenl lo commence work on one side 01 lhe model and Ihen move lo lhe olher side aller lhe lirsl evahUllion has been cornpleled, I} Exact/y whal is a c/ay mede/ (design c/ay) ? Designers creale elay models as one 01 lhe melhods lo exjJress delica/e shapes in designs which cannol adequalely be exjJressed in 2, dimensional design skelches in a swill and bold manner in order lo pul across Iheir ideas lo a Ihird party. In comjJan'son lo olher lormalive melhods, designers can easily shave 011 bils lhal are 1/01 wanled OI' add exlra pieces il needed wilh lhe clay model melhod. Clal' modelling is Iherelore a lavored melhod wilh designers owing lo il adding a flexibilill' lo Iheir 10rmaliveexjJression, 11 could be considered one 01 lhe mosl ellicienl malerials available in presenl limes. A slighl dilleren ce in lhe curved lines 01' lerminal R call change lhe image greally. It is importanl lor designers lo crea, 3-dimensional cubic models lo see lhe aclual shape belore lhe desigll is mechanized. A Iso. designers should Iry lo avoid u.sing malhem ali cal calculalíons and inslead rely on Iheir own design senses wl/en crealing models. In Ihis way lhe end producl is more likell' lo appeal lo lhe ltisual senses 01 lhe beholder, Crealions should nol be machine paris. 2} C/ay mede/ Iypes, 1. Full -s ize models : A n aclual size (J / 1) model, describing in delail lhe lonnalive qllalily. balance and volume, 2. Scole mode ls __ Such scales should be kept lo 1/10, 1/ 5. 1/ 4 and 1/ 2. Basically. lull-size models (1/ 1) are more advisable, bul lime (I)/r! cosi problems involved in crea/ion rnake lhe scale model a more ralional approach ai lhe early slages 01 developmenl. This slyle i~ especialll' used 101' large objects (such as lour-wheelers and railway carriages) during lhe developmenl slage. 734 3) The deve/opmenf process of eoch mode/. Full-size models will provide a more precise idea of lhe design as one can use Ihem lo sludy lhe qualily, volume and forma/iv!! balance of lhe aelual model, bul when working on lalge models (sueh as four wheelers and railway carriages), scale models can be used durinf[ lhe developmenl slages. Two-wheelers also belong lo lhe 'larf.!e model' calegory, bul in cerlain cases Ihey will be erealed in full ·size from lhe eommeneemenl of lhe early developmenl slage. * Early developmenl slage.- lmage modelo Tenla/ive model 1/10, 1/ 8. * Middevelopmenl slage.- Scale model 1/4, 1/2 ---> charl making * Lale developmenl slage . 3) j;~=flll~, :ã::cT')[" ~ . m~ . ©JT~J\7::';:::ZJJ:~8tcõb [ ~Id:, 7 ) [,,:::Z-,]--JlJ"'E T')[" 1J'-iiH~L\tJ'ff-'f~ft\], :::J:::zt----ft\]Cu7\~tJ1~ ( El!JJ~· ~)\;ií1l:~iilii tJê) Id:, ~JiSfJJl'IJI ~~~rfc' I d::::Z -']- - )["TT')["JJ:-:J < 80 2lffij~ [d: ;;\;:411cld:6S8tJ"fJJl1!lf~Il"~J: O 7 )[,,-If-1.::(1 / I TT')["tt7l-Id:-:J< S1J: l\4~u6S80 llI~tflM :::Z-']- - )["TT')[" 1/4· 1/2->*~~i'Fm ~~ílM 7)["-If-1ÃTT')[,, I/ I C:~::-?i~~~1m~'- OO?-1~? :~ft · .~ · ~~-?-1T'?, :::z-']-~~ ®lli* : :::z -']--) ["TT') [,,---> 7 )[,,-If-1 .::(Q ~-1 TT')[" @~~t: t'R~il:; --->*~---> ~-1?r:) t----~il:; · *ffil~ . ASSY ~ @~~1~ : :'tiliH5ifJtj-':'t~7;;t 0- Z(~~) Z (height) Y(!ll:~) Y (Ienglh) X@) x (u'h/lh) ®~~ O(-ti O ) 1t\-1::'; t----O)~AE[d:~iIDit;, t'R~it;O)~;$:t: 1J:80 ~~01t\-1::,;t----~~ -~-.ffilC J:O.tr80 + O + 01J) (Example) I x - O + Y ===~ ?.--------'---\Cor Ir ] I J = I = J I I ;tr: / :tiet'ILIC::9i5 sei lhe sla ndard in lhe cenler :;>f'-t--JH Molorbike x + O + y 1/ 1-Full-size model ---. charl malúng -, wood model design mas/er 1_ ldea.- Investigalion. review. analysis ---. idea skelch 2. Solidily .- Scale model ---. full-size elay model 3. Design.- Line chari ---. wood model -, layoul drawing, individual pari drawings, ASSY dmwing 4 . CTealion .- Crealion leclmique ---> produclion followup 4) Sfondords (1) The mosl imporlan/ pari involved wilh lhe crealion 01 induslrial producls is lo sei lhe s/andard />oinls. ~~ID@ 1 --- z ~ X ! x, Y.Z /ú::ed by lhe /ayoulrnnc.:hine. (2) The zero-puinl slandard sei will creale lhe basis 01 lhe drawing and char/ing processo However, each maker will have its own poinl selfing. + O z ~ (À7J-!--- 5 ··1':.1) (skirl I/IIe) z 735 ----------------------------_IIII~------------------------ e1:;$I'AI-- ' J?)lóV1'J525 §.~ : ~:::;)'-5,)//IJO~~%'ffi~62'C± 2' ;~x.@c~< tJ@o J::-:;l n~~n\,z\~tJ'WJ . *~~T)[" I;:::~lJ e: L\@o êl lJJ~~~C':E::tJ l;:::l~m lJ e: L\@o ettiffi± §.~ : ?'l/ - /IJO~;m:.~40'C ± 2 • ;nx. e:t ~0''PnGn'L \0 IJOI tE (tJ 'Y I-- . m~iJlJ) I;:::fl n . i§ Tl~[§J,':±j lJi*i*tmn e: L\@n\ [§J,':±j lJ. 7 1' '=' 'Y Y\? -IJOI~~ 0'l~i*j0::~-g@-§ilêl!JJ~gH'~I;::: e:l~m~n e: L\@o e a ? ~1' §.fjJ : 8J3 @L\:;·l/-/;!]O ?-1\ ;!lil ~45·C ± 2 ifr:tj:~ rt~nt.::? l/1' L®@n\ l' :;5':;<" I--'j y )[,, ? l/1' c~ ;EB ±O)i:j:l rm Cfn~ lJ. ~JL:L \m~I;:::~môJ~gL·®@oIJOM;m:.~'1:,l~ < . ~ t.::;~'P lJ t'::~2 C''1:,-{ :;5:;<., r-- I) y )[,,-7 l/-{ J:: IJ 'PnG n'L \0 1JDI1it~ <. fJJI['\~ I: '1:, +51~JiE; L'ê:@ o [§J tI:I lJ1LtJ:j'-'t*d~F-t ~FmC~L \ l//'()["I: íí ...tn' IJ. ~~JL: L\ aêI'Hl L'fsem~n@;:: C C *,UWT-g@o *~i§TlW~ ( êl!llJ~tJcJ ~/N?lJ (tJ:J., 51J:c) ~ L'~fflõJ~gL® IJ. 8fl8L \~l/-O)t.::~@~[Elfn\~'P-gL \~1j2 '1:,®@0 6) ? l/1' ~~f\jltiJ (? l/1' f'F~~{]I) eJiHlliO [O]~0'~~o);ilii~ ('PnGn'L\) 0)?l/-{0::1~mlJ . + 5tI:i:j:l r (~ T)[,, ::J Y) 1:11< J::'51:-g@ 0 ? l/ -{ 0:: slê:l$lcf-g J:: '51:~ IJ -,:)Ij@o *-~I:~ < ~lJj1 lj@;:: C leI:~lj80 " Using clay with astlght high temperature, carefully press down on it until ü adheres to the model core. The clay should be spread evenly. * Try to avoid using toa much clay at once for the filling. [X )~ L \-7 l/-{ 0:: --,:)- -,:) ~õ lJ l1 Ij@~lJ i1lj0::fj'5 c. -7 l/1' n\~ < )\jj'l/ e: lJ~ L\-7 l/-{ i§l C ~Imn'~ L;@o • The use of mullilayered /zard clay will creale cracks on the swface wlzich wil/ resll/l in paris breaking awa)'. emliO [O] !i!