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April Greiman
April Greiman, em seu estúdio no
Made In Space.la
Nascer 22 de março de
1948
Nacionalidade americano
Ocupação Designer
Conhecido por Um dos
primeiros
designers a
adotar a
tecnologia de
computador
como uma
ferramenta de
design
trabalho notável Design Quarterly
#133: Faz
sentido?,
Pompidou,
MOMA, LACMA,
SFMOMA, 1986
April Greiman
April Greiman (nascida em 22 de março de 1948) é
uma designer americana amplamente reconhecida como uma
das primeiras designers a adotar a tecnologia de computador
como uma ferramenta de design. Greiman também é
creditado, junto com o colaborador inicial Jayme Odgers , por
ajudar a importar o estilo de design europeu New Wave para
os EUA durante o final dos anos 70 e início dos anos 80." [1] [2]
De acordo com o historiador de design Steven Heller , "April
Greiman foi uma ponte entre o moderno e o pós-moderno, o
analógico e o digital.” “Ela é uma defensora fundamental da
'nova tipografia' e da nova onda que definiu o design gráfico
do final do século XX.” [3] Sua arte combina seu treinamento
de design suíço com a Costa Oestepós-modernismo . [4]
Greiman acha o título designer gráfico muito limitado e
prefere se autodenominar uma "artista transmídia". Seu
trabalho inspirou designers a desenvolver o computador como
uma ferramenta de design e a serem curiosos e buscadores em
sua abordagem de design. Seu estilo inclui typelayering , onde
grupos de formas de letras são colocados e colocados em
camadas, mas também feitos para flutuar no espaço junto com
outros 'objetos no espaço', como formas, fotos, ilustrações e
amostras de cores. Ela cria uma sensação de profundidade e
dinâmica, em particular combinando elementos gráficos
através do uso extensivo da tecnologia Apple Macintosh. [4] O
Los Angeles Times chamou seu estilo gráfico de "uma
experiência na criação de 'imagens híbridas'".
Nascida em 22 de março de 1948, April Greiman cresceu na
cidade de Nova York . Seu pai foi um dos primeiros
programadores de computador, analista de sistemas e
fundador e presidente do The Ventura Institute of Technology.
[5] Seu único irmão, Paul, tornou-se meteorologista e
especialista em modelagem interplanetária climática e
atmosférica. [6]
Greiman estudou design gráfico pela primeira vez como estudante de graduação no Kansas City
Art Institute , de 1966 a 1970. Ela então passou a estudar na Allgemeine Kunstgewerbeschule
Basel, agora conhecida como Basel School of Design ( Schule für Gestaltung Basel ) em Basel,
Início da vida e educação
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Suíça (1970-1971). Ela também foi aluna de Armin Hofmann e Wolfgang Weingart , e foi
influenciada pelo Estilo Internacional e pela introdução de Weingarts ao estilo mais tarde
conhecido como New Wave, uma estética que se afastou da herança modernista . [7]
After completing her studies at the Kansas City Art Institute, Greiman worked as a freelance
designer and worked directly with the curator of design at the Museum of Modern Art in New York
City. Greiman moved to Los Angeles in 1976 where she established the multi-disciplinary
approach where she "...blends technology, science, word and image with color and space...".[8][9]
She directed her first design studio April Greiman, Inc. from 1978–2004.[10][11] During the 1970s,
she rejected the belief among many contemporary designers that computers and digitalization
would compromise the International Typographic Style; instead, she exploited pixelation and
other digitization "errors" as integral parts of digital art, a position she has held throughout her
career.
