Mapa Mental - Prática De Caligrafia

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SHOWING THE ACTUAL WORLD ON MINIMAL BIAS FOCAL WIDTH INTERFERENCE PERSPECTIVE DISTANCE FROM way POCAL POINT OF GIVEN ROBERT TO OF POSITION FILM WIDTH DOCUMENTARY RATIO OF AN ACTIVIST OF LENS CRITIC THE OPENS closes 10 LET IMAGE JEAN IN ON ONE PIECE ANDRE BAZIN SILENT OF FILM FILM CRITIC STANDARD FRAME RATE CAPTURE CHARACTERISTICS FILM WHICH FRAMES ONTOLOGY MENTORED BAZIN DISPLAYED THEORY FRENCH NEW WAVE FILM THE NATURE OF INVISIBLE TECHNIQUE BEINGS THINGS OF MONTACLE EDITING TERMS IN EXISTENCE COMPOSITION DISTRACTION HOW SCENE AND TIMING APPEAR IN FRAME CHARACTER SHOTS REPRESENTATION OF TOGETHER NARRATIVE PERSON FROM SETTING RELATED SHOTS METAPHOR . THE STORY WHICH MAKE A STATEMENT POINT OF VIEW REPRESENTS VANTAGLE POINT LEV ANOTHER PLOT WHICH is PRESENTED FILM THEORIST HOW NARRATIVE AUTEUR EFFECT POINTS ARE ARRANGED ORSON WELLES THE DIRECTOR 2 MAGE TO MAKE AN FILM CITIZEN KANE THE AUTHOR OF THE STANDABLE STORY FILM SPECIAL EFFECTS STYLE VISUAL ELEMENTS EDITING ANIMATION CECIL TELL MORE THAN PLOT DEVICE WHICH SHOWED FOUNDED PICTURES THROUGH MOTION PICTURE SQUAW MAN SLITS CAMERA PROJECTOR PARAMOUNT VON FILM * THOMAS D.W. AUTEUR DIRECTOR FIRST FILM MAKERS VITASCOPE OF NATION OSTUDIED MOTION BLACK HORSES INVENTOR OF HOLLYWOOD SPINNING STUDIO