úJt~1J 8i!jJ:: IJ -~I;::: ~ < ~ IJ i1lj@;::cctJ@n\ 'PIei: IJ s l ê:í$lcf-gn[Ô]L'1'F~0::ij'5c [§Jnl,':±j'P-g < ~t.::IY-tÀ IJ C <L\o DA greater por/ion of filling is needed than in the basic filling stage, but good sl/1face work can be achieued by careful spreading. This will also prevent air from getting inside. [x) m~ IJ '1:,-7 l/ -( 0::~õ lJi1lje: lJ ~ '5 c[Eimmn. ~ t.:: -7 l/-{ ~C~ O)IY-ffÀIJ'P-g<. -7l/-{ff~n'P-g <1J:@o .Shou/d the clay be pasted on piece by piece, a rough surface will be crealed wlzich will even tually crack as air will be allowed inside. 5) T ype of c/ay and their proper uses . • /ndustrial c/ay J525 : Color: brown/ Heating tempo " 62'C + 2 This type of clay becomes hard when chilled and therefore requires a high degree of accuracy when working. It is Suitable for largescale models and is mainly used in lhe field of industrial cars. .Katsuro oil c/ay : Colar: grey / Heating tempo : 40'C +2 This type of clay remains slighlly soft even when chilled, and is excellent for processing (cutting and rough shaving) and surfacing. However, a modicurn of technique is required when working on the surfacing and finishing processo lt is partly used in the field of industrial cars. .a c/ay Colar,' light grey/ Heating tempo " 45'C +2 A newly deueloPed clay. / t can be placed between industrial clay and Kalsura oil clay, and !tas a wide range of applications. / t requires a low heating lemperature and remains softer than industrial clay when chilled It is easily handled by beginners owing lo its generous processibilily. It also creates excellent surface finishing. It is fair to suggest tlw.t lhe applicational ranges of this clay will widen in the near fulure. It is uersatile for models from small to large and can theref01'e cape with Sttch objects as cars and srnall cameras. lt also !tas the aduantage of availing a clear surface to lhe model owing to lhe lightness of its colar. 6) C/ay filling mefhods: CLA Y FOUNDA TlON WORK . .Basic filling o n •) ~=====::....(l ~ o--==s ~~- '(S~ li --------------------------------~~ x .Rough filling o x 736 C/ay modelling process too/s • Io Rake (direcl sem/Jer)OV1~:,~:h~J ~~v~~T1:1 71/~O f) Finisher .8 Wire S/wvmg proce~s /ools 871'-:1:/ 1> j!jIJ01JOIIfl'Y-il; 0 Do -::J mH±H.I 0':711'- O S /eel pIa/e fi) Pale/le knife I.ill l'r OÀ7'--M& o R/lbber polelle S /lI face lools *m~j~tln \.Q1JOI'Y-il;€~GI:::§R cEl ?1C'~~9".Qc~L \t>9"L \0 Tools can be improved lIpon by various conversions lo lhe onginaLs purchased. 737 7 v~!)/-Jb(J)if1ttlJ Methods for sharpening clay too/s .71'='Y :';i"'-o)~ff~n Shorpening finishers : 1. m?iJf~ };J~1J:i11:t-Q 240# (-ify I'A\-J,-) nJI <: c ~1cJ:'Y-I["1J:45°~4~1;: UiW~I;:l1JiJ'9c };J~iJ\-J'EI;:~!>"\'>9L \ , . Rough sharpening . Sei lhe blade (fng!, 2/10#. 11 is casy lo /Ieep li/(' b!ade III a cerlain ang!e ij I/I(' lool is /)!aud ai a //5 "angle for shar· pCllillg and Illell II"/()ved 11/) alld down. xo ~'.J.>;m~ ~I:t ~ A small amounl 01 oil will be needed. Slraiphl line. 2.l'fJfiil~ };JiIDtb U 600# 600#C'};JiID1J:m <-o ~0';m1J:f11:t-Qo m~7JIcJ:mm~c/6J [;0 2. "Jnner sharpening . Blade face produclion 600#. The blade face is sharpened in 600# in lhe same slyle as before. A small amounl of oil wifl be needed. 6.])t!:lu elil\lllA\ - J,- iID 1J: ~0':1J 1J: t& ~?iJf <.c ~ U!lJ lcJ:f11:ttJL \) };JiIDiJ\ ~iIDtJÇmll;:tJ-Q->~ um~ l11iIO){Jj (H < ) o ~0)~.~~-Qca<Wn-Q07~=~~~ lcJ:wn-Q ~ CiJ\ffôo [tJJnIl*Hi~l e:5~I;:jJ(9 J: 5mFs1J:WiIDl;:~!;3"C 'FiWl;:~ < 51~tO)ffi~bOC'*UrtfiC'~-Qo * WiI;:51 < C'Ffj'tJJn-QO)C';í~o 5 .~~A\-J\-f'F0 (};JtbuO)t.:~) 01 .OOOH 1. 000#1J: ~90 El1J:<! 61;:*HIiJ'< 9 -Qo @i!lJlcJ:f11:ttJL\0 5 . Superfine paper making (fUI' edging) l. Rub lhe 1000#+ 1000# lo creale an even finer 1000 # . '2. Oil is nol neeessary. 6 . Edge sharpening . When lhe blllde is mbbed againsl lhe smface of lhe s/lpeifine paper ralher liglztly, lhe SUl" face 0/ lhe blade wi!1 resemble a mirrar -'> bacfl ·sha,pening once only (lighlly). T/ze blade wi!! C1/1 weU afieI' Ihis slage. The qllalily ui lhe finish lt'i!! de/Jend on how well lhe b!ade wls. Tesling Ih" shartmess of lhe blade. A s lhe piclllre vn lhe righl indicales, one c(m easily lesl lhe slzalPlless vf a blade áy placmg a Ihumb on lhe sha ,p edge of lhe blade and giuing a lighl flick lo·wards oneself '* Injuries wi!! oeU/r if lhe finger is moved sideways. - m/ilBI< "---..------ tJJ;t1 ~ ml.l!lt~~S t; .Q Pull Ilte tluonb /I)II'(/rds {))/(!.'ú.:l/. Tite clf{tinl! ubi/i/." ((11/ b" lell {lrmugll llie .... /wrp·n l!...s oI 'lte b!ude, 738 Ui;])f11:t e600#->800#C'};JiIDm~. ~ um~~*HIiJ'L\~ i"'À ,)iIDl::::t.J1J:~iHt. ~~< 1@)5 1~~};J1J:f1It -Qo em~Oc~tbuO)~~~l'fJtbu1J:fi5c. m L\~il~ iIDiJ\ tb"\'>9 < tJ-Qo tO)t.:~I;:};JiIDl;:: J'EO)J :::J};J1*0)};J1J:IDl:I:t-Qo 7 . Special blade making Slwrpen lhe edge of lhe blade on lhe 600# -+ 800# and Ihen back·sharpen il. Place lhe blade on a fine iron casl and give a sharp pu!! lo creale lhe special edge. A good suiface can be added lo lhe model ij an exlra process is added belween [/Ie rough shaving and lhe suifacing. This will require a sawed· grd blade. x o x 3. tt.t11iJl~ J:JiHifí.t11 1.000# 1.000#1;: z:: J:JiHi~fí.t11-50 ~1-\ ;EIl~1"1It-50 3. Shorpen;ng f;n;sh . Blade linishing 1000#. Tlle blade lace slzould be sharpened as i n ' IfX)() # fo r complelion. A slIIal! amol/ul 01 oi! will be needed.. l!!lóO)~<! -:li"O);:c Til depl"~ 01 IIU! n l/5{edl/l -S.\ Il<l'd lo be regll/aled. 11liJ%i < '.lI < /, ') (1J!J:g .;tt.., ) l:..~rce.).S material ((lJIt)/ IiI }" unnll i... "rd lt l'u). 4. i!R LAJl~ 6oo#L.' 11Ut 1.000# 2 ~l~O)(1jL.'.Lt6i)-5;:C o i!R GliH~Id:~ J:J ~liH (" C mJ:J/;: /, I) tJ' 1:9'-5o "f0)/\1) ~mllJ Il*<ff~tJ'~GliH~L.'®-5o '*~ GliH~~0vtJ:L IC J:Jc IUJ: ~tJ:L Il/, tJJ tLfJ:L l o '* ~ GliH~Id:~1l~9~-5 c~iHil;:: RtJ\f1~tJJn tJ:<tJ:-5o)c', 1-2@~~c'.Lt6i)-5;:C o • Lt1' ?\Y-)IA7)ijff~1J Shorpening roke 10015. .*~~~7~=~~~-c~-c®-50 ~~ 1. 000#C'0)J:Jt:Jj G1d:=1'~ 0 240# J:Jft3~f1It-5 600# J:JiHit:Jj G SOO# J:JiHifí..t.11 Basically , lhe some methods as shown in lhe finislter are reqllired, However. lhe 1000# process can be omilled. 