Upon her relocation from New York City to Los Angeles, she met photographer-artist Jayme
Odgers, who became a significant influence on Greiman. Together, they designed a famous Cal
Arts poster in 1977 that became an icon of the California New Wave.[12] In 1982, Greiman became
head of the design department at the California Institute of the Arts, also known as Cal Arts.[13] In
1984, she lobbied successfully to change the department name to Visual Communications, as she
felt the term “graphic design” would prove too limiting to future designers. In that year, she also
became a student herself and investigated in greater depth the effects of technology on her own
work.[14]
She then returned to full-time practice and acquired her first Macintosh computer.[15] She would
later take the Grand Prize in MacWorld's First Macintosh Masters in Art Competition. April also
contributed to the design of the 1984 Los Angeles Olympics, by creating a memorable poster of
running legs silhouetted against a square of bright blue sky in collaboration with Jayme
Odgers.[16]: 39 An early adopter of this computer as noted in Apple's Mac @ 30 video,[17] Greiman
produced an issue of Design Quarterly in 1986, notable in its development of graphic design.[11]
Entitled Does it make sense?, the edition was edited by Mildred Friedman and published by the
MIT Press / Walker Art Center. "She re-imagined the magazine as a fold-out artwork to almost
three-by-six feet. The poster must be carefully unfolded three times across, nine times down. It
contained a life-size, MacVision-generated image of her outstretched naked body adorned with
symbolic images and text— a provocative gesture, which emphatically countered the objective,
rational and masculine tendencies of modernist design." Greiman has said about the poster's
unusual format and title “Hopefully, someone will make some sense out of this… The sense it has
for me is that it’s new and yet old,… it’s a magazine, which is a poster, which is an object, which
is… crazy.” The poster was also launched as a complement to the Walker Art Center's new
Everyday Art Gallery.
In 1995, the US Postal Service launched a stamp designed by Greiman to commemorate the
Nineteenth Amendment to the United States Constitution (Women's Voting Rights).[18]
In 1997, Greiman and her husband, architect Michael Rotondi, purchased a 1940's motel near
Palm Springs, Miracle Manor, and turned it into a showcase for her three-dimensional design of
space in natural landscapes.[11][19]
Carreira
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https://en.wikipedia.org/wiki/Michael_Rotondi
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Women's Suffrage commemorative stamp issued
by the U.S. Postal Service on August 26, 1995 to
mark the anniversary of the passage of the 19th
Amendment to the U.S. Constitution.
In 2000, Greiman became a partner at the Los
Angeles office of the design firm Pentagram, leaving
after a few years in the role.[20][21] In 2005, she
began her current Los Angeles-based design
consultancy Made In Space.[10][11]
In 1982, Greiman became the Director of the Visual
Communications Program of the California
Institute of the Arts’ design department.[14] In
1992, she was adjunct faculty at the Southern
California Institute of Architecture until 2009 when
she moved on to the Woodbury University School of
Architecture until 2018. In January 2019, Greiman
became a tenured professor of design at the
University of Southern California Roski School of
Art and Design.[22]
With four honorary doctorates, April Greiman is seen as one of the "ultimate risktakers" for her
unorthodox and progressive approach to design by embracing new technologies.[23]
Vesta Award for Outstanding Achievements of Women, Hearth and Home Magazine, Los
Angeles, California, 1985[24]
Alliance Graphique Internationale (AGI), Invited Board Member, 1986
Grand Prize Winner, Macintosh Masters in Art Competition, Macworld, San Francisco,
California, 1988 Winner, Unesco International Poster Contest, 1987
Winner, The Modern Poster Competition, Museum of Modern Art (MoMA), New York City, New
York, 1988
Hall Chair Fellowship, Hallmark Corporation, Kansas City, Missouri, 1990
Frankfurt Book Fair Bronze Medal for From the Edge: Southern California Institute of
Architecture,Der Stiftung Buchkunst Prâmiert (Best Books of the World), Los Angeles,
California, 1994
50 Best Books of the Year, AIGA, New York City, New York, 1997
AIGA, Gold Medalist, New York City, New York, 1998[25][26]
Chrysler Award for Design Innovation, Auburn Hill, Michigan, 1998[27]
Finalist, Inaugural National Design Award in Communication Arts, Awarded at White House,
Clinton Administration, Washington, DC, 2000
Kansas City Art Institute, Honorary Doctorate, Kansas City, Missouri, 2001
College of Art and Design, Lesley University, Honorary Doctorate, Cambridge, Massachusetts,
2002
Academy of Art University, Honorary Doctorate, San Francisco, California, 2003
Masters Series Award, School of Visual Arts, New York City, New York, 2008
Art Center College of Design, Los Angeles, California, 2012
Teaching
Honors and awards
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8200 square foot public art commission on two
walls of a mixed-use building and metro station
located in Koreatown, Los Angeles.
