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• •101n 47 progressive pieces for beginner violinists Edward Huws [ones Illustrations by Mark Beech Welcome to Violin Star To the teacher: This series will inspire violinists to develop confidence and musical skills through a refreshing choice of pieces.The repertoire presents a logical and approachable progression from the very first stages of playing through to Grade 2. Each piece is designed to develop a specific technique; as the series progresses, the pieces introduce the keys (and their related finger patterns) encountered at the early grades. There is a fun mix of musical styles, which include arrangements and original compositions. For each of the three Violin Star levels, there is one Student's book and one Accompaniment book. The Student's books contain the solo violin part, and an audio CD.The Accompaniment books have separate piano and violin accompaniments for every piece. The three different forms of accompaniment in Violin Star offer variety, flexibility and interaction for both pupil and teacher. Dotted around the Student's books you will find suggestions for supporting activities, which can be used in individual or group teaching and can form a base to develop your own ideas. All 106 pieces in Violin Star were created during the course of my work as a peripatetic violin teacher. Children are wonderful critics, and if they don't like the music they won't mince their words. The repertoire in Violin Star passed the test - in fact, it could not have been written without the students. I hope you enjoy Vio/in Star! Edward Huws [ones Book design, cover and text origination by Kate Benjamin Illustrations by Mark Beech. represented by NB Illustration Music origination by Andrew [ones Notation CD recording credits: solo violin played by Alexandra Wood; produced.by Ates Orga; balance engineering. editing and mixing by Ken Blair; recorded rn March 2011 at Red Gables Studio, Greenford; a BMP Production for ABRSM CD backing tracks by john Maul. Frank Mizen and Chris Norton Printed in England by Caligraving Ltd, Thetford. Norfolk Published in 2011 by ABRSM (Publishing) Ltd, a wholly owned subsidiary of ABRSM f) 2011 by The Associated Board of the Royal Schools of Music eprinted in 2011 978 1 86096 899 O 3380 rights reserved. No part of this publication may be reproduced, stored in a retrieval syst~. or transmitt~d in ~ny form or by any means, electronic, mechanical. photocopying. recordíng, or otherwise, without the prior permission of the copyright owner. DO NOT PHOTOCOPY © MUSIC Contents~. First plucldng and bowing pieces Big Ben Edward Huws Jones [EHJl (b.1948) 4 UttLe Ben EHJ 4 Musette J. S. Bach (1685-1750) 5 Ready, Steady, Bow! EHJ 5 Trick or Treat EHJ 6 Crotchets and mínims FiddLe FaddLe Welsh Open-String Boogie EHJ SnowfLakes EHJ The Hundred Pipers Scottish Swanee River s. C. Foster (1826-64) 6 7 7 8 8 3/4 and dotted míntms ViLanova Spanish CircLes in the Air EHJ Heading South Latin American SiLent Night F.x. Gruber (1787-1863) 8 9 10 10 Crotchets and quavers CrocodiLe EHJ UncLe joe North American 11 11 Plus... TroLLs,OrcsandCoblins Grieg(1843-1907) 12 First finger on D and A strings First Finger Rag EHJ 13 Witches' CauLdron EHJ 13 Peeler's jig Irish 14 Tudor Pageant EHJ 14 Saraswati South Indian 15 Friday Evening Hungarian 15 First finger on G string jitterbug EHJ jewish Wedding Klezmer 16 16 First finger on E string Cow's Reei Scottish On the River EHJ 17 17 Plus... Paganini! Paganini (1782-1840) 18 ~~ Second finger on D and A strings StrictLy Tango EHJ 19 London Eye EHJ 19 Maiden Fair 17th-century English 20 ALLSiLk and Satin EHJ 20 Second finger on G string Too Much Rosin! EHJ Happy Hippo EHJ Second finger on E string Nobody ELseBut Me Greek Woodpecker Tap EHJ 21 22 23 24 Plus... WiLliam TeLL Rossini (1792-1868) 25 Thírd finger on D and A strings OLd- Timer North American 25 Greek Night Out Greek 26 Violin Star EHJ 26 House ofthe Rising Sun NorthAmerican 27 Spanish Steps EHJ 28 Third finger on G string TwinkLe Toes EHJ Lady Meng jiang Chinese 29 29 Thírd finger on E string Hampton Court EHJ The Collier's WaLtz Welsh 30 31 Plus... Autumn Vivaldi (1678-1741) 31 Using the CD Each piece in this book has two consecu.tive tracks on the CD: a full performance wl:h solo violin, followed by a play-along version of just the accompaniment. ~ ao.