240 # lix an a ng /e lo Ille b/ade, 600# sharpen lhe b/ade face. 800# lin ish 011 Ille b/ade face_ 4 . Bock·shorpen;ng. In lhe case 01 600#, sll(lrj)en lreml Oi/e el/d lo lhe olheI' aud back In lil e case 01 1000 #, shmpen Irom oI/e e!ld lo lile oI/ler and bacli. and then repeal ol1ce onl)'. Tlze process of back-sllOrpel/il/g is carried (lI/ I lo remove lhe exces.~ malerial crealed on lhe back 01 lhe blade aller lhe Irolll of lhe blade IlOS beeu slwrjNll ed 3* Wilhoul · Ille bacl<-sharpelling process, lhe blade wil! 1101 sc}'!'e ils dllll' as il lUil/ nol CIII IreI!, ' 3* T his j)rocess sholl/d 1'101 be repealed more I/wn IlUice as excess slim pei/ing wil! prodllc(' an R OI/ lhe bacl< oi Ille blade and ma/lI' il b/mlt . J..; l' ~ 'Y - )[;o)liH~ C ~=5 J:JiHiC R tJ'f1 <ctJJ n~tJ\~< tJ:-5o The qualil)' 01 IIII! rake 1001 IPill deerec!'·' , i/ lhe calfing edge has an R shajN, x o f----6 739 -----------_----1_----------- I!!I!:JJ!i(J)gP!l 8as;c shav;ng process ~~?0~~~~~~~~~~~D~D , ~~ ~fl~~~tcJ:t.: t>l)'I;:g-Qo I . Shoving. Wilh lhe use 01 IlIe bladc lace, scrape lhe large m gged slIIface oi lhe ela.\' lo achieue ali ot'erall smoollmess. OO~~?~51 < 15(ê]I;: ~ ~®Jtj l;: ~, ~IJQ;:: cl;:J: D 1@0/1íIJ D ~0tJ\~~ <flll!ll ~"") v0 ~~WIãW-iI;:fHlJc®Qo êOLd?~51 < 15(ê]1;:~1 ~~,ij~I;:iz ';I t---~. ~Q;::c~J:D~~?0Wn~~~g-QC~W-i I;:K-ffi < ~IJD~Q;:: ctJ'~~Qo 0~~?~51 < 15(ê]~mJ~~I;: ~ ~~ ?1:.~,ij~ ~g-Q;::c~J:D. J:D~~~~~D~~~Q ~, ~D.~~~<~D~~~.~~<~Qo 2 -2 . SIeps for rough shoving. OOA large area mil be shaued 011 by sel/ing IlIe mke ai a 90· angle againsl lhe /mlling direclirll/_ Tllis is lavourable during lhe early slage oi s/IIlace IrealmclIl. êOA sl('(fdy s/t'ay 01 l/te rake can be achieved by inclillillg l/te rake lo lil! againsl lhe direc· lion 0/ l/te pull. AI lhe smnc lime a more ill(J'eased s/allled sllUve becoJJ1es possible. 0 More sleaely sl/(/ lIing can be achieued by /iIIlling lhe mke lo draw a curved line and il/dil/ il/g il il/lo a lil!. This will, however, decrease IlIe Wllo/IJII beillg slulIled, bul lhe cOlldiliol/ oi Ilu! sllljace will improve. ' };jim'!!~m9~ U-", ,li" hllld" ,,"d. -- -. ,"\i ? v-{'.!I-)vO)I1J1:J'un. JlJUOn fFfeclive woys of hondling lhe 1001. © .. / ~~r) I '!>1J: l\7J\ (!1]l:'!i!!iI': ~u , ';I -lld;''5i u ~ l\ ? L.-1' i!ll:lJ'tl:lL.. 9l \ Tlie {JI((IJl!;ly hcing "'/lOred IS .'-ma//, but file loo l con he IJWl 'er! sl('(ulif" ogoi1/SI lhe J'lf{;J.[ed :';'Injace I.clúcll enables ('((.... (' 0/ RtlÍJliJlg (( good (II(((/il.\' SIfI/(I((!, o x 2-1 J1UWJ ~~?0~~~~~~ffl~~*~~~~lli~~ 1'P<0 '.:J-)IA7)~tJ'Vr51d:-15(ê]~Id:~<. '5 ~$fL>.1;:~tJ' V'r-I'P <C ~L 'o 2 - 1. Rough shoving . Wilh lhe use 01 lhe sawedged end 01 lhe raJle lhe basic shape' 5hollld be lonned. !t i5 advis· able lo moue lh e rake in random direclion in arder lo achieue lhe besl resulls. ------,=~ . _, __ • M~H~~~7~=~~~-~J:DK-ffi~~~~ ~Qo ;::0M~~~~ffi~0tl~~~.~~< Qo t:pf±~ Ij'J!jIJDW-iId:. '.:J-)v~ft< 1;:~Dg<~1J Q ('.:J-)v0~tJ\tJmQ;::CtJ'~IJJ) J:-3I;:-g Qo ~nL,tcJ:~~~<-8I;:Id:~Ojl~J!jIJQ;::C lêI:<! ltJ:-3 0 3 . Afler lhe surfoce Ireolmenl of rough shoving, we come on/o lhe process known as lhe mid-finish. The use 01 a linisher wilh a special blade allached will produee a m/reh liner surface. AI Ihis slage lhe smface slzould be ready lar LVork 011 lhe aclual modelling. Try lo ho/d lhe loo! lig/tlly and give lighl louches lo lhe shauing during lhe process 01 lhe 71úd-finishing (il 1S importanl lar lhe blade lo cul well). A void pushing lhe lool 100 Izard in order lo achieue a good qualily 01 lhe elo)' 's sUlfate. 740 ~ulJ~m Sleps of lhe shaving processo o I; / $f±-t~0'Y-J1I0i.1JtJ\G7J0~1':'; t--I;J: 1. g< ffl!5@l \~ 'y ~c·~U.Qo 2. 'Y-JlI~iml;:rn9 .Q8i'fI;J:@ <~H.::"F[8]I;:;:r;9 JiEnL'rn9.Qo 3. 'Y-J1I0i.1J~I;J:~7JimL'ij5'::~o f} > '\ \ / I 1I I I ~' \ .. o E/leelive ways oi handling lhe 1001 during Ihis proeess are: 1. CnJ; iI lighlly and gil'e lig!tl 10l/ehes lo lhe shaving. 2. 11 should be genlly placal on lhe surface and moved as is shown in lhe pielure be/ow. 3. The lools , lIoll ld be moucd in random direclions. iU! j§J!~imtnrenL l \.Q!l* l!liL'imf±-t111;: À ~5~~~~~~~. im~B!l*0~~~-m. tJ'!±9'.Qo NB: The surface oi Ih!! elay wiU end up willz wav)' tines il l!te s/IIiace linishinl[ !HOC ess is ea rried 0111 100 slVi/lly lUlzile !lU' suifaee is sliU rOllgh. o / / 747 fIIlrnHWJ O)t:~f;t'v- )l;o)i1J~f;tT~ f;:;J\9 J: 5. 5:;51Lf;:i1J1.J'9 J:5f;:9-@t:~l\0 4. Shoving curved surfoces. Til(' lools sllOuld bc mon:d in random direc' !iO!1S lor shaving as indicaled in lhe picllo'e belo l(, for lhe Ireolmen l oi C/l rL'ed s/ufoces . !l-' 5. imfí..tl:f- 3-:JOYfj$. 07~=~~ ~-fflMI~~~~~G~7., 7~ ='y~~- I;:~ (~< tJJn-@~O);:t:) ? v1'~~~~fflí < (ID~i±..tf::ft:: i~, :f~1'(5* t::~ ~o)OG~~~~~~~~tt~~ <o f)7 ~ ='y~~-ffl1JDI~I;:~~~G~7i~ , :f~1'(5. ~, ~o)OG~~~(ID~~~~tt~ ~<o~S;:O)~$~~~~~~~~~.~g -@o (i§if~~jE-@~I;:I;t3Z~td:G) 5. Surfoce finishing . 3 methods ovoi/ob/e . 0 01/CI" lhe s/IIfoo Ireolmeu l wilh specially processed b!ades liaS beell co mpleled. lhe cio)' sl/ifoee is onel' agoill IllOrouglily Irealed wilh a lin isher (el/sure lhe blode is slwrp), {/ mbber spalula. IIII! lingers and lhe paim oi lhe hand lo u eale o canlinuilv lo lhe sI/doce. f)Aller Illc surloee iws been Iréaled willl lhe specia!ly processed blade of lhe linisher, use (/ rubber S/lalu!a. lhe fillg(')~~ muI lhe paim 0/ lhe IWJ/d lo giue a conlilluily lo lhe smfael'. Tltis melllOd. IUJ/cel'l'r, lc i!! lea li!' lainl !ines on lhe slnioee, (Tliis /('ill nol mal ler I.vlten lhe l ormOlion is c/lecked). ~7~=~~~-fflMI~~~, ~~G~7. 7~=~~~-~~?v1'~~~~fflí < ~~tt ..t11tci~ , TVc: :; ;m~?I:;ZI;: Gih;: *tt~ (ID~ih~~~o)., :f~1'( 5, ~, ~o)OGW ~i±..tf1-@o Nu 3 O)~$f;t~, (ID, ~=;7<:IT;i§ if~0)~.td:~pJif;:ílEffl9 -@t:~l \0 ~Once lhe surluce has been Irealed tuilh lhe specia!ly processed blade 01 lhe linisher. a Ihoro ugh Ircalmenl 01 lh e elay sarlace shou!d be carried 0111 wilh Ilte use 01 {l linisher. T ltcn. soatl a rag in lerrapill oil (/nd M!ish IIle smfoce hclo rc Ifte lillul Irealmenl wilh lhe m bber spallllo lillgl'rs ond j)(lh-n 01 lhe luznd lal/cs placi'. T fte NO.J melhod is slIilab!e lar lhe Ireal, me1l1 01 slecj) /)orls 01 .]