Charles Bargue, Jean-Léon Gérôme - Drawing Course

Prévia do material em texto

1cover
	5_Study_for_the_opinion_of_the_model
	6_Contents
	7_Contents2
	8_Preface_and_acknowledgements
	9_Preface_and_acknowledgements2
	10_the_history_of_drawing_course_introduction
	11_the_history_of_drawing_course_introduction2
	12_public_controversy_over_teaching_materials
	13_Goupil_proporses_a_solution
	14_Goupil_proposes_a_solution2
	15_Goupil_proposes_a_solution3
	16_The_organazation_of_the_drawing_course
	17_The_organazation_of_the_drawing_course2
	18_PART_I_Drawing_after_casts4
	19_PART_I_Drawing_after_casts2
	20_PART_I_Drawing_after_casts3
	21_PART_I_Drawing_after_casts4
	22_Practical_matters_usint_the_plates_as_models_to_copy_The_schemata_or_plans
	23_Practical_matters_usint_the_plates_as_models_to_copy_Materials_and_Drawing_terms
	24_Practical_matters_usint_the_plates_as_models_to_copy_Suggestions_for_copying_the_plates
	25_Practical_matters_usint_the_plates_as_models_to_copy_The_schemata_or_plans
	26_Practical_matters_usint_the_plates_as_models_to_copy_procedure_for_modelling
	27_Practical_matters_usint_the_plates_as_models_to_copy_Finishing_the_drawing
	28_plate_I_1_eyes
	29_plate_I_2_mouths
	31_plate_I_3_noses
	31_plate_I_4_ears
	32_plate_I_5_profile_of_the_foot
	33_plate_I_6_heels
	34_plate_I_7_the_foot_of_the_gladiator
	35_plate_I_8_the_foot_of_the_medici_venus
	36_plate_I_9_the_sole_of_the_foot
	37_plate_I_10_foot_of_germanicus
	38_plate_I_11_hands_in_profile
	39_plate_I_12_closed_hand_and_leaning_hand
	40_plate_I_13_hand_of_voltaire
	41_plate_I_13_hand_holding_a_whetstone
	42_plate_I_15_hand_of_woman_pressing_her_breast
	43_plate_I_16_hand_of_woman_holding_a_stone
	44_plate_I_18_arm_of_man_vertical_position
	45_plate_I_18_arm_of_a_man_vertical_position
	46_plate_I_19_flexed_forearm_of_a_man
	47_plate_I_20_childs_arm_interior_view
	48_plate_I_21_Clids_arm_exterior_view
	49_plate_I_22_womans_arm_bent
	50_plate_I_23_mans_arm_bent
	51_plate_I_24_arm_of_moses_by_michelangelo
	52_plate_I_25_leg_of_germanicus_in_profile
	53_plate_I_26_childs_leg_rear_view
	54_plate_I_27_leg_of_germanicus_front_view
	55_plate_I_28_leg_of_the_crouching_venus
	56_plate_I_29_lef_of_the_venus_de_medici
	57_plate_I_30_legs_of_the_dying_slave
	58_plate_I_31_nero_as_a_child
	59_plate_I_32_cardinal_jimenez
	60_plate_I_33_young_girl_life_cast
	61_plate_I_34_dante
	62_plate_I_35_the_cardinal_de_birague_by_germain_pilon
	63_plate_I_36_marcus_brutus
	64_plate_I_37_head_of_horse_partheon
	65_plate_I_38_caracalla
	66_plate_I_39_anne_of_brittany_by_giovanni_giusti
	67_plate_I_40_julia_mammaea
	68_plate_I_41_the_capitoline_ariadne
	69_plate_I_42_children_by_francois_flaman
	70_plate_I_43_faustina
	71_plate_I_psyche_of_naples
	72_plate_I_45_the_capitoline_ariadne
	73_plate_I_46_young_boy
	74_plate_I_47_head_of_horse
	75_plate_I_48_phocion
	76_plate_I_49_agrippa
	77_plate_I_50_marcus_brutus
	78_plate_I_51_jupiter_trophonius
	79_plate_I_52_Lucius_junius_brutus
	80_plate_I_53_young_woman_life_cast
	81_plate_I_54_homer
	82_plate_I_55_the_beledevere_torso_rear_view
	83_plate_I_56_male_torso_back_view
	84_plate_57_female_torso_three_quater_view
	85_plate_I_58_milo_of_crotone_by_pierre_puget
	86_plate_I_59_the_vatican_amazon_draped
	87_plate_I_60_male_torso_three_quater_view
	88_plate_I_61_Theseus
	89_plate_I_62_Ilissos
	90_plate_I_the_beledevere_torso_rear_view
	92_plate_I_65_knight
	93_plate_I_66_two_knights
	94_plate_i_67_cinccinatus
	95_plate_I_68_achilles
	96_plate_I_69_germanicus
	97_plate_I_70_saint_martha
