Theory [Arranging] Berklee Course On Arranging

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Beerklee Arranging Course
	01 - Basics
	A Major Scale Construction
	B Notation
	C Rhythm
	D Chord Construction
	Assignment
	02 - Chord Construction
	B Harmonic Continuity
	03 - Chord Construction (cont.)
	A Chord Construction
	B Chord Symbols
	C Open Harmony
	Assignment
	Chord Reference Chart
	04 - Rhythm
	A Rhythm
	B Four-Part Harmonization of a given melody
	Assignment
	05 - Priniciples Of Improvisation
	Principles Of Improvisation
	Assignment
	06 - Improvisation (cont.)
	Improvisation
	Improvising On A Given Melody
	Rhythm
	Assignment
	07 - Modern Block Harmonization
	Melodic Analysis
	Assignment
	08 - Rhythmic Anticipation
	A Rhythmic Anticipation
	B Modern Block Harmonization
	C Harmonization Of Improvised Melodies
	D Open Voicing Of Modern Block Harmonization
	Assignment
	09 - Tensions
	A Tensions
	B Harmonization Of Tensions
	C Tension Resolve (HI-LO)
	D Harmonization Of HI-LO
	Assignment
	10 Tensions (cont)
	A Variations Of HI-LO
	Harmonization Of Variations Of HI-LO
	Altered Tensions
	Assignment
	11 - Instrument Ranges
	A Instrument Ranges
	B Ranges
	C Voicings
	D Expression Marks
	Assignment
	12 - Principles Of Background Writing
	A Principles of Backgrond Writing
	13 - Background Writing (cont.)
	A Approach notes
	B Rests
	C Sequence
	D Swing Backgrounds
	E Background Styles
	Assignment
	14 - The Brass Section
	A Transposition
	B Ranges
	C Voicing
	D Five Part Harmony
	E Brass Soli
	F Brass Backgrounds
	Assignments
	15 - The Brass Section (cont.)
	A The Brass Section (cont)
	B Use Of Inner Voice Tensions In Open Position
	C The Five Part Sax Section
	Assignment
	16 - Principles Of Harmonic Progrssions
	A. Terminology
	B. Principles Of Modern Harmony
	C Chord Patterns
	Assignment
	17 - Principles Of Harmonic Progrssions (cont.)
	A Substitute Chords
	B Variations Of The basic I-vi7-ii-V Pattern
	C Cadence
	Assignment
	18 - Principles Of Harmonic Progrssions (cont.)
	A Repetition Of The ii7-V7
	B Passing Diminished Chords
	C Deceptive Cadence
	D Additional Approach Techniques
	1 Independent lead
	2 Diatonic Approach
	3 Parallel Approach
	4. Dominant Approach
	Assignment
	19 - Major Minor
	A Relative Minor
	B Form
	C Deceptive Cadence
	D Composing Intoductions & Modulations
	1 Introductions
	2 Modulations
	Assignment
	20 - Reharmonization
	A Reharmonization
	B Blues
	Assignment
	21 - The Rhythm Section
	A The Rhythm Section
	1 Drums
	2 String Bass
	3 Guitar
	4 Piano
	Assignment
	22 - Small Band Writing
	A Two Horns
	B Three Horns
	C Four Horns
	D Five Horns
	E Six Horns
	23 - Open Voicing (cont.)
	A Open Voicings
	24 - Five Saxes (cont.)
	A Five Saxes
	B Six Brass
	C Seven Brass
	D Concerted Voicings (Brass + Saxes)
	E Concerted Voicings (cont.)
	Assignment
	25 - Planning And Constructing An Arrangment
	A Planning
	B Form
	C Planning Time Duration
	D Scoring
	E General Suggestions
	Assignment
	Coda