·dimensional models S/lch as sPhericol Sl/rfoel's . 742 ? v1' ~~f;t:fX1.J\fflíl \~Illif;:i±..t l'Ji§if~ 1.J\~ ~9 < ~-@o*t::;:0)••a~fi~~~+~M X. -@~~Ii!lt: td:-@o 6 . finishing . The clay sllrfoce is compleled wilh no marks, wlâch make lhe lormalion eosi!y nolicable. The (j11O.!ily 01 lhe surlace is good enough lo lake colar. Sco/e c/oy model of o tro;n O~~~Y. ~~~~~~~7~~~~~~~ IlR ~")[;~i:Rõf). tfJTId:~+.f~ Yo)ElEEM~ ~.:t ~t.:õf) 2rnJ 91à:c/J\;! < f"F~ ~~ l 'o tfJT 1d:-'E~)[;""<j$=r: I) =r: I) L'f"F -:::> L V ~ -5 ~? ~~ -'E~[;L'0)~9 E1EEM~~< ~9. ~~~Y? ~~O)~"*1d:tJ: < V L v*-5o)L';!lt~"~L' (!;j~o ::iuJ\;!tJ:-'ET')[; (300mmJ..:rl') L'1d:tfJT1'~? ~ ~O)#L'~L'o o Firslly lix lhe reduced scale levellrom lhe design skelch and layoul plan. /t is Ihen advisable lo make lhe modelling core Iwo sizes smaller Ihan lhe v.jJecled size 01 lhe model in order lo relain some jlexibilily 101' aUeralions lo lhe des~e.n. One should avoid making lhe core 100 elose in size lo lhe acJual /nodel as Ihis lUill nol leave much space lo zvork on and a modiCll1n 01 signilicance will be 1051 Irom lhe elay designo A core is nol necessary 101' small elay model· ling (Iess Ihan 300mm). The elay on ils own tvill be sullicienl. @) ? ~~ -'E~) [;~J < ~f!ri!. !J?:\9'fiiJtJ'O)~~~ ~~~~Àn~~~o 2~~. EI ~~. ~@~ c~~Y9-5~Y~*~5~Y~Àn~d::-5 1:'9~~~tJ\~~ Y ~~tJ:~o 2. The inserfion of fhe base fine . @) Some lorm 01 base tine should always be drawn wilh elay modelling work. One should make a poinl 01 drawing a cenler and horizonlal tine when LU01'king on elay models 01 bicycles. cars and lrains, ele. 3 , Rough shaving. om~9~~*ffi~1d:lli'9~~~L'~~0 ~fi im. *~im. 1l~~lli '9o i!JU~ ~ ~rd:Jj\ ;!tJ:~Id:A~~c'~ b~ EI EE I: ~ tJ, Vi!JU 9 1?'9l ,~:;:,; 3 Y~l~~ ~ ~tJ' i!JU 9 O) ~~Y~o f)~9f1Itld: 'tT)[;'f:iE""<j$d::9 1rnJ9*~< ~9f1It~o ~9f1Itt.h!~'9~~Ujbn'~ ~r:? ~~ tJ' J\:;Ij'~? Ã~t.: 9 V. ~t.:im tJ'tl:l v ~ «~~o)L'. ~~,,<~*O)ffi~~~~ v -:::>tJ, 9~9f1It~o 7. C/ay covering, f) Cover lhe l'I'IIIde/ core Il'illl day IInli/ 1111' size exceed., lhe ex/Jecled dimel1"ioJ/s v/ IIIe modelo AI Ihis Iminl lhe c/ay slloll/d be added lo lhe basic s/w/JI! oi lhe core as c/osely and as lighll)"/Jilc/,r.:d as /Jossible lo auoid lhe elay /osing ils //I)/d /1'/1 01 lhe wOl'k com· mences. ,')lIcll OCC/llw/ces l('i// make lhe creli, lion 01 lhe sl·"face dillimll. (The foo/ used here is fhe Rake 5 O) o TIIe rollgl! s/U/l'Íng is needed lo errale lhe basic shape I!( 111(' ji(lm"l'/ fmd 11011zol/Ial s/{r/aces. T"e impor/(ml l){Iinl in l/li" jmJcess is lo gel a (om/orlob/e /ilólil!l/ ill Ic"idl lhe shauil1g CO II been wrrietf 001 freei" b,\' II1l1viJlg eillu:r YO/lJ,âl OI' I"e c/o.\' IIwtfel. 743 "~~(])J:"5I'::;P:hiHit.J\=§;< <l5QC~ (1ll~iHi) Id:. ~q~fflL'iHi(]):;P:rriHi~6i~GtJ.t.J' 0 ~IJ QJ:"5 ~~Qo~s~~~~m~~L'<l5~m~~~W 1':0 " Dun'l/g lhe process of making a clay model wlzich has many parallel surfaces (flank faces) SUeli as a railway lrain, i l is advisable lo check lhe surfaces occasionally wilh a neler. The mosl imporlanl process here is lhe creation of lhe shape, Iherefore slrong atlenlion should be paid lo Ihese surfaces. ~~~~Y~~~~. ~-7~D-'~~Y~ l--~tJ.c:~.*cG. )\~':,I I--T~75~Y~ 6i~G~t.J\0j!jbZ:L\<0 * <l5*~~~~~GC~0~ (7DYI--~U~ ~~) j!j1bZ:L\Qc. -15(ô]I':~ )I.-VW"'SJ Qo ~q~iJQOOiPJT~~x.QctiàL\o *t.:~q'f ~~#=§;~~nz:ftQ~c~~WL'<l5Qo 5 . Crealing lhe shape of lhe fronl area. ~ Using lhe design skelch. lhe lape drawing and lhe layoul plan as a basis, give occasional 10t/ch·ups wi/h lhe paletle knife and shave lo shape. /1 is advisable nol lo spend 100 much lime shaving lhe same area (fronl and sides) as Ihere is lhe possibilily Ihal Ihis will result in a parlial image. A n occasional posilion shifl is recommended. /1 is also importanl lo lake regular breaks {/nd uiew lhe work frorn a sllOrl dislance. 0~q. )\~':,I I--T~7~~mGZ:~*lY>JtJ.:9I m(])m~••=~c:~~nz:#z:~~~)I.-V ~!ãl~1J:t.J\0j!jiJ? Z:L \ < o * ~(])~~L'~m~J:~~)I.-V~~W~~Q J:"50 4D~iJQ c)\~ ':,I I--T~ 7(])?~ yt.J\;~ x.Q(])L', ~q~ff~)\5 Y~~5?Qt.:~(':, 1I'1~) \~':,I I- T~ 7L'5~ Y~!ãl~®G Z: 1d:~~~" '~~~G f'F~C~Qo 4 . Image Crealion o Wilh lhe occmional use of a paletle kl/lfe. draw in lhe complele sluface irnage and Otlf. fin e shape for shaving. AI Ihis slage lhe priorily should be given lo lhe image crealion ralher tlum accur(Uy. 4D The lines cralled by lhe paletle knife tvill be erased during lhe shaving processo so lhe job of reapPlying Ihese lines should be repealed each lime in orde,' lo rnainlain lhe ove rall balance of lhe model. 144 I &/\V'Y r- 1""1' 7c:'1' x - :JU.:51' :; ~À:tL. 7'+1'1' :; 7, 7 'Y TT-:1 ~ D- 1J:c:'C'liL \1.:1' x-:J~~v . ~~~~~~c:'~. 1'x-:J~ ~1J:.Qc~~~9'.Qo)c'j\ V 'Y r- 1""1' 7 C'liL \ k51':;~~W~r.Qc • • ~1J:51' :; ~li < ;:,c·fJ\C'~.Qo & Use lhe paliei kl1lJ<· lo d1'aw in Ih image lines. T lze image 01 lhe design skelch wiU come in lar a 1e1(, amel1dmenls whilsl one is 1V0rking 011 lhe Ihree·d imensional processo The /ines draU'll in wi/h lhe palelle knile wiU Ilterelore helP I.vhen il comes lo adding deli · cale lines. __ - - ~-- - . -r-r" Ti' ---, --,o' - ~ - - ,- _. ~*~51':;~~~~~~aO)..t~ 7, ~?1J:~ c:'~1' ~ 51':;~li < ~$~~T-:1~ D-. v1' ?~ r-~~~:?gcr.Qo ~ Wilh regard lo lhe horizon lal lines, use a score·like lool lo draw in lhe side lin('" 017 a plane base such (L, a m odelling board. Th e lape dmwillg (/1l(1 layoul piem s/lOuld be reler· ed lo l ar lhe sizes. 4J)~1' ~ ~. )["-7~~;j{jB:I;:: J!jIJOiM\)c:'fil < ;:. C I;::J: O. t:tLi:':tL0)~ff~/\5:; 7,~úi~r .Qo 4J) Check eac/i il'lodefling balance by s/wving lhe sides and rool allerl1alil1efy. ~*~~~~.~.~1' ~~~~ owro ;:'O) ~~C'~*~~c~1' ~~~~~O)~owvn ~C1J:O. v1'? (v1'?50) 0)11J~t,~-'lÕ")1;:: 7,51' ~~tr1J:1:J' 6J!jUO~i'J::>cL\ <0 ~ Al ieI' lhe horizonlaf slllIacc check lias been made. slar! lo res/uwe I/Ie ·sides. AI Ihis slage bolh lhe /lOrizonla f slfifoces and lhe sides 01 lhe m odel shollfd be s//{{ved lo shape. Scrape lhe rake (Rakc 50) dia!?OUllfly agoinsl lhe shape. 0~.Q c1' x - :J51':;~~~c v *5~;:.:tL ~~O~V . ~~v1J:~6~~c v cO)~~. ~ ..tl ::f'cfil < o * 1J:~~~c1J:.Q v 1'?