Benjamin Piekut - Experimentalism Otherwise_ The New York Avant-Garde and Its Limits-University of California Press (2011)

T he publisher g rate fu l ly ack nowledges t he g enerous supp or t of the Mu sic in A mer ica E ndowme nt Fund of t he Un iversity of Ca li for ni a Pre ss Fou nd ation , whic h was est abli shed by a m ajor g if t f rom Su ke y and G il G a rce tt i, M ic hael P . Roth , an d the Roth Fam i ly Fou ndat ion. T he publisher a lso g rate fu l ly acknowledg es t he ge nerous cont ri - bution to t h is bo ok provide d by t he A M S \ue601\ue602 P A YS P ubl icat ion En dowment Fu nd of the A m eric an Mu sicolog ic al S oc iet y . E x per ime nta l ism O ther wis e \ue603 \ue604 \ue605 \ue606 \ue607 \ue608\ue609 \ue60a \ue606 \ue604 \ue60b \ue60c \ue60d \ue60e\ue606 \ue60f \ue60b \ue606 \ue60a \ue610 \ue611 \ue60c \ue612 - \ue603 \ue60f \ue60a \ue60c \ue60d \ue609\ue613 \ue614 \ue60d \ue60b\ue606 \ue603 R icha rd T ar u sk in , G ene ral E d itor \ue615. Re ve a li ng M a sk s: E xot ic In \ufb02 u e nc e s a n d R it u a li z ed Per f or m a n c e in Mo d e r ni s t Mu s ic The a t e r, by W . A nt hony Sh eppa rd \ue610. R u ss ia n O p era a n d the S ym b ol is t Mov em e n t, by S imon Mor ris on \ue616. Ge r m an Mo d e rn i s m: M u si c an d t he A r ts , by W a lter Fr isc h \ue617. New M u si c, Ne w A l li e s: A m e r ic a n E x pe r i m e nt a l M u si c i n W e st G e r m an y f ro m th e Zero Hour to Reu ni\ufb01 cation, by A my B ea l \ue602. Bar t ók , Hu nga r y, an d the R e n e wa l of T r a d it io n: C a se S tu d ie s i n the In t e rse c ti on of Mod e r ni t y a n d Nati on al it y, by David E . Sc hn eide r \ue618. Cl a ss ic C hi c: M u si c, Fa s hi on , an d Mo d e r n is m, by M a r y E . D avis \ue601. Mu s ic D i vi d e d: B ar t ók \u2019 s L e gac y i n Co l d W ar C ul tu re, by Dan ielle Fosler- Lus sier \ue619. Jew i sh Id e nt it i es: Na ti on al i sm , R a ci sm , a n d Uto pi a n i sm i n T w e nt i et h- Ce n t ur y Ar t\ue601M u s i c , by K lá ra Mór ic z \ue61a. Brec ht a t t he O pe ra, by Joy H . Ca l ico \ue615\ue611. Be a u tif u l Mo n st e rs: Im ag i ni ng t he C l as si c i n Mu s ic a l M ed i a, by M ich ael L ong \ue615\ue615. Ex p er i m e n ta l i sm O th er w i s e: The New Y o rk A van t- Ga rd e a n d Its L i mi t s, by B enja mi n P iekut E x p er ime nt a l ism O t her w is e T he N ew Y ork Av an t- Gar d e an d Its Lim its B en j amin Pie ku t \ue60d \ue60a \ue606 \ue61b \ue60f \ue609 \ue60b\ue606 \ue60c \ue613 \ue608\ue607 \ue603 \ue604 \ue605 \ue606 \ue607 \ue608\ue609 \ue60a \ue606 \ue604 \ue61c \ue609 \ue60f \ue60b \ue60b Berkeley \u2022 L os An gel e s \u2022 Londo n Port ion s of ch apter \ue610 ap pe ar ed a s \u201c \u2018D em oli sh S er ious C u ltu re ! \u2019: Hen r y Fly nt an d Workers World Par t y ,\u201d in S o un d C om m it m e nt s: A va nt -ga rd e M u si c a n d the Sixtie s, ed. Rob er t Ad l ing to n (Ox ford : Ox ford Un iver sit y Pr es s, \ue610 \ue611 \ue611 \ue61a), \ue616\ue601 \u2013 \ue602 \ue602. Por tio ns of ch apte r \ue616 appe ar ed a s \u201cR ac e, C om mu