In conjunction with RoTo Architects,
the BBAC is an aquatic sports
community center developed within
Made In Space's scope of Public
Art, Signage, and Wayfinding.
Honorary Member Award for Lifetime Achievement Award, Society of Typographic Arts,
Chicago, Illinois, 2018[28][29]
Belmont Beach Aquatic Center, Environmental
Graphics, Signage and Color Palette for 5-acre
aquatic sports community recreation center with
RoTo Architects, Long Beach, California, in
progress
India Institute of Technology, Experimental
Typography, Keynote Speech, Industrial Design
Centre, Mumbai, India, March 2, 2019 – March
4, 2019
Architecture + Design Museum (A+D), Farbe/Color: Armin
Hofmann, Exhibition Design and Curation with RoTo
Architects, 2013, traveled to Miller Institute for
Contemporary Art, Carnegie Mellon University, Pittsburgh,
Pennsylvania, November 15, 201 – March 1, 2015;
Rosenwald-Wolf Gallery, Philadelphia, Pennsylvania,
August 24 – October 7, 2016; and Minneapolis College of
Art and Design (MCAD) Gallery, Minneapolis, Minnesota,
July 28 – September 17, 2017.
Apple Documentary Movie, MAC @ 30, Featured Designer,
January 2014 [1] (https://vimeo.com/84955412)
Architecture + Design Museum (A+D), Drylands Design,
Exhibition Environmental Graphics and Graphic Design
with Laurie Haycock Makela, Office of Hadley and Peter
Arnold and Chu-Gooding Architects, Los Angeles,
California, 2012
Victoria and Albert Museum (V&A), Postmodernism: Style and Subversion, 1970–1990,
Exhibition and Publication with Essay, September 24, 2011– January 15, 2012
Public Broadcasting Service (PBS), American Masters: The Architect and the Painter, Charles
and Ray Eames, Video Contribution to Film, 2011
Pacoima Neighborhood City Hall, Environmental Graphics, Signage and Color Palette for
Architecture with RoTo Architects, Pacoima, California, 2010
Orange County Great Park, Environmental Graphics, Signage and Color Palette for 1400-acre
Park with Ken Smith Landscape Architect, Irvine, California, 2008
Madame Tussaud’s Wax Museum, Color and Materials Palette for Architecture with RoTo
Architects, Hollywood, California, 2008
Urban Partners, Hand Holding a Bowl of Rice, Public Art Commission for Wilshire Vermont
Metro Station, Los Angeles, California, 2007
Art Center College of Design, Honorary Doctorate, Los Angeles, California, 2012
Pasadena Museum of California Art, Drive-by Shooting: April Greiman Digital Photography,
Solo Exhibition and Monograph Publication Design, Pasadena, California, September 9 –
October 8, 2006
Prairie View School of Art and Architecture, Color and Materials Palette for Architecture with
RoTo Architects (https://www.rotoark.com), and Texas A & M University, Prairie View, Texas,
2005
Rotovision, Something From Nothing, Monograph Publication Design, 2001[30]
Monacelli Press, From the Center: Design Process @ SCI-Arc,” 1998[31]
Notable works and
accomplishments
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Chrysler Award for Design Innovation, Auburn Hill, Michigan, 1998[27]
Miracle Manor Retreat, Design Concept, Interactive and Environmental Graphics and Interiors
for Architecture with RoTo Architects, Desert Hot Springs, California, 1997–2018
Rizzoli International Publications, Michele Saee: Buildings & Projects, Publication Design,
1997.