~r-~1J:~O)~~~fi 5 ;:.c o o The image /ines /l·ilf be ero,wd by lhe shaving processo blll lhe repeliliol1 01 l/tis process and reconlirmalioll ol lhese tines will hring lhe mode f lo compleliOlz. The .b(L,ic layoul j}lans s!Lollfd also be recon· firmai. - - - • 4I>~1' t' ~O)J!jUOWv~fi::>cL\.Qo )[..-7c ~1'~~~~~c v c~~1J:~~tt~~.Qo)C' T?t;Ul:~~',;vtJ:1:J\ 6~1j.Q;:'c o * ~1' ~ . )[..-7~'561:J' r;-i~1j0)~1:J,;&n::>c L \.Qc. ~O)~b.Q1l!1íjifi1)';&~nJo 41> T /tis is lhe side' s//Opii/g processo T/le rool and lhe sides //aue ([ ver)' úi1jJorlanl re/alioll ' ship lo l/ie mvdd Sli a greol dcal 01 care ai/c! ocmsionol checks are needed during Ihis processo 1I lhe sides OI' l/te moi IlIIdll lale, l/te areo w/tere lhe sides Iileel lcill af~o /Indu/ale. 745 ~~1'~~, L~~~~~~9~C~~C~~ ~td:RL'l14JJ.t~nL"L \-Qo ~ A check 01 Ilte sides and lhe upper surface wiU reveal Ihal bolh sides have been made up 01 a line 'R ' shape. ~M*~~~~~~& .g~.~~~~~~ iID~tll9o ~ Cul lhe rear pari 01 lhe model ai an angle 01 90' having checked lhe basic model lo reueal lhe surface. 4DJ'[";'Y ~T1'7~~m~L"1f~tt\~~c1':/- Vtll~~n"?L"L\-Qo 4D Use a palelle Im ije lo check lhe shape and creale lhe image. ~~ft~~~~51'~~~01':/--V~tll~~ ~~J,[,,;'Y ~T1'7L'lIiiL\L"L\-Qo ~ The pholograph shows lhe process 01 ereal ing lhe image around lhe headlights wilh lhe use 01 a palelle knije. -"= , r' _________~_-__ fl7D:; ~.À*1' 5-~*J\IJ lllI~o ft< 71' ='Y:;i"'-I;:L"j1jU~IllI-Qo fi The Ironl ;;poiler lerminal linish. Shave lighlly wilh lh e linisher. )[,-7 moI If)) Shaping lhe sides. jJ~~(\t)c )'"/7M OI./c Ih(' bladL' dirf)4(}Jl((/(r lo shapc. holfolll 746 1 ·7D/I--.:;z*15-~*9J.HI1;t0-::>C:::l.\~~ tJ'IMs.l.\t=./!/), ::1v-1-- (.:;z7-J!J.:;zI)--7) ~Yifti*&IlI:ft <~c::: , R7./<lJZt±l u1;tí'J-::> C:::l. \~o ., Tlie lerminal process is added lo lhe fron l spoiler. Being small, a plale is lightly added lo Ille lerminal seclion in order lo produce lhe Ilon·zolllal 'R ' shape. ~7D/ 1--51 1--1'imil~ :t*t±lu1;tí'J-::>C:::l.\~ 0 l'1:J' b_U::sl <c & l. \0 ~ This islhe process of slwPing lhe lower seclion of lhe frolll liglil. The besl results [(In be achieved (f olle 1V0rlzs from lhe bailam IIP. ----------------~--~« @)7D/I--:;o11--1'imYil\i*t±lU. 'Y-J!J1;t..t..... 1'1:~.!l6f)1: uc::: H <~Ib c::: l. \~o @) T he lerminal process of lhe lower surface of lhe fronl lighl. Shave lightly by moving lhe lool up and dOllm. ~1~-V.:;z7~~. v1 ?~I--~1;tM*~~ 1 t-: ~1/ t-: 5 1/1;tO .5mmT- ::1z.'~iS fJ 11 It ~o * ~s. V1?~I--~1;t~*C9~t,(7)<7). ;: (7)1Jij~z.'t,~~-{/-7v-{~~!J1;t~~~~-{ t-:~-{ / t-:(7)m:i.i't,~6f)~c&l. \0 ~ Using lhe image skelch and lhe layoul plan as a basic reference. make lhe side window line by slicking on a O.5mm side lape. AI lhis slage il is also advisable lo fix lhe posilion of lhe side windows by looking ai lhe whole balance of lhe design eoen lhough you sliU have lo rely 011 lhe layoul plan as a basis. ~T-::1(7)~iSfJ 11It7J 1;t Hcl:;J'\9o ;:(7)~f;1íjIIcI:.:;z I-- 5 1 ::11Jij1: t,Jjê\mz.'ê:~ o tD Slick lhe lape in place by following following diagram o Tltis melllOd can applied dl lring Ilze Slripe processo lhe be @~ S/might lil/e. !!l:iE Fixai 747 0;\~ 'y j--T-{:n:z:. 70:;j--.,-{:;1'. 7 O:; j--iK:;;jt. 'y j--tJ:cüLlii5-{ :;~lãl~. ;'\5 :;À~úi~9Qo o Use lhe palelle kmfe lo draw lhe posilion /ines on lhe Iron/ window and bonnel lo check lhe balance. 1 ~~7-~-j--~M~rn~. ~-{I'''-{:;I' -{ ,;>(-V~t±l9 o ~ Once lhe posilioning 01 lhe lape has been decided upon, press in inlo place wilh lhe ~ Creale lhe side window irnage by slicking jingers. a colar sheel in place. ~~@~iIDJ1/30À'T-)[,tT)[,C'(!BQo ~~~~múi.~~~W~C'~<~~-{t~[, fjjv~ff~úi.~9QC:J: ~ IJ}' )[,tJ:-{ ';>(-VfJ~ t±lttQo 8A 1/30 sca/e model 01 a Irain earriage. A more realislie image con be produeed il lhe 3-dimensional model is checked nol only when drowing lhe line plan, bul olso during lhe oelltol conslruelion 01 lhe clay model. @D 2iIDJli\ilfJ!l/30À'T-)[,tT)['~;'f-9o ~f'FI1JlF~ 4 Elr.ll fi) The p/ell/re shows a 1/30 seale modelai o Iwo-carriage train. This model wos 10llr days in produclion. 748 8Starl wilh lhe model core processo The wings ()Altach Ih~ basic covering, Nole Ihal lhe clay require sPecial attenlion, The core needs lo be should be sPread evenly lo rnaintain a cerlain well slrenglhened as weighl 0/ lhe c!ay. il musl also supporl lhe flow when working around lhe wings, -:li:;7JIêJL'1J'-:J "t-J i&L'Id: ' ft i!tt{J Th~ ela)' should be spread in a cerlain direclion and lhe wing seclions con neeled. be done using lhe sameGThe back should melhod as lhe /ron l. fRf-IlJJlli7. 7-/v7v~TT/V A sca/e clay model of a ;et plane OIi!R~[;j~CP-1-(~TJ[;:::J y) "H'F':)-.t11-@o 2fflI':) 1à:C:'/J\~ <f'F-@$ã:t.:, lU::: ~t.:-@f'H~ ~~~~-~~T-@~.R/L~-~~T-@~, ~~~~~Àn-@~T-@o.0.~~~<4-@ t.:óI)9-1-:jjÇI!ilC'i\lJUtt~~IYJ-@;: ~ o OCreale lhe model core once lhe reduced scale IIOS been /ixed. Ensure Ihal lhe size 0/ lhe core is Iwo sizes smaller lhan lhe aclual model. The joinl seclions 0/ lhe wings can be connecled lo lhe bOdy 0/ lhe Plane or inserled wilh lhe use 0/ iron rods, Owing lo lhe relalive Ihiness 0/ lhe wings, Ihey should be properly slrenglhened ai lhe slage 0/ TlUIking lhe model core. o x 8~~[;CP-1-roI~À-@~, M~••~~~~ ~~T-@o ã:1::~~66Ic1:.1l!IJt.? L--1'1JOIT-@ 0C'+~td:cp-1-ff~:jjÇI:::T -@;: ~o omma,:)~fi5~~~~~~, ••~~ill~ --:::>0;mn~tJj ~ ~51ê:j$lt~~,:)MI:t~fi5 ;:~o i ,(?J\?td:7J/ÕJ L' '? ' It{JcI)7- 1J1 À'?"\'>9'<~1:,@ 1'9'{J A dis·uni/y 01 lhe diree·lion flow witt eO>llribule lo allaw· ing air lo enler llu! model and decrease overall slrenglh. 749 x o 0mli0, ~1cl:0~ffll5tO)lM0f'lltl;:~ 1.! 1'Ílt .Q o N C)L IZ:Icl:~~~t>Gt.N30)? f..... l' 1.! MI;: ~O~tt, -~ I ;: j$lcn..llM01'Ílt.Qc-;m ttt.J'lI L."nOIOO? 5 ';J? tJ.ctJ' À 01;: <L lo 0Rol/gh covering. Once again allenlion should be given lo lhe wing joinl seclion.s. S esi resulls call' be allained by adding ÚJrge pieces of elay each lime and l!zen spreading i l quickly which improves a con linllous smoolhness and prevenls lhe appearenc of cracks. 10 The piClure shows lhe cÚJy covering compleled. , .......