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J"htr Tho*pson's Easiest Piano Co.ttse PART FIVE c"lylidlq McMLvI, [y TLe \tilli' M!.i. c" I"t@.li-J CeFi4lr S..d*J r+i,rJ i! u, s. A. The Willis Music Company ' Florence, Kentucky 41042 Foreword 5CO PE The moleriol in PART FIVE presents lhe followingt Sixteenth noles in Two-Four, Three-Four, Four-Four Leger Lines obove the Treble Sloff. Leger lines below the Boss Sioff. Groce Noles. Elementory use ot ihe Pedol. The tegolo Pedol in chord ploying. Thumb under second ond third fingers. Second ond third {ingers over thumb. Tronsposition. Furlher studies in Syncopolion. The prime purpose in feoching possible. Every effort should Try olso to develop o generol ond Six-Eight. REVIEW WORK As in lhe eorlier books of this Course, plenfy o{ review moieriol is given so thot the pupil ho! omple opportunity lo develop eoch new poinl leorned. This is especiotly so in regord to technicol mollers such os pqssing the thumb under ond lhe hond over-o mosl imporlont detoil of technic. The moteriql olso provides for lhe use of stoccolo ond legolo iouches, leorned eorlier in ihe Course. It is mosl imporlont thol these louches be opplied exoctly os morked os ihey form d vitol port o{ lnlerDretofion. THE PEDAL Use of the Pedol hos been indicoled rother sporingly-only in the more obvious ploces. For those pupils who show more qptitude in iis use odditionol morkings moy be mode ot the discrelion of the teocher. ARTISIRY AND MUSICIANSHIP this book should beithot o{ hoving ihe pupil ploy os musicolly os be directed toword lhis end. increose in Tempo-buf never ql the expense of musicolly ondIn the {ollowing books, lhe pionisficolly. 'W.I\d.Co. zr4z moteriol becomes slightly more odvonced both Contents 4 BROKEN CHORDS WITH PEDALFOREWORD TEGER LINES (Chorr) 7 TEGER IINES BEIOW BAS5 SIAFF "Donce o{ the Hobgoblins" 8 GRACE NOTES PEDAT STUDY BROKEN CHORDS WITH PEDAL "Over lhe Fence is Out!" 14 THE PEDAL IN CHORD PI,AYING "The Church Orgon" 16 RAPID TWO-NOTE SIURS "Fun On the 8eoch" 17 REVIEW PIECE from "The Emperor Woltz" J. Strouss l8 REVIEW PIECE SIXTEENTHS IN FOUR-FOUR "Etude" SIXTEENTH! IN TWO-FOUR SIXTEENTHS IN SIX-EIGHT "Eiude" "Old Fsithful Geyser" 24 SIXTEENTH NOIES IN THREE-FOUR "When Knighthood Wos in Flower" 5 REVIEW PIICE "The New Bike". 26 SYNCOPATION ,,Westword Ho!,' 6 THUMB UNDER AND 2nd FINGER OVER "Elude"." REVIEW PIECE "Whirling Propellers" 2a THUMB UNDER 3rd FINGER "Elude" . 29 "The Compbells Are Coming" l0 3rd FTNGER OVER THUMB STACCATO PLAYING "Bollel Reheorsol" from "The Mogic Flute" W. A. Mozort 12 REVIEW PIECE .30 "Through rhe Clouds" 20 REVTEW 'IECE l3 "ln the Doys of Powdered Wigs" 32 I.EGATO AND STACCATO CONTRAST "The Tobocco Auctioneer" . 33 I.EGER I.INES ABOVE TREBTE STAFF "Music Box". 34 TRANSPOSITION "Born Donce" 36 THE DOUBI.E FLAT "Block Key Rog" 37 REVIEW PIECE "The Coissons Go Rolling Along" 38 {rom "Donube Woves". J. lvonovici 40 22 sruDY rN RHYTHM "Tongo". 42 "The School Song" 43 23 REC|TAL PtEcE {rom "spring Song" F. Mendelssohn 44 23 CERTIFICATE OF MERIT 47 "The Lonesome Sfreom" 22 CHORD pfAylNG {Foreorn A ock) REVIEW PIECE "Serenode" $'.X.Co. ?34? ee (ln nrhSixt Notes 6 A SIXTEENTH note hos o fullheod, o slem ond two hooks. lt looks like this, N It hos holf the volue of on 8th note, lherefore lhere ore lwo ]6lhs lo one 8th note. When lwo or more I 6th noles ore ioined together, o double beom is ,..,r |h,*.teaaaa Relotive Time Volues Three-Four) When I(niehthood was in Flower Copyright, ltCMIyI, by The Tittis Music Co. fnturnational Colrgright Secured Printed in U. S. A. ntfscherza,nd.o 2 a55 u --= .4 4- _-_.rJ 41 ,Fine4 $'.]L Co. zr 4? l/ '/,,:..i / ..."