US Postal Commission, 19th Amendment to the U.S. Constitution, Commemorative Stamp,
Washington, District of Columbia (DC), August 26, 1995
Warehouse C, Color Palette for Architecture with RoTo Architects (https://www.rotoark.com),
Nagasaki, Japan, 1995
Artemis Publishers, ItsnotwhatAprilyouthinkitGreimanis = cen'estpascequevouscroyez,
Monograph Publication Design, 1994
Der Stiftung Buchkunst Prâmiert (Best Books of the World), for From the Edge, Student
Workbook, Southern California Institute of Architecture (SCI-Arc), Frankfurt Book Fair Bronze
Medal, 1994
Aldus Corporation Video Conference Program, Spokesperson with Paul Brainerd, New York
City, New York; Chicago, Illinois; Seattle, Washington; and Toronto, Canada, 1993
Nicola Restaurant, Color and Materials Palette for Architecture as well as Custom Dinnerware,
Billboards, Branding and Graphics with RoTo Architects (https://www.rotoark.com), Los
Angeles, California, 1993
Carlson-Reges Residence, Color and Materials Palette for Architecture with RoTo Architects(h
ttps://www.rotoark.com), Los Angeles, California, 1992
Community Redevelopment Agency of Los Angeles (CRA/LA), Walk Earth Talk, Public Art
Commission collaboration with Lucille Clifton, Citicorp Plaza Poet’s Walk, Los Angeles,
California, 1991
Watson-Guptill Publishers, Hybrid Imagery: The Fusion of Technology and Graphic Design,
Monograph Publication Design, 1990
Walker Art Center, Graphic Design in America: A Visual Language History, Exhibition, Poster
and Billboard, Featured Designer, Minneapolis, Minnesota, 1989
National Endowment for the Arts (NEA), Computer Graphic Studies Grant, Washington, District
of Columbia, 1987[32]
Walker Art Center and MIT Press, Design Quarterly #133: ‘Does it Make Sense?’, Publication
Design, 1986. [2] (https://walkerart.org/minnesotabydesign/objects/design-quarterly-133)
Olympic Organizing Committee, Official Poster for the 1984 Olympic Games, Collaboration
with Jayme Odgers, Los Angeles, California, 1984
WET Magazine, Magazine Cover, Collaboration with Jayme Odgers, 1976
Museum of Modern Art (MOMA), The Taxi Project, Exhibition and Catalogue Design with
Emilio Ambasz, Curator, New York City, New York, 1975
Collections of the Cooper Hewitt Design Museum, Museum of Modern Art (MOMA), San
Francisco Museum of Modern Art (SFMOMA), Los Angeles County Museum of Art (LACMA) and
Centre Pompidou
April Greiman, WhiteSpace: April Greiman Photography, published by April Greiman, 2021[33]
April Greiman, Drive-by Shooting: April Greiman Digital Photography, exhibition catalog for
Pasadena Museum of California Art, 2006[34]
April Greiman and Aris Janigian, Something From Nothing, Rotovision, 2001[30]
Collections
Monographs
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https://en.wikipedia.org/wiki/Los_Angeles_County_Museum_of_Art
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April Greiman and Liz Farelly, Floating Ideas into Time and Space, Watson-Guptill Publishers,
Cutting Edge Series, 1998[35]
F. Fort, R Poynor and C. Kultenbrouwer, it'snotwhatyouthinkitis = cen'estpascequevouscroyez,
Artemis Publishers, 1994[36]
April Greiman, Hybrid Imagery: The Fusion of Technology and Graphic Design, Watson-Guptill
Publishers,1990[16]
April Greiman, Seeing is a way of thinking. Thinking, a way of seeing, Virginia Tech School of
Architecture and Design, March 14, 2022
Objects in Space, Alliance Graphique Internationale (AGI) Open Rotterdam, Rotterdam, The
Netherlands, September 24, 2019
Experimental Typography, India Institute of Technology, Industrial Design Centre, Mumbai,
India, March 2, 2019 – March 4, 2019
Color as Space, Space as Color, Bend Design Conference, Bend, Oregon, October 2, 2018
Borders, Alliance Graphique Internationale (AGI) at La Maison du Radio, Paris, France,