~I,-.- - .~ r--"" _"• .1, _,,-,'0 __ -'1. ~IY-~?~1.!~1'~-~~.Qo ~ffllO)OOW IIcl:~1'~-O)}Jrml;:!fflnOI1.!ljL 1~1' ~-I;: nIJ0nOIL.,,1±..tli.Q0 ID Use lhe wire lo dig an aird"c/. Then apply a special process lo lhe blade face of lhe wire lo Ireal lhe concave /)arl. The wire should be used lo shave and complete. (f)hUdl~.À? 1)-:;=;lZ7tfflllcl: 'Y-)(;1.!J!~ tJÇl;: -t '? Z:~4~~1J 0 1.! ff5 z: Co ff)For lhe pilol seal so-een, move lhe 1001 diago· naUy along lhe shape of il lo shave. 4D~Folj;i$:1JjIJrm=;lZ)[;ffll5tO)~U 01cl:, 'Y-)(;1.!~4~ (;:51 < 11~1.!~f,jlL.". 1±..tlin1< c~L l o • Various slyles of bringillg the 1001 lo lhe diagonal lilles is advised in order lo give lhe side paris of lhe body a 3·dimensiona l appearence, 750 f)~ROO~OIIlij*9'. I) >:7':7-{-p-'y - )I;C' 1J0I"9~~G l \O);~~* C'tIlE IJ i6t;o O Use a ring wire 1001 lo allain lhe reversed R shape. Do nol be alraid lo dig in as lar as is Il ecessary. 07~=~~~-MMI~~~~~~G~~G J!j1J~o fJ)Move lhe special/y processed linisher blade diagonal/y lo shave. 0ft~$0)~U IJ 0)", -{ '..I t---1(Uto)Jl~:j;I;: I;:: élpt!. ~tt~~51;::~IJ~o 0The edge 01 lhe wings should be smoolhly shaved. -- ~~-I-~--- - ____ ._---L~... ••~OOO)~IJO)"'-{'..It---~.~~~élpt!~ tt~~51;::jlJlJ~c~l\o .The edge pari 01 lhe wings should be shaved around in /lowing movemenls. m~@~lJcmfiG~m@~~~o~~~ITG <~Gtt~~c~~IJ.@~~G<~~o 11) The back surface should also be shaved in paral/el wilh lhe upper surlace work. Accurale work given lo bolh S/lrlaces LUill bring oul lhe besl resulls in lhe edge su rfaông work. ~~.·.~~~tt~~~~c~~C'.~R~ G~7 ~ = ·y~~-C'ft < J!jUIJ1±~I:f~o ., When lhe wings and bolh sides 01 lhe Iront and back are com/Jleled. use lhe linislzer lo Ireal lhe R shaped edge surface by shaving lighlly lo complele. 757 --------------------------~....~------------------------ 4DJjIiJt~= ;~:n;g{mUJIGYffil~il!o)~lf~tt..t1J\ IJ tl;1!!l~if,9o eThe piclure shows lhe comPlelioll 01 lhe 3 · dimensional pilol seal and lhe lip area 01 lhe ,nadei airplane. 4D The piclllre sho/.('s lhe fine linish 01 lhe upper airducl area. ~~ l.t1' 'ET)vfJJl'IJlrm~~~ll'áC'rcl:. ~imo)ib1± ..t~IJ~m~m~~5~9~~~.~C'~~o "In lhe early developmenl slages 01 clay model· liug. il is more elleclive lo complele one side lirsl lo check lhe lorma/ive shape. 752 Hl$fIj;{7-/b-7v~rTJb A scale clay model of a building 07'1'7'17'A 7 'Y TC [",,1' 7'9 !--f@1d:=5c I~ iJR[.."I\Jl11d:iJc<Y.l, ? [",,1' =t7'JV7tPX~i>;1J!'l" $1~~fJ, "Pr'l"$ (2~fJl;tIJ\<!<) 1d:iJc<Y.l f.J'Y!--9~0 o The levei of scale reduclion should be jixed Ihrough reference lo lhe idea skelch and layoul plans. The size of lhe core should Ihen be decido ed and cul oul while working f rom lhe conce· Plional drawing of lhe cla)' (Iwo sizes srnaller). 8kolllR~a;ji~"Pr (=tTJl1::J7') 1d:~ < O..tl:f ~o 2 ~O~IJ\<!< ~< ~;::co fjThe co re should be compleled aflu lhe scale redltelion has been confirmed. fi needs lo be Iwo sius smaLier. O.~li01d:rr50~.liO~~~~~S~§ O)? [""1'C'rr5cf1~t:H~.L \0 e Work on lhe basic c1ay covering. Soflislz c1ay should be ehosen for lhe basic eovering as it will adhere lO lhe core easily. I~"Pr7tPX~ml, ~lHlr~A7D-Jl1O)t~n7JI;tIlll ,OIl*<;::Co () The piclltre shvws lhe complelion of lhe core. 8rush lhe slyrene saw-dusl from lhe s/.Irface. 0j'jHi°1d:rr50 mliO O)::J'.:J l;t? [",,1' 1d:51~ f$I;fL.,liOf1It~c.I7'-tJ'.À°r~ < L \0 o Work 011 lhe rough covering. The secret vf rough coven'ng is lo ,1Jread lhe c/ay in sueh a manner as lo preveniair from clllen·ng. 753 _______________________________IIIII~------------------------- - - - - om~~~7~~~~~~~~-~~ª~*~ L\;:O)i3t~U ~f'F~t:tcJ:Qo f) The piclure shows lhe cornplelion 01 lhe rough covering. The rnodel is one size larger l/um lhe basic exlernal shape. Shaving will lollow. • - - - ---=-- ----- - .~(1gM~~~ [,.,1 f±...tfJ\IJ~~~jf,931~® ~~0)®~~~~["'1~~~+~~m~fi~Qo fi The piclll/'e s/wws a comPleled clay rnodel 01 all illdool' ,porls arelllJ. The round shape 01 lhe surlace is well expressed by lhe clay. ~I) :PJvJl.,-7$~f;:::>L \'Lld:. ~ [,.,1®1;:~ ;/!:j~§1HH.'f±...tfj1:::fJ\ ~ [,.,1®~m~~~~ +~mliti~~Qo fi The real' 1'001 has been Irea led by applying a coai 01 black matl painl, bul lhe surface is good enough lo lake a direct coai. 754 (\)jjJ(i§jml!JUIJ~C'I<I:. jjJ(i§jI;: t"? L;mn~J:"5 ~~~~~o *~~~~~~J:~.~~<~~. M~~~~C'~*~jjJ(i§j~.~~<~~T~~o oWilh lhe use 01 a rake 50, Ihoroughly shave along lhe curved lines 01 lhe spherical surface in lhe slage 01 rough shaving lo creale a basic spherical surface. 0mi!l~ ~C't. Ld ~50c'~~0)J: "5td:~i§jti\. *C'f±_tJf~o ~O)i~71 =',:;Y.,.,-~1JOI]] C'iID~l.J~rr"5o 41) Wilh lhe use 01 a rake 50, give rough shaving 10l/ches lo lhe surface unlil il resembles lhe one shown in lhe pholograph. Then go anlo lhe nexl process 01 surlacing wilh lhe use 01 lhe specially processed linisher blade. ~71=~y.,.,-~WI]]C'~i§j~l.J~~. ~ bI'(5C'~iID~td:G l.J1JDI l.Ji§jf±..t11~T~ o 4D)Aller lhe surlacing wilh lhe specially processed linisher bla'de is over, Ireal lhe surface wilh a rubber spalula lo complele. G)lii~ (;:~. m~~L\J:~l-:.t.tl;:iID~~T (1\ ~~ff~ C'I<l:ffllN!C'®~tJ'/J \~~ff~~C'I<I:~O)f'F ~(<l:J: < ij'"5~$C'®~) o (J)Last/y, use lhe hands and lingers lo improve lhe surlace (such a melhod is nol suilable lor large models, bul is used ollen 011 small models). ~~~~~~.~~~~~~~~C'O)~~~~ 7-)~~ ~~ C't-5T~ff;Wt~;glctC'~~o Q) The 10mUllion 01 lhe overall building can easily be conlimzed wilh lhe 3-dimensional c/ay scale model. 755 f1f!!I Examp/e of clay mode/s M'lIkJIIIIYJ ~IIA.u.~ '7".h1 A~~~IIAíIl1.-R!I:,,/ .."/V ;/ -/ A "/"" -/ ~~ /V The full-size sharp-penci/. ')7-~1J 7 )[.,-ij"-í :;('E7")[.,{t~l1llr.,IJL'":J< QC~, ? '-' -í'E7")["Id:flttL:L\Qo ~i:Hln!UIJId:~~ 1 BL' 'E7")[.,tJ\~px lA::o The fronl area and lhe rear area. Clay modelling is an excellenl m edium for making full·size models in a lim iled lime Period. The lime required in lhe crealion of Ihis model was one day. 1 7D/r-.