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This painting arranges a community of people around a countryside burial site, complete with a Catholic priest, altar boys, and a deacon carrying a crucifix. The crowd is arranged in vivid detail around the central burial site. The human expressions are somber during the event. This is just a sample of what Realistic painting was like. Realism is not a term that can be applicable to music. There are verismo (realistic) operas such as Umberto Giordano's Andrea Chénier created in the last decade of the 19th century in Italy, but what is said to be realistic is the plot rather than the music itself. As "pure" untexted music is not usually representational (with the controversial exception of "program" music), it cannot be said to be more or less realistic. The most important representation of Realism is fiction, as it is through the writers’ works that artists could describe their reality as it was and the reader could perceive the crude reality being described. As poetry is the language of the heart, it did not lend itself for realistic writing. For these reasons, in our next lesson we shall focus our attention on the realistic writers.
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