September 20, 2017
Grand Masters of Design, Indian Institute of Technology, Industrial Design Centre, Mumbai,
India, February 4, 2007 – February 9, 2007
April Greiman, MAC Summit at University of California–Santa Barbara, Santa Barbara,
California, 1995
April Greiman, Too Corporation, MacWorld, Tokyo, Japan, 1992
April Greiman, IDEAS ‘92 Student Symposium, Melbourne, Australia, 1992
Elected Member, The Trusteeship, International Women’s Forum, Newport Beach, California,
2010
Women in the Arts, Art Table, 2004
Jury Chairperson, General Services Administration Design Awards, Washington, District of
Columbia, 1999
USA Expert Juror, China’s First International Graphic Arts Competition, Beijing, China, 1996
USA Expert Juror, Expo 2000 Mascot Competition, Hannover, Germany, 1995
USA Expert Juror, Netherlands All Design Disciplines Competition, Netherlands, 1995
USA Expert Juror, City of Berlin Identity Program Competition, Berlin, Germany, 1993
Chairperson, AIGA Communications Graphics Competition, New York City, New York, 1993
Co-Chair with Tibor Kalman, What’s Going On Now, AIGA National Conference, San
Francisco, California, 1987
Invited Member, Alliance Graphique Internationale (AGI), 1986–present
National Board Member, AIGA, 1986–1988
President and Vice-President, AIGA, Los Angeles, 1982–1988
In 2006, the Pasadena Museum of California Art mounted a one-woman show of her digital
photography entitled: Drive-by Shooting: April Greiman Digital Photography.[37] She was also in
the major group show at Centre Georges Pompidou in Paris called Elle@Centre Pompidou.[38] In
2007, Greiman completed her largest ever work: a public mural, Hand Holding a Bowl of Rice,
Keynote speeches
Professional societies and positions
Solo exhibitions
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View of Greiman's solo exhibition Drive-by
Shooting: April Greiman Digital Photography at
thePasadena Museum of California Art in 2006.
spanning "seven stories of two building facades
marking the entrance to the Wilshire Vermont
Metro Station in Los Angeles."[39] In 2014,
Greiman collaborated with the London based artist-
run organization Auto Italia South East along with
a group of artists including Metahaven, in an
exhibition POLYMYTH x Miss Information. The
exhibition program was included in the external
listings for Frieze Art Fair.[40]
Do Not Trust Atoms: April Greiman, Avatars and
New Photography, bulthaup Los Angeles
‘Kunsthalle b,’ Los Angeles, California, February
1, 2017 – May 15, 2017
Objects in Space: April Greiman, Woodbury
University Wedge Gallery, Burbank, California,
March 4, 2014 – March 30, 2014
New Works: April Greiman, Subvecta Motus Gallery, Glendale, California, November 2012 –
January 2013
Think About What You Think About: April Greiman, Yoon Design: Ddoong Gallery, Korea
Society of Basic Design & Art, Seoul, Korea, December 10, 2012 – December 16, 2012
The Masters Series: April Greiman, School of Visual Arts (SVA) Visual Arts Museum, New York
City, New York, October 20, 2008 – December 13, 2008
Objects in Space, Salve Regina University, Newport, Rhode Island, October 17, 2007 –
November 11, 2007
Drive-by Shooting: April Greiman Digital Photography, Pasadena Museum of California Art,
Pasadena, California, September 9, 2006 – October 8, 2006
Objects in Space, Nova Ljubjlanska Banka, Llubljana, Slovenia, November 2004
Something from Nothing, Modern Book Gallery, Westwood, California, 2001
Objects in Space, Selby Gallery, Ringling School of Art and Design, Sarasota, Florida, October
25, 1999 – November 24, 1999
It’snotwhatAprilyouthinkitGreimanis, Arc en Rêve Centre d’Architecture, Bordeaux, France,
1994.
Computer Graphics: April Greiman, Itoya Gallery, Tokyo, Japan, 1994.