--/ \ \ ,-/lz\ - Syncopotion - ll,/\)i r- -- -:--1=- :::::=.:-- ,,-.-.:i:-:=r..:l:.,.....-...- :::.:::... - _s_z-' -=-?--- -::-=2-::==:=r_:\ - =-_:- ':;=z-- Westward Ho! March tempo a 24i I Y: : 5 WM.Co. ?347 HCR€ ARA sOME NAVr' LeqtR L lNes. TH&IR. LTTTCR NAMES SPALL THA WORD Leger Lines TH€- FIRST TH RI' L€qCR L INCS BILOW TH' 8li55, (r ne*o uew,+ao), *ts tt sperr'ACt" The new notes on lhe Leger rereember os they form the first nomely,ABCDE. Lines ond Spoces ore eosy io five leiters of the olphobet- 'W.f.Co. ?34? 8 Leger Lines Below Boss Stoff 4 Write letter oas'es wh€re indicated. W:[t.Co. ?iriT Dance Light and lively of the Hohsohlins By writing their lelter nomes under certoin boss notes, lhe {ollowing piece becomes much eosier to reod. B 7 o++11 p?_-_==_===_-= -. 111 --:__:,! ,a llp a' 4 3 otd> +1'!Y+! mf 1" €- 9l ld.Co. ?34? lo The Campbells are Coming Groce Notes There ore severol vorieties of GRACE bul the one used most ofien looks like this It hos no sel Time Volue ond should be "flipped";nto the principol note (which follows) os quickly os possible. Scotch Folk Tune Allegretto 4- ,! , -- --t+- a ---a d t- .P' a. W.M.Co. tt4? tl Wld-Co. 73i7 L2 Stoccoto Ploying AIOZART, one of the world's greolesl musicions. begonI V I .otoot;nn little pieces ol the oge of four' And when he wos six he ployed in pubiic concerts The exomPle below, from fte Opero, "The Mogic Flufe," offords fine study in sloccdlo ployrng. It is suggested tttot the right hond use wrist sloccolo for the single nofes while lhe left hond ploys the chords wiih foreorm stoccoio.tirn .id iir tnd rhyin! [td! I.ii! Ilr.E{ fro rn "The Nlagic Flute" V. A. llozart al W.X,Co. ?B{z Moderato T3 There ore three pedols on ihe nicdern prcino. At presenl we sholl use only ihe one oir iie fi!il lhe domPer pedol. It is somelimes (incorrecllyll €oile,l fhe j,rd ii.aol. Actuolly it hos nothing to do wilh ihe i.tr,rinas5,rf p;ono Ploying. Its funclion h lo susloin the tone by Ioising lie dompers from lhe stflngs, There ore severol morkings in use io indicote lhe pedol. ln this book, this sign L_- --,-l will be used The pedcl is pressed down dl ihe beginning ond releosed immediqtely ot lhe end of lhe sign, Try if on the Pedol Study below ond note how lhe bols tones conlinue lo sing even lhough lhe lefl hdnd hos possed over to ploy keys in lhe uPper regisler. Pedal Study 4 o ,w' + 2 a + + - ?ina7e o t' 1.11 +.11 t '.D. c. or ldru G\ W.M.Co. ?347 pco rit, !t Broken Chords with Pedol Over the Fence is Out! r.h,' l---l-E-. WX.co. ?34? t5 f! a) A [ _------- _-\ * /tt 'ffi Lh. | *"_ l-,\ 6 -[tu .-c/ t*(#41 6dU\td ,,.' +1 ---/ /i s,-a...-\I U/ L-- Lh. . Itoco ril. 'g' -:=_ sft ",3 ', I 2 IV.tr .Co. ?ar7 The Pedol in Chord PloYing thus +L -,\- --,^-/1- ] Or lhe word Ped. moy be used like lhis meoning. Andante sostenuto I N the followins piece the CHORDS should soundI meons thot ecch chord must be os sustoined lhe next by meons of the PEDAL. NOTE THE NEW PEDAI MARKI This sign is r.,sed to show rhot lhe PEDAL is releosed ond pressed down ogoin immediolely in order lo preserve on unbroken legoto, Somelimes You will see o pedol mork like this + --.-, ''q Alwoys remember thdt oll lhree morks hove the some t6 os ihoush they were Ployed on os possible, thot is, one chord o church orgon. This musl be connecled to -qd. qa. qd. qd. The Church Orqan 3<; - ....._ d "-ns-p tt iA z'bF 16 __::*-- . .L^ -v, _-- - tllu Ee t-"r: {t ---> o+'d 2 aI b€ a W.ltr.Co.7147
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