~1J 156 A full-size model of a hondy comera. =.F1;:: };j-:J L;l..1 ':;T~O)fl!lArm I"'1'lri~tJ: C:~ ff~l-:,( 9j. C''t, -t-51YJJ~e<.JC'il5 -:J t.: o ~1'F1lJlr.ll 3 arell This is an effeclive model as nol only lhe forma· tion can be experienced, blll also lhe shuller swilch and olher areas lhal require hllman indus· Ir)' can be fully checked !Jy holding il in lhe hand. This model for Ihree days in prodllclion. 1))7-t:.:J. ~~m.~C:~~~~~~T~~~C'-t-51~Z C'~~o The rear view. Tlze enlire weight can be adjllsled in lhe core making slage. 757 I 1.;•.:;:....4. .J~ '- ., ", /J~ .." A video comera. ? L-1' 'ET!Ld;:C:-t,*IIIt:J\tJ:If'Ffj:L'~.Q o *t=. ';J V, t: ::'/fElo)~I!tE1JDI t, C·~.Qo ~f'FJtIlF~ 1~r.Il Delails can be added lo Ihis clay model The reproduclion 01 lhe edges and lhe l ocu.s angle are also processible. The produclion period l or Ihis model was one week. 758 1/5~-7-/b'E-r/b A 7/ 5 scale model. L jJl~&:im? 1/1' T7'JlI, iJ"7 I - ::z.tI\7' o{ O)t.:: 66ê~5-I;:j:jj5::z.p;jjJl~I;:~ '':; r--~nL:l- \-Q o Halj 0/ lhe L shape is a clay modelo Due lo lhe body sur/ace, each pillar is sei wilhin glass. 759 1II!17atz;{11)-1/1 Pari of the development processo ~D \~ ,, ~;m (5 . 000/$!'~~)IJ D'~ "~j[i (500/1F) SmallIot produdion. 500 )'8Gr Mid lo' produdion. Wi,hin 5000 /yeor. {t@j{tiii {t00i1 Preporolion. Preparalian . Prepara,ion. ll l {t00iãt11Hi (t00i ~t11Hi {t00i~~ mijJ~~2 2 2Preparo/ion evo/uo,jon. Preporolion evoluo/ion. Preporofion invesligo'ion. MorJcel ;nv.sl;go';on. ll l (timiâff[ffiT'-tf l' /T-tf1'/ 33 3Design. Design. Preparol;on evoluolion. Ld Y') f-.. WiJ l Loroul materiais .l l T "ij' l' /~ff[ffiT-tf l' /~ff[ffi 7''-1' /~ /~4 4 4Design evoluo';on.Designevoluolion. Oesign compefi';on. l l l~v1'~T' )'" '7-7t' 0 (*~I=~ VC::Jt1RljO) J;.~ v l' ~T')"'jffij1~lj 5 7''-1' / fiffiHi5 íi 5 ) 5 80th sides 01 lhe c/oy mode/. Oesign evo/ual;on. Cne side of lhe doy model. Tope drowing '7-71'0 l l (only for largo ob;e"'I. Tope drowing.l I 1 '-' -17' ') t-- @ 11 ~ v1'~T' )'" tJll11!~~ Loyoul p/on.6 ~V1'~T' )'" I I I 11 11 6 6I 11 Line plon. :i!-~ C/oy mode'~ __I I~t11Hi '-_.J T IUU evo'uo,ion. C/ay mode' evoluolion. l l l ~@j'F Une -plonFRP[!!]~ 1/5~T')V~ v1'~,i Cfeolion .7 7 7 C/oy reverso'. 1( 5 s,o/. mode/. fRP concove shope. l l l I 1 1/5~T:)V11FRP8~®1~lE I I 11 11a I a aFRP convex shope. I 11 '- _-' I ~ffiHi '-'-1Y ')f-.. @ '-_..J Loyoul p1on.l l l~IJ'jjO)~fjfd: 1It'!/C9 -@FRP!!:!]9 P/on inuonce ;$ Line drowing.9 9 ~ fRP concove. kepf to o m;nimum. l Ig]l ~ l ~86~ Reference Produ,' plan. FRP7-tf l' /drowingFRPT'f1 /V À 910 10 *~Design mos'e,. 10 1'FfiX +'?À~- I Croolion ? '-' l'fRP design mos'er .l l +of woodon 7 0 ';I ~. model C/oy blol.Tenlo/i ..,e ~.lttfrET) It drowing..~~.~GO D1iit1'F11 11 11 MOJS-production go-oheod. DI 'riol monulocture.! model of lhe ocfuol cor. íi=1iX Creo,ion of lhe l IjlO ';I L'fa::@oo (~If)~rrr<t Ijl C ~ . T "Y-1 '.f'Y 7./y -tJlf,! Ctcl:.Qo ~*~it1'F~T')'" D2iit1'F 4-----'l---~12 12 02 'riolIn smoll lo' produclion fllere is no published monuloclure.ãff[ffi Evoluolion ofdrowing, so lhe desig" maste, is mode on lhe basis 01 lhe doy model. l lhe ocluol cor mode/. .i!C@ l Moss-produclion chor'. + D3~1'F.---+----t---'13 13:I:~~GO 03 froil monuloclure. Deve/opmen' period required Go-oheod (or '-''-( Y ,)~moss-produclion. = 4 lo 6 months. l lASSY@ fFfJt ,.. eu §!;l're 14 Creole ASSY 14.~~*~~Approvol of 'h••ly/e of foyoul plon. ~~GO M*4 jfl#~~I:/..uonc. of moss-produclion. Go·oheod fo< melai mode/. moss·produc/ion ! cherl.l wooden model.tt~jJ~~ produdion.15 ~~*~15 ApprovoJ of moss-orljcles on on e:xper;menlol oosis Melo' mode' produdion. l l :I:~GO .1i:~ T')V*~16 16Mou-production go-oheod. Approvol of Ir iol moss-production. l ml!f 1 - 2iJ' ruJO) lll~G.vl< ~§ti1!l/ll 6 tJFl - liJ' Oevelopmenl period required Development period required 1 2 lo 24 monl" •. =- 6 lo 12 monl"'. 17 Go--oheod of moss-production. Creolion of lhe fRP concove shope(included). seperolely. 760 f)$f1:lPcjJO)fi:~1&t,clY.>.Q How lo measure lhe lenglh of a semicircumference. Of1:lPcjJo)fi:~1&t,clY.>.Q How lo measure lhe lenglh of a circumference. 21Cr - 2 AB=AD B O i§!ê0)3ffl $ê0)3ffl 3 limes lhe diomeler 3 limes lhe semi·circumlerence 0-1 f1:lWO)fi:~1&t,ClY.>.Q Of1:lW...U::: i§!~0)fi:~ 1& t, clY.>.Q 0~m:· illo)fi:~1&t,clY.>.Q How lo measure lhe lenglh of a circular are. How lo measure lhe lenglh of a Calculaling an angle and lenglh slraighl tine on a circular are. of a side. o A c BA c B A lo be quadrisecled 4~7.t lo be quodrisecled ~ - - - ~L=CD AB=BD .:::: ~ tt trigonomelric ranos Sin8=~ COS8=~ tan8=~ .::::IfI7Jo)5Ell alhearem 01 Ihree squores 0-2 f1:lWO)fi:~~t,ClY.>.Q C2 =A '+B' c=r~How lo measure lhe lenglh of a circular are. E 0f1:lWO)$ê·~m:~6f1:lWO)~1&t,C::IY.>.Q Of1:lWO)~·~~tJ'S$ê1&t,clY.>.Q Oblaining lhe cil'cular are 's ividlh from lhe Obtaining lhe radius from lhe heighl angle and radius of a circular are. and widlh of a circular are. A o L L H AB=BE o _L'+4H'o r - """"8H o 1CrB L=~ 762 (!)m~~1ã:imJ<15$. How to draw an exploded drawing. 1. :;P:f'J~$. (:;p:rr~~.Ef.ll \LW~1ã:'Õc::õI)-@) ParalleUine method. (To obtain an actual length using a parallel·line method.) 2.~!}1~$.Uj~!}1~~.Ef.ll \LW~~'Õc::õI)-@) Radial-line method. (To obtain an aclual lenglh using a radial-tine method.) 3. =~Jf~$.(=~ln:?t~UG LW~~'Õc::õI)-@) Triangle melhod. (To oblain an aclual lenglh /)y diving inlo lriangles.) 763 7"05' '7 t- T-tf -1 / f' lif Á., -Ct \ ~ lif~, ~JfÁ 7"0 T"-tf' -1 -t -, Y -tf-1 /~!z1PJt:l~/)'G , ~t*~'ft1;}Y-tf-1 /"f:YJv1R;% f', "f:TJv;fJIJ 1'1' /, 5' - r i?)~ ,?;j)' GJthX. i~ ~ ~ oi -C(7) 7'0 -t: /, f', -c ~ ~ t.:1 Hm I)' <, t~r~áJi~-7]-I)' I') '\"'-t <Wf.~Jt L t:tt;%~h'll L \', c: t \ -:) t:-* ~lih ' h-Ch'G ~ < &)-:)t.:: o "é ~ -C, ~ tL Grl-l1Ji~;{í i?) -* ~ ~ -C' ~ MEU) BZ.1l9z:::- -kt, oi c: li) t: (7) h'*~-C' &)I'), t::,IJ..'hi~~-\'-7"-C:;;t;<, t- 1)1JJvIJ..'