April Greiman: Hybrid Imagery, The Israel Museum, Jerusalem, Israel, 1989
One Woman Show, Turner Dailey Gallery, Los Angeles, California, 1989
April Greiman, Reinhold–Brown Gallery, New York City, New York, 1986
Between the Lines, Typography in LACMA’s Collection, Los Angeles County Museum of Art,
Los Angeles, California, May 19, 2019–ongoing
West of Modernism: California Graphic Design, 1975–1995, Los Angeles County Museum of
Art, Los Angeles, California, September 30, 2018 – April 21, 2019
California: Designing Freedom, Designmuseo, Helsinki, Finland, November 10, 2017 – March
4, 2018
California: Designing Freedom, The Design Museum, London, England, May 24, 2017 –
October 17, 2017
Static, Castle Fitzjohns Gallery, New York City, New York, 2016–2017
Typeface to Interface: Graphic Design from the Collection, San Francisco Museum of Modern
Art, San Francisco, California, May 14, 2016– October 23, 2016
Selected group exhibitions
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View of installation from group exhibition
Designing Modern Women 1890–1990, Museum
of Modern Art (MoMA), New York City, New York,
October 5, 2013 – October 19, 2014
April Greiman created the identity and stationery
system for Coop Himmelb(l)au, a cooperative
architectural design firm, known for their
experimental, complex, and asymmetrical
approach to architecture.
Physical: Sex and the Body in the 1980s, Los
Angeles County Museum of Art, Los Angeles,
California, March 20, 2016 – July 31, 2016
Designing Modern Women 1890–1990,
Museum of Modern Art, New York City, New
York, October 5, 2013 – October 19, 2014
California’s Designing Women: 1896–1986, The
Autry Museum, Los Angeles, California, August
10, 2012 – January 6, 2013
elles@centrepompidou: Women Artists in the
Collections of the National Modern Art Museum,
Centre Pompidou, Paris, France, May 27, 2009
– February 21, 2011
Graphic Design: Now in Production, Walker Art
Center, Minneapolis, Minnesota, 2011[41]
Graphic Design in America: A Visual Language
History, Design Museum of London, London,
England, 1990
Graphic Design in America: A Visual Language History, IBM Gallery of Science and Art, New
York City, New York, 1989
Design USA, United States Information Agency, Travelling Exhibition throughout the United
Socialist Soviet Republic (USSR), 1989
Graphic Design in America: A Visual Language History, Walker Art Center, Minneapolis,
Minnesota, 1989
Art Papers, Atlanta, Georgia
CBRE, Los Angeles, California
Cerritos Center for the Performing Arts,
Cerritos, California
Coop Himmelb(l)au Architects, Vienna, Austria
DMJM and AECOM, Los Angeles, California
Esprit, San Francisco, California
Fresh and Easy, Los Angeles, California
Harley Ellis Devereau, Los Angeles, California
Herman Miller, Los Angeles, California
Lifetime Television, New York City, New York
Los Angeles Public Library, Los Angeles, California
Museum of Applied Arts, Vienna, Austria
Knoll, Los Angeles, California and New York City, New York
Southern California Institute of Architecture (SCI-Arc), Los Angeles, California
Time Warner, New York City, New York
Vitra, Basel, Switzerland
Woodbury University School of Architecture, Burbank, California
Cal State Sacramento – Think About What You Think About, 2004
Samitaur Constructs, 2002
Selected clients
Posters
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https://en.wikipedia.org/wiki/Cerritos_Center_for_the_Performing_Arts
https://en.wikipedia.org/wiki/Coop_Himmelb(l)au
https://en.wikipedia.org/wiki/AECOM
https://en.wikipedia.org/wiki/Esprit_Holdings
https://en.wikipedia.org/wiki/Fresh_%26_Easy
https://en.wikipedia.org/wiki/Harley_Ellis_Devereaux
https://en.wikipedia.org/wiki/MillerKnoll
https://en.wikipedia.org/wiki/Lifetime_(TV_network)
https://en.wikipedia.org/wiki/Los_Angeles_Public_Library
https://en.wikipedia.org/wiki/Museum_of_Applied_Arts,_Vienna
https://en.wikipedia.org/wiki/Knoll_(company)
https://en.wikipedia.org/wiki/Southern_California_Institute_of_Architecture
https://en.wikipedia.org/wiki/WarnerMedia
https://en.wikipedia.org/wiki/Vitra_Design_Museum
https://en.wikipedia.org/wiki/Woodbury_University
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Greiman, known for her experimental use of
media such as photographic collage and still
video imagery, was commissioned to create issue
133 of the long-running journal Design Quarterly
published by the Walker Art Center in Minneapolis
Billboard for the exhibition for Graphic Design in
America designed by April Greiman. Greiman was
also featured in the traveling exhibition.