--: accompaniment{ f + /} J only full performance 41.J ~ ~ I I I'. 1 I~ I' I' I~ Steady J = c.84~rt - Big Ben pIZZ. ~ J J ~ g Tick, tock, tick, tock ... -Jf-----g=====J==== (If you like, go straight 4 on to Little Ben.)r J J ~ J J ~ J * ~g g g g and stop! Little Ben Still steady! J = c.84 . pIZZ. W~~~.- F J F tA F J F tock, tick, tock ...Tick, 4 P F J F E? F J F t4 F J *and stop! Musette J. S. Bach (1685-1750) Gently J = c .80 ; Ready, Steady, Bow! Lively J = c.1 08 ; ~i - ~~-~~~. -~ 5 :1- Trick or Treat .-----_._- Ghostly J ~ c.80 !. li - (1st time: pizz. 2nd time: arco) ~-~~~-~~~-~~~-~ 6 =pgr~-~~~-~~~-~~~-~~~-~:~ ~. Fiddle Faddle Brightly J = c.104 @~h- I - gJ~~ ~~~~~j ~~E==d=jl=======~~-3 Welsh To help you create the difference between minims (long bows) and crotchets (shorter bows), try bowing the rhythm to Fidd/e Fadd/e on your left shoulder, without the violino(Trynot to get toa much rosin on your shoulder!) li Open-String Boogie Chunky J = c.96 Snowf1akes Gently J = c.100 ~~t - 6~,ªE~-~W~~~~~~~- ~ (Move around the room and make free, floating movements in the air with your bow.)11*~~-~~-~~-~~-~~-~~-~~-~~-~~- ~ The movements in the second half of Snowflakes will help you to get used to the feel of the bow. ACTIVITY 7 The Hundred Pipers Scottish With energy J = c.88 ~~h - I - W ~ jW oE!=F F I ~~~ jWgE til t W ~~j§ ~ oE!=F E til ~ jWgE ~ t~~ S. C. Foster Q (1826-64) ~ Lazy swing J = c .80 d ;;~i - I---~ ~ ~ ~ 6 ~-~~~~-~ Swanee River Vilanova With a lilt J = c.92 ~~ J ~ J ~ ~ jW t t I Spanish n 3--Circles In the Air Leisurely J = c.96 zVt (Make circles in the air with your bow.) i1 i1 i1 i1 ~ , , ij , , W , , W , ,- - 7v=a i1 i1 i1 i1, , ij , , ~ , , ~ , , ~. - ~ 11 IP •- Heading South Gent1y swaying J = c.108 @J~ Latin American - 13 ~~~·~W~· ===:::::j~~r ~W~· ~~~. ~~-~:~ Play Heading South while gently swaying from foot to foot. This will help you to feel the rhythm and free up your bowing arm. Follow the movement of your bow, and remember to keep swaying when you lift your bow off the string (retake) for the bar's rest. ACTIVITV Silent Night F.X. Gruber (1787-1863) Gent1y J = c.100 ~~ ~. ~. ~.- - - - 8 ~. p7J. p7J. ~. I~. ~. ~. 15 ~. ~. ~. ~. ~. ~. p7J. 22 ~. ij. ~. p7J. W· ~. ~. ~ 1{) Crocodile Scary.Imind those teeth!) J = c.88 ri ~-~~ê-~- Cro-co-dile, cro-co-dile, cro-co-dile, cro-co-dile, pizz. ~T t - :~St~-~~ cro-co-dile, cro-co-dile, HAVEYOU HADYOUR TEA? Uncle Joe North America Cheerfully J = c.96 ~ __ :ri ;! ~t - 6~~-- t :'( Trolls, Ores and Goblins Grieg (1843-1907) Steady at first, and with menace J = c.92 @tw'(~t 5 * - 10 ~~~-====:l * ~tt~~ arco Lf - First Finger Rag Jaunty J = c.104~f! - 6=f=ªj ;Y 1 - J j ~ ~j~*-;! 11 (Tap on a table with the screw end of your bow.) f~*r*~(*r'*1 15 f~*r*~l- ~ 5'Wftches' Cauldron--~------ Slow and spooky J = c .88 gradually speed up on the repeat '! f! - I - ~ - ~ * - f ~~ - ~ * - :~ - ~ d~ 13 Peeler's Jig Irish With energyJ = c.76~f! - I - S 11 F ij J I~ J:J 7 =fi J li:J tt F ij ~ t ~ :J rr F 13 fi J J Jij ~ :J ~ F ~ rr t Tudor Pageant Boldly J = c.84 @J~h - -.