nit y, and C on \ufb02 ict i n th e Jazz C omp os ers G u ild ,\u201d Jaz z Pe rs pe c t i ve s \ue616 , no. \ue616 ( D e ce mbe r \ue610 \ue611 \ue611 \ue61a): \ue615\ue61a\ue615 \u2013 \ue610\ue616\ue615; a nd \u201c Ne w T hi ng? G e nde r an d S ex ua l it y in t he Ja zz C omp os ers G u ild ,\u201d Am e r i c an Q u a r t e rly \ue618 \ue610 , no. \ue615 (M a rch \ue610 \ue611\ue615\ue611): \ue610\ue602 \u2013 \ue617\ue619. E xcer pt s of Joh n C age , At l a s E c li pt ic a l is , copy rig ht © \ue615\ue61a \ue618\ue610 , re newe d \ue615\ue61a \ue61a \ue611 by H en ma r P re ss , I nc . Us ed by per m is sion of C . F. Peter s Co rp orat ion. A l l R ig ht s Re ser ve d. E xc er pts of John C ag e, 2 6' 1.149 9 " for a S tr i ng Pl a ye r, copyr ig ht © \ue615\ue61a \ue618 \ue611 , re newe d \ue615\ue61a \ue619\ue619, by He nm ar P re ss , I nc . Use d by p erm i ssion of C . F. Pe ter s C orp orat ion. A l l R ig ht s Re ser ve d . John C ag e cor re spo nde nc e © John C ag e T r us t. L e ona rd B e rn ste in cor re spon de nce © A m ber son H old i ng s L LC \ue610 \ue611\ue615\ue611. \u201c Unc le Sa m D o\u201d lyr ics ©\ue61dHe nr y F ly nt, c ou r tes y of t he a r ti st . Un ivers it y of Ca l if orn ia P re ss , on e of th e mos t di s tin g ui she d u nive rsit y pr es se s in t he Un ite d S tate s , en ri che s\ue61dlive s a rou nd t he world by adva nci ng s chola r sh ip in t he hu ma n it ies , s oc ia l sc ien ce s , an d nat u ra l sc ien ce s. I ts ac t ivit ie s a re sup - por te d by th e UC P res s Fou ndat ion a nd by ph il ant h ropic con tr ibut ions f rom ind iv idua ls a nd i ns tit ut ions . For more i n format ion , vi sit w ww.ucpre ss .e du. Un ivers it y of Ca l if orn ia P re ss B erkel ey a nd L o s A ng ele s, C a li for n ia Un ivers it y of Ca l if orn ia P re ss , L td. L ondon , E ng la nd © \ue610 \ue611\ue615\ue615 by T he Re ge nt s of th e Un iver sit y of C al i for ni a Libra r y of C ong res s Cat alo g ing- in - Pu blic ation D ata Pi eku t, B e njam i n, \ue615\ue61a \ue601\ue602 \u2013 E x per i ment a li sm ot her w is e : t he Ne w Y ork avant-g a rde an d its l im it s / B enja m in P ie kut . p . c m . \u2014 (Ca l ifor n ia st ud ie s i n \ue610 \ue611 t h- c ent u r y mu sic ; \ue615\ue615) I nclud es bibl iog raph ic al re fer enc es a nd i nde x. \ue606 \ue60b \ue61e \ue60a \ue61a \ue601\ue619 - \ue611 -\ue602\ue610 \ue611 - \ue610 \ue618 \ue619\ue602\ue611 - \ue611 (cloth : a l k. pap er) \ue606 \ue60b \ue61e \ue60a \ue61a \ue601\ue619 - \ue611 -\ue602\ue610 \ue611 - \ue610 \ue618 \ue619\ue602\ue615-\ue601 ( pbk . : al k . pape r) \ue615. Music \u2014 New Y ork (State ) \u2014 \ue610\ue611t h ce nt ur y \u2014 Hi st o ry an d cr itic ism . \ue610 . Av a nt-g a rde (Mu sic) \u2014 New Y ork (State ) \u2014 New Y ork . I . Tit le . \ue614\ue605\ue610\ue611\ue611 .\ue619 .