Objects in Space, Selby Gallery, 1999
Objects in Space, AIGA/OC, 1999
The Havana Project, MAK Center, 1996
Harry Marks, Lifetime Achievement BDA, 1996
It's Not April What You Think It Is, Exhibition,
Bordeaux, 1994
Pikes Peak Big Fishy, 1994
AIGA Communication Graphics, 1993
Sci-Arc Admissions, 1993
Pikes Peak Lithographing Co., 1992
UCLA Summer Sessions, 1991
Sci-Arc Summer Programs, 1991
Sci-Arc Making Thinking, 1990
Graphic Design in America, 1989
The Modern Poster, MOMA, 1988
Shaping the Future of Healthcare, 1987
Workspace 1987, 1987
Pacific Wave, Fortuny Museum, 1987
LAICA Fashion Show + Clothing Sale, 1986
Design Quarterly #133: Does it Make Sense,
1986
Snow White and the Seven Pixels, 1986
Sci-Arc, Changing Concepts of Space in
Architecture and Art, 1986
Hashi, 1985
AIGA, California Design 2, 1985
LA Olympic Games, 1984
Iris Light, 1984
Your Turn, My Turn, 3-D, 1983
CalArts, 1978
Peter Shire, Swissiyaki, 1978
List of AIGA medalists
1. "Biography, April Greiman" (https://web.archive.org/web/20181018201520/https://www.aiga.or
g/medalist-aprilgreiman/). AIGA. American Association of Graphic Arts. Archived from the
original (https://www.aiga.org/medalist-aprilgreiman/) on October 18, 2018. Retrieved
October 18, 2018.
2. Madley, Michelle. "ACAD presents prestigious international designer: April Greiman" (https://w
eb.archive.org/web/20101212214332/http://acad.ab.ca/assets/pdf/NewsReleases/2008/03/AC
AD_Press_Release_AG_080313.pdf) (PDF). Alberta College of Art + Design, Calgary, Alberta.
Archived from the original (http://www.acad.ab.ca/assets/pdf/NewsReleases/2008/03/ACAD_P
ress_Release_AG_080313.pdf) (PDF) on December 12, 2010.
See also
References
https://en.wikipedia.org/wiki/File:DQ133.jpg
https://en.wikipedia.org/wiki/File:Graphic_Design_in_America-billboard.jpg
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https://web.archive.org/web/20181018201520/https://www.aiga.org/medalist-aprilgreiman/
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https://web.archive.org/web/20101212214332/http://acad.ab.ca/assets/pdf/NewsReleases/2008/03/ACAD_Press_Release_AG_080313.pdf
http://www.acad.ab.ca/assets/pdf/NewsReleases/2008/03/ACAD_Press_Release_AG_080313.pdf
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3. "The Masters Series: April Greiman" (http://www.sva.edu/events/archive/the-masters-series-ap
ril-greiman). School of Visual Arts (SVA). School of Visual Arts (SVA). Retrieved June 28,
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21. "A Day at Pentagram New York: an insight into the partners, politics and personalities" (https://
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57-887250-6. Retrieved March 5, 2022.
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https://en.wikipedia.org/wiki/ISSN_(identifier)
https://www.worldcat.org/issn/0362-4331
http://www.madeinspace.la/
http://www.madeinspaceshop.net/
http://www.aprilgreiman.com/
http://drive-byshooting.com/
https://en.wikipedia.org/w/index.php?title=April_Greiman&oldid=1146655405