---._ ~ 6ra ~ ~ gg§ ~ * - :~ Saraswati Lively d = c.63 @}~~ - South Indian - - ====- ======- ==::j~~t==t=1 ==-===1~ ACTIVITV Now try making up your own tunes for Saraswati. Let your teacher begin by playing the opening two-bar phrase of the melody for Saraswati and then you can make up your own two-bar answer. Continue to take turns, with your teacher repeating the same opening phrase while you respond with a different pattern - see how long you can keep going!• Use these notes: •• • • Vou don't need to play all the notes - you can just choose one or two of them. • Play the notes in any order, and as many times as you like. It works best if you don't look at the music! Friday Evening Cheerfully J = c.84 :7~i Hungarian - 15 ~ 9 ~ r1 t ij t ~ 15 Jitterbug Solid swing beat J = c .96 @ft - - ~ j ~ 6rnt- ~ j -*- 11 f;----g -J-~J ~ M J ~ M J J t ~ Jewish Wedding Klezmer With movement J = c.104 ~t+! - I - ~ j ~ 6Vi j ~ j ~ t - :~ 16 Gow's Reei Lively J -= c.104 Scottish ® t :~ _ J ij F ~ ~ F F t :~ 6-- On the River-~---...•.•--- Flowing J = c.lOO .. ------- ©~ J [ r m F r F W~~j~ 5fw &r €ij§-~J~rr~r ~W~- ~ ~~~n~c~j ~[~~r~[ r r F W~~c~j~- 13fw M ~ j ij J 1° - 17 Paganini! With a flourish J = c .92 ®~f Paganini (1782-1840) - Who's this? Pa - ga - m - m, 4 E~~-~~~-~~~~FªJ~:~ Who's this? Pa - ga - m - m, Who's this? Pa - ga - m - m, maes tro! 7 P=iW=~J ~J===:::::::~~. ~ Bow - ing on the A. ri - ~ g g M - Bow - ing the G.on 11 ~~~-==~~- ~~~- ~~~J ~J ~ Who'sthis?Pa-ga-ni-ni, Who'sthis?Pa-ga-ni-ni, Who'sthis? Pa-ga-ni-ni, maes - tro! 18 Strictly Tango With,movement J = c.96 @}~h =tTI t - ij ~ ~:::::=+,====-==== 11 =r--a-t- W=mt-n - London Eye rito During the introduction, try making big circles in the air with your bow in time IJ~ to the music. Use two bars - or six beats - for each circle. r ACTIVITV I; Maiden Fair Like a stately dance J = c.92 @ ~ i - I - ~ C r======:jij r~j ê ~ r r c rr=====:::c:Jt::=~~ C ~ ~ C ~ 9 ~ ~ r r C rr~~~~1== =:=== ====:====::=====:- ~ - : ~~~ ~ 17th-century English JfJr..0." o."... Ali Silk ando Satin Lively waltz tempo J = c.132~~. ~r w ~. W· ij' iji' - ~. ~. §J W· fr' 81' fri' - ~. W·bf' gr. [' ij' W· - ~. W· W· ~~. s· s· §. - 20 t ! Too Much Rosin! 6 + 6 Gritty rock style J = c.88~=r2ê-~~-~-~~-~~--~-- 11=r~t (Sing along if you like!)~~,I~-~I~, I Too much ro-sin! Too much ro-sin! 16r i i ] i - ~ - ~ , ~I-+ -J -+-. -,J -.- 21 Happy Hippo Big bows (splosh around!) J = c.80 ~fi- I - ~ M 8 fJMPJ~t~MM~ 15 fJMPJM~ ri r.'\, - - ~ ~--- -- Nobody Else But Me T Lightly J = c .72 _~~iê-~-~~-~-~rr~W~f ~~* Greek ..<:~i~·~:tt(;t;~fr;;. < ~~---- .~ I .' .r . ,t~~ Woodpecker Tap Ragtime J = c .96 ~~! -I-~t~tl (Tap on a table with the ~ screw end of your bow.)~~~~-~~ª(t~1~-~~ª(t~-~~~( t ~p~~-~-~ ~t~t ~~t~ f~t~-~ 24 Rossini (1792-1868) ~ Asfastasyoulike! J =c.l20 ~~i - 1- S_S William Tell 9 getting faster! ~~~~-~I-~t§~ $ - Old-Timer. Driving bluegrass rhythm J = c.108 ~f#i - - ~ ~ North American 7 ~ 25 ~----- - - ._-- -------- ---- Greek Night Out Gently swaying J = c.l 00 ~~! - I - ~ r t ~ - Greek 7 ~rt_-~ Violin Star Boldly J = c.lOO~,-h - - ~ t 5 ~ê'§~' 9 ~tl-I- VI - O-LIN STAR! House of the Rising Sun Slow blues J = c.69 North American ~~h i'1 W- - - - ~ ~ :s 8ta i'1 i'1t ~ r a ij ~ ~F - 15 F i'1 J ~ t ~ J § :J SJ - : 1I , . Spanish Steps Boldly J = c .92 ~~~i~-~~-~~§~~~~bf~r 7Ft J ~ij j § :~F J - Try playing Spanish Steps with a different rhythm, such as: .J .J .J .J n.J d .J JTn .J n .J .J 28 Twinkle Toes With a heavy tread! J = c.92 3 ii~li-1- ~t~* Lady Meng Jiang Chinese Flowing J = c .92~li -I---~- 7 . - - 1 - 13 ~- -I-~-I-I-~ 29 Hampton Court With a flourish J = c .96 .~t~rt 3 ====J t 30 The Collier's Waltz Lively J = c.l16i,_.~~·_ 7 (If you like, just play the top note.) ~t#:_~-~-~ 13--- -~~. ~ 19 ~·~~f~fll Welsh Autumn Vivaldi (1678 - 1741) Not too fast J = c.60 ;~!-_tl 5 #~ 9 l-I 31 AB 3380 • • •• • • • • • •• .•• • . • " . • • • • ..." I" •• " I ! " . . •" .
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