	134_Plate_II_1-4
	135_Plate_II_5-8
	136_Plate_II_7_leon_bonnat_young_roman_study
	137_Plate_II_10_Hans_Holbein_the_daughter_of_jacques_meyer
	138_Plate_II_9-12
	139_Plate_II_13-16
	140_Plate_II_12_Filippino_Lippi_portrait
	141_Plate_II_13_Charles_Gleyre_omphale_study
	142_Plate_II_14_Jean-Leon_Gerome_head_of_a_fellah_profile
	143_Plate_II_15_Hippolyte_Flandrin_study_of_a_woman
	144_Plate_II_17-20
	145_Plate_II_21-24
	146_Plate_II_17_Jean-Jacques Henner_laughing_boy
	147_Plate_II_18_Paul_Dubois_roman_woman
	148_Plate_II_22_Auguste_Toulmouche_younf_woman_kissing_her_child
	149_Plate_II_23_Adolphe_William_Bouguereau_a_roman_woman_study
	150_Plate_II_25-28
	151_Plate_II_29-32
	152_Plate_II_25_Hippolyte_Flandrin_study_of_a_woman
	153_Plate_II_31_Andrea_Del_Sarto_self-portrait
	154_Plate_II_33-36
	155_Plate_II_37-40
	156_Plate_II_34_Jules_Lefebbre_head_of_a_child
	157_Plate_II_35_Emile_Levy_head_of_a_young_italian_girl
	158_Plate_II_41-44
	159_Plate_II_45-48
	160_Plate_II_49-52
	161_Plate_II_53-56
	162_Plate_II_52_Thomas_couture_portrait_of_a_young_boy
	163_Plate_II_54_Timoleon_Lobrichon_study_of_a_baby
	164_Plate_II_57-60
	165_Plate_II_61-64
	166_Plate_II_67_Hans_Holbein_The_Yonger_portrait_of_a_man
	167_Plate_II_65-67
	168_Notes_on_the_plates_1-7
	169_Hans_Holbein_the_Younger_the_daughter_of_jakob_meyer
	170_Notes_on_the_plates_8-13
	171_Notes_on_the_plates_14-18
	172_Notes_on_the_plates_19-25
	173_Notes_on_the_plates_26-32
	174_Notes_on_the_plates_33-37
	175_Notes_on_the_plates_38-44
	176_Notes_on_the_Plates_45-52
	177_Notes_on_the_plates_53-59
	178_Notes_on_the_plates_60-67
	179_Hans_Holbein_the_Younger_Portrait_of_a_man_jakob_meyer
	180_PART_III_PREPARATION_FOR_DRAWING_ACADEMIES
	181_Ancient_sculpture_as_the_model_of_true_beaty
	182_Ancient_sculpture_as_the_model_of_true_beaty2
	183_Practical_matters_copying_the_drawings
	184_Some_notes_on_Bargues_style
	185_A_Repeirtoire_of_traditional_poses
	186_Plate_III_1
	187_Plate_III_2
	188_Plate_III_3
	189_Plate_III_4
	190_Plate_III_5
	191_Plate_III_6
	192_Plate_III_7
	193_Plate_III_8
	194_Plate_III_9
	195_Plate_III_10
	197_Plate_III_12
	198_Plate_III_13
	199_Plate_III_14
	200_Plate_III_15
	201_Plate_III_16
	202_Plate_III_17
	204_Plate_III_19
	205_Plate_III_20
	206_Plate_III_21
	207_Plate_III_22
	208_Plate_III_23
	209_Plate_III_24
	210_Plate_III_25
	211_Plate_III_26
	212_Plate_III_27
	213_Plate_III_28
	214_Plate_III_29
	215_Plate_III_30
	216_Plate_III_31
	217_Plate_III_32
	218_Plate_III_33
	219_Plate_III_34
	220_Plate_III_35
	221_Plate_III_36
	222_Plate_III_37
	223_Plate_III_38
	224_Plate_III_39
	225_Plate_III_40
	226_Plate_III_41
	227_Plate_III_42
	228_Plate_III_43
	229_Plate_III_44
	230_Plate_III_45
	231_Plate_III_46
	232_Plate_III_47
	233_Plate_III_48
	234_Plate_III_49
	235_Plate_III_50
	237_Plate_III_52
	238_Plate_III_53-56
	239_Plate_III_57-60
	240_Notes_on_the_plates_1-4
	241_Notes_on_the_plates_5-9
	242_Notes_on_the_plates_10-14
	243_Notes_on_the_plates_15-19
	244_Notes_on_the_plates_20-24
	245_Notes_on_the_plates_25-28
	246_Notes_on_the_plates_29-33
	247_Notes_on_the_plates_34-38
	248_Notes_on_the_plates_39-43
	249_Notes_on_the_plates_44-48
	318_APPENDIX_2_The_sight-size_technique
	319_The_sight-size_technique_nescessary_conditions_for_sight-size
	320_Excursus_shadow_boxes
	321_Drawing_after_a_cast_positioning_the_drawing
	322_Drawing_after_a_cast_measuring_apparent_distanses
	323_The_sight-size_technique_Pros_and_cons
	324_The_sight-size_technique_Pros_and_cons
	325_The_sight-size_technique_Pros_and_cons