\ue60a \ue602 \ue61c\ue618\ue617 \ue610\ue611 \ue615 \ue615 \ue601\ue619\ue611. \ue61a\ue601 \ue617\ue601'\ue615 \ue611\ue61a \ue611\ue617\ue618 \u2014 dc\ue610 \ue610 \ue610 \ue611\ue615\ue611\ue611\ue616\ue602\ue611\ue61a\ue617 Ma nu fac t ur ed i n t he Un ite d St ates of A m er ica \ue610 \ue611 \ue615 \ue61a \ue615 \ue619 \ue615 \ue601 \ue615 \ue618 \ue615 \ue602 \ue615 \ue617 \ue615 \ue616 \ue615 \ue610 \ue615 \ue615 \ue615\ue611 \ue61a \ue619 \ue601 \ue618 \ue602 \ue617 \ue616 \ue610 \ue615 T hi s bo ok is pr in te d on Ca sc ade s E nvi ro \ue615\ue611 \ue611 , a \ue615\ue611 \ue611% pos t con sum er wast e, recy cled, d e-inked \ufb01 be r. FS C re cycl ed c er t i \ufb01 ed a nd pro ce ss ed c h lori ne f ree . It\ue61dis\ue61dac id fr ee , E colo go c er ti \ufb01 e d , an d ma nu fac tu re d by B ioG as\ue61de ner g y . Co n t en ts List of I llustrations vii Ack now ledg me nts ix I ntroduc tion: W hat W as E xp erime nta lism? 1 \ue615. W hen Orchestras Attack! John Cage Me ets t he New Y ork\ue61dPhil ha rmon ic 20 \ue610. De mo lish S eri ous Culture! Hen r y Flynt Meet s the New Y ork A vant - G arde 65 \ue616. Oc tober or Ther midor? The Jazz C omposers Gu ild Meet s New Y ork 102 \ue617 . Mu rder by Cel lo Cha rlotte Moor man Me et s John Cage 140 Epilog ue: Ex p erime ntal ism Mee ts ( Ig g y) P op 177 Notes 19 9 W orks Cited 25 1 Ind e x 273 This page intentionally left blank vii \ue607\ue606 \ue61f\ue60d\ue609\ue60f\ue60b \ue615. Bil l Di xon and J ud ith Du n n, Four t h A nnua l A vant Garde Fest ival, Se ptember \ue61a, \ue615\ue61a\ue618 \ue618 / 13 \ue610 . John Cage , rehea rsal of Atla s Eclipticalis with New Y ork Phi lh ar monic, e arly Februa r y \ue615\ue61a\ue618\ue617 / 37 \ue616. Cage, late \ue615\ue61a\ue618\ue616 / 53 \ue617 . Ac tion Ag ai nst Cu ltu ral I mperia l ism, Se cond A n nual A vant Ga rde Festival, Judson Ha ll, S eptemb er \ue619, \ue615\ue61a\ue618\ue617 / 67 \ue602. \u201cCommu nist s Must Give Rev olutionar y L e adership i n Cult ure\u201d adv er t isement / 95 \ue618. A rchie Shepp S ex tet , Jazz C omposers Gu ild concer t , Januar y\ue61d\ue615\ue61a\ue618\ue602 / 112 \ue601 . Jazz Compos ers Gu ild E nsemble, July \ue615\ue61a\ue618\ue602 / 121 \ue619. Roswell Rudd, M ichael Mant ler, and Ca rla Bley in rehe ar sal, July\ue61d\ue615 \ue61a \ue618\ue602 / 126 \ue61a. Ch arlotte Moor ma n and C age, Judson H al l, Aug ust \ue615\ue61a\ue618\ue616 / 15 2 \ue615\ue611. Moorman a nd Na m June Paik p erform C age\u2019 s 26 ' 1 .1499 " for a Str i ng Pl a y e r , S e ptember \ue619, \ue615\ue61a\ue618\ue602 / 15 7 \ue615\ue615. P age \ue602 of Mo orma n\u2019 s copy of Cage\u2019 s 26' 1 .1499 " for a Str i ng Pl a y e r / 15 8 \ue615 \ue610. Moorm an p erform s Paik \u2019 s O pera Se xt ron i qu e, Februa r y \ue61a, \ue615\ue61a\ue618\ue601 / 16 7 \ue615\ue616. Moorman a rre sted at Film ma kers\u2019 Ciném athèque, Februa r y \ue61a, \ue615\ue61a\ue618\ue601 / 170 \ue615\ue617 . Robert A sh ley per forms Th e Wol f m a n , S e cond A nnua l A vant Ga rde Festival, S eptember \ue615, \ue615\ue61a\ue618\ue617 / 179 \ue615 \ue602. Igg y Pop, c. \ue615 \ue61a \ue618\ue601 / 184 Ill u st r a ti o n s

Benjamin Piekut - Experimentalism Otherwise_ The New York Avant-Garde and Its Limits-University of California Press (2011)

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