€jf:'~lJ.H~ ~ c: -t ~ ' J ,~* I\li""-J \- "f: YJv T '7 ~ ''/ ? f', -&-9'--1 5' I) "7-C T-tf -1 / i';5~ L t: *4:,~h' ,~, ft1;f. Y-tf -1 / li "é (7) oi oi ft1;f. -CJRr1fl . ~t~-t~h ' ''f:''/ t--(7)T~f-tf-1-t-83JtjjíL~,l\li/'5'T'1"f:YJv T'7~''/ '7 f', 1J-Y-tf-1-t--C' B*i~H1~'7v-1"f:T'I) /'7-(7) ~-Á;{í c:tf1i!!i:::-tL -C \ \ ~;fL~83~;x.l\li '7 v -1 "f:TJvT? ~ ''/ '7 f' "é tL"étL%- 7"0 -t: /, b! t \ IJ..'h' G*1J1i' L -C t \ ~ h', "é (7) ,-f ') :::L - L.. , tt;%M~'&Jj((7)~:::-, tt;~ 1 \' I),:L- ~ 3 /(7)'1!1," :::-~i~ht \ -C 1ei~ ~~ f' JtiJ:t \0 ~: h, l}{jtfAfl)' G (7)-* ~ t &)1') , P8~1t IJ..' T '-tf -1 / ":J / -t: 7" r /''7 ''/ 1-T '7 ~ ''/ '7 JjiX.f1'>!7IJ f' {iJ][J L, .i( (7)-M(7) T'-tf -1 /' f' ~i ~ L -c "f:':1" Jv;<,-;\-/'7i~ I) / '7 :::--ktt.:: o lÜ:1!H~, *~ hi!ttiSr~' -:d.::,~;l.~~(7)..Lffi1t.% 1\, 1J ;<' '7 '7 / (7) ~ iiiiL~ 1\, 7 ''/ '7 Y -tf -1 / U!! ~ L -c t \ t.::t..:: t \ t.:: *1t1$-i!i 1\ c: ;7,,5' ''/ 7 (7) ~ :::- Á." ffl.!'!.' ffl lt f' ~~f~ L -c t \ t.::t..::t \ t.::(~t \-?h '\"'t~ ~ (7) ~ H~' I') -c ,C I)' Gh:fL Ej3 L ...tI 1 oi -to 164 AFTERWORD There has been much demand from product design students, new professional designers and teachers in the design field for some time now for the creation of a technical book which covers full details on the process of various cubic design models from start to completion with full explanations on an easy step-by step basis. The book has been compiled to meet the strongest demands of these people. Within its pages are paper modelling techniques introduced by Mr.J:akashi Kojima, the designer of home elec tronic appliances and an expert in the creation of geometrical models, study models techniques by Mr.Masazo Tano, the industrial designer whose motto it is to develop and confirm cubic designs with cubes and who gained much experience in Jtaly. The clay model techniques of Mr.Shinji Matsuda, a car designer who is now one of leading modellers in Japan. There are no other books to' complete with the volume, quality of explanations and wealthiness of technical variation contained within these covers. We have added a few examples of simple design sketch tech n iq ues by popu Iar demand, and I in ked part of these designe into the actual model making. Lastly, J would like to take this opportunity to express my gratitude to Mr.Nobuhiko Yamada, the editor, Mr.Masashi Kudo, the cameraman, Mr.Shinju Onuki and his assistants, plus Jzumiya CO.,who kindly provided me with ali necessary sup port. Yoshiharu Shimizu October 1991 765 1934 fFN~~ *tlo1959 fF*R~lif'ÍI~*""'I~7'-+f -íA'l'$ 1&. ~±iID1i+-5)'-' O 1z :';$' -~ {!*Ic::. Suludio Nurmesniemi. 71' :'; -5 :'; ·ê!l .Iz:~iljíjIR*~ OO~o I~tl. IJI:1)B ;$;{llHJ«7'-+f-í:.;1z:';$'-. ii5Fflóf, .~1z:';$'-. ~E3*~ 7'-+f-í :';.~~. §~.~7' -iJ'-í :'; Wf ",~ gili o 1!ijJi.~ . :OJII -r-lf'-í:.;Pt-:/\-í-+f-o .*I~*~. ~.~~*~.•$~.~mw~o~~ .~*~=~. M~m8m~~m7'-If'-í :';W~~,OCA tJc1?j~Ij~OOo~ t :: rVTR ~M' v -1J - À-7'YTJ@j)B ;f:lIi~7'-If'-í :'; 1z :';$' -. rI~7'-If'-í :.;~~~ 4 ~J (~ ~) B;f:&Jt&-tj-I:::':À. rv - 1J--'T?=-'Y? J. rv-1J -'J-?À in y t> /'\:.; J (til ) 7571' 'Y?:fítJCo 1959 fF mBI ..... 7'-+f-í:.;::J >''\À7Ii:.;-tj-~ (7),-,-7), 1987 :q:1?jgq:ff~BJ3t.6h~"ªltJ: . 1988 :ífCPM ál[Ex1:91- ' ~M~ ~~~J: fJ ltJ:~~tJ\ . 1989 :q:~l*'fH·'l!W7'-+f-í /c*R ifj~ tJC.::·§~ o B i'-í >51 À r-- I) 7%7'-+f-í j- íípJí== T' 350-12 lãj:E~B~ 1ttifl.1é:t 5-29-12 TeL0429(82) 1914 1962 fF'5=F~lL@ l1i'iJI ~m'$~1&. $li)1i+5)'-'Àtí~ -'T L-I:::':~§lm* ~óf,0)7'+f-í :';{!HE39 ~o 1983:q:~ 1~7é~a;J: fJl'\-/\-~7')'-'O)ifilj i'Filn§' {!~lt~o 1985 :q: 4 RJ: fJ 1986:q: 5 R*z.':: :;:P:Jí{~ lifll;:::d:3 l IL:§lm7'-+f -í :';NU-mtf~~§t{!=Fmft80 1986:q: 6 R PMD IJ \~~ lLo §lm7'-+f-í :'; , 1'\-/\ -~7')'-'ifiUí'F~I~tlC~~o ííPJí==T' 167 .J?.WBntz!2:tJctt:4-14-19 TeL03(3399) 3505 766 1942 i:jõfO,jjXW~l=:~fl o 1965 i:jõ~iR~ iíJ1jI:g;*~$*o 1969 i'j:T**~I*ffiJIJl*~B51i!tlmI~f-.j$*o 1972 i:jõ 7 i'j:FJJVi<'bt;::llli)t!ín!l!l1 T+j'~ >m1'G~1ciõ~<'b, 7õ:.Ac :J:!;I~~ / ~, cpili~ , 3-D 'yl\0ní\1~tl:lbo 1973i:jõ STUDIO COPPOLA(~5.J)I~LI*T~~/m3o ALESSI. ARTEMIDE, TRONCONI i?rfIC T- :;I) [; r) I 7. W;'l8jj0T+j~ /mJ~1ci~Wljbo 1978 ~(fj)EE!}T~ ~ /)[;-b~.:rro ;3fi!ífflõâ. ;~ffiiif'l~~= 'y ~. ~M, 1\:;11) 'y~ ~~ l.-;, ~5j~. CAR fflõâ, 'I~Wmt~ , 'J =\'->'j~ I 7W:Lt'Jit\c C 1:, 1::~jNJl=:350m1ci*<'bT":f ~ /~~1cii1t<'bn 'bo1988 :tjõ7~~ ;;<.=t:t' 51) - c'i~ ~o *1i~~ê5~f;1lji%'i:&T-1J~ /Wl:Stf-.j~lijgj1io 7D~~ ~ T~~ -j--o iífi!í= T 350-03 il5íI~ t~Ú:~3~WHlJ~'T.fr 4-6-7 Te l.0492 (96)0356 1945 ~ f?mtl=:~flo 1lli;f{]~~iWiw~t~ fl.tlH~;;; ~o 1965-1971 i:jõêl ll'JJ~ «il 1~W,nlJ, 2 ,\íljlti '.) I) y. y ti)[;tlm~ 1 *&mVii±Ijy1~o 1972 i'j: :<$: aHHJlI~ , :<$:h~.~~tto5~7. ~ ~~ ~.7~-~0~m ·~ it · ~:.:E · ~f;1~I':ll 1ci jª§o 1977 i:jõ:<$:EEJH il I ~J:Effl ~~~B~~ti~, 7D YI~~~-~-, ~-7~~~ -j--, iêil~ ·~t1fii!ii iH3' Ctd:'~o 1982 ~~tI1ci i!iH± 13<. rLi EE B'Hllj úil~pJíf "SLo1986:tjõ 5 F3 'l*it~tIC l.; L lYl üI~~bo 1980~(t il\/~ffl~~7f~pJífIN~t: , 1981i:jõ ±~ gi1i~~~~ . 1982 i'j:~íl\ y9ffl õâ ~l1 J\':fiJí fiilt:!N ~, ~~mtEh~~l.-;~ 'E T)[;~liiJj tEhtl~ o JJ\J I IT /"'~ ~~~, .L '~~~D~ , ~8~.~T":f~Y~/9- ~mli, !H~~IriHHj\j~ IlJj;'ET) [;&Mgmo (tlJ8~~ /9';;<. ~ I) 7 )[;T":f~ -j-- ~~.íE~~, (tlÊlíl"h ij! !9:iífii~.íE~~, 1Jl1) 87.$;lJlHiit~-1J~ /~ /9 -.íE~~o Ú:ii!ii '~":f~y.~ §t· ~ l.-;~'ET)H91M m-P · it8~ 2 ~ GP ~-7 ;;<:1J . Iyy/~~--j--~-y' )[;~ OO'5ê~o iífi!í= T 174 !;jr~~lH&t~~~HfilllJ 1-38-8 TeI.03(3554 )1030 FAX 03(3554)1033 eli;R · V 31z 7 Y~T'Y' 7l.-;-E:/T- Y 3:/m57A"" 'Y TO)~2 :tJ-k:y~I) :/:7 ' 8 1974:íf e 5"':::1' I) :/O)T+f~ :/~m~:$ 0 , 5"-::;1 1) '/ J!tLlJt± 1980:íf e;~7.l<ã ;í:l rr~T-tj'1' :/~~%4~·T+f~:/}Y$·A"" 'Y TJ B:$:CfjJt&-t:T -e::.:;z 1982:íf eJ\~~":J' (~1~) CAR STYLlNG DESIGN :75 :/ 7 1)CfjJt& 1982:íf e;~7.l<ã ;í:l r-y'-tl-· T') ='Y ') J :7'57 -( 'Y')ti 199D:íf e;~7.l<ã;g (li) r-y'- tl -'J_ ') A in Vt'1,:/J :7'57 -{ 'y') ti 199D:íf 767 1991Sf 12)1 25 B 1992if 7 )1 25 B 1993if 5 )1 5 B * • ~rr. ~n ,ilj *~ ~ ~ ~rrPJí t]Jh&~ 1 JilHHr tJJh&~ 2 AilHe1T t]Jh&~ 3 AilIJj€1T m*ã~s IJ'.~ ~ ffi!!ff!t -= :f~ffi~iX© /j.... -tlt~J j!rl ~rj\flJHPlilIJ.f'A:: it1'± iJílflJHPlilIJ;tf; it1'± -~~J'~I:;if;tf;Âitf± t'A::Âitf±?"7 71 '/?f± T 102 ~IV?-:~BTitEE~M~~t 1 - 9 -12 TeI03(3263)4318 1~'M":lIL~ 3 -1 14 345 ISBN4-7661-0617 - 2 C3052 ;iT' liLT*(~ n~~) M .;CíH . .J: 9" o ISBN4-7661-0617-2
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