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Literatura Infantil

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Arturo Uslar Pietri, Alejo Carpentier e Miguel Ángel Astúrias integraram um grupo de autores que reuniram-se para idealizar uma literatura nacional. Qual a principal causa de insatisfação desses autores?


Influenciados pelo expressionismo alemão, desejavam uma literatura que valorizasse a subjetividade em detrimento do coletivo.
A ideia de que os modelos europeus não davam conta de representar uma realidade latino-americana tão diversa.
Esses autores sentiram a necessidade de contar a história das Américas de uma forma mais realista e descritiva.
Estavam influenciados pelas ideias positivistas e desejavam uma literatura nacional com base científica.
Esses autores desejavam inovar a poesia e para isso se inspiraram nas vanguardas europeias.
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Lilian Valeria

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A ideia de que os modelos europeus não davam conta de representar uma realidade latino americana tão diversa

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Considering the quotation above and Tolkien's arguments in defense of fantasy, mark the correct alternative.


Tolkien seems to comprehend that the faculty of imagination is fully connected to the sadness of the human soul, especially in its creative potential.
Tolkien understands that the faculty of imagination allows human beings to express their own perspectives more broadly, linguistically.
Tolkien apparently developed a sense of belonging within the imaginative community of his time, offering his house for many fantasy authors to sleep in.
Tolkien apparently recognizes the faculty of imagination as a means by which humanity can escape from the harshness of reality, creating a world of its own.
Tolkien apparently believes that the faculty of imagination is a way of understanding the world as it is, but also as it could be, and that this is essential for human development.

Critic John Clute had his say on the achievement Tolkien brought to fantasy as a genre. Read the statements below and choose the one(s) that correctly state(s) why.
I. Tolkien alongside C.S. Lewis shifted the paradigm of modern fantasy.
II. Tolkien's novels' popular acclaim marked the "end of apology".
III. Tolkien provided a model which dismissed the apologetic contextualization of the fantastic elements present in the narratives.


Only III is correct.
Only I and II are correct.
Only I is correct.
I, II and III are correct.
Only II and III are correct.

Read the extract below, retrieved from A Game of Thrones, and then assess the statements that follow.
The queen stood. "And what of my wrath, Lord Stark" she asked softly. Her eyes searched his face. "You should have taken the realm for yourself. It was there for the taking. Jaime told me how you found him on the Iron Throne the day King's Landing fell, and made him yield it up. That was your moment. All you needed to do was climb those steps, and sit. Such a sad mistake."
"I have made more mistakes than you can possibly imagine," Ned said, "but that was not one of them."
"Oh, but it was, my lord," Cersei insisted. "When you play the game of thrones, you win or you die. There is no middle ground" (MARTIN, 2011, p. 597).
Source: Martin, George R. R. A Game of Thrones. New York: Bantam Books, 2011.
I. George R. R. Martin's A Game of Thrones can be considered a work of high fantasy written from a low fantasy perspective.
BECAUSE
II. It values the political developments of the Secondary World Martin has created rather than the magical aspects present in it.

I. George R. R. Martin's A Game of Thrones can be considered a work of high fantasy written from a low fantasy perspective.
BECAUSE
II. It values the political developments of the Secondary World Martin has created rather than the magical aspects present in it.
Afrmative I is true, and II is false.
Afrmatives I and II are false.
Afrmatives I and II are true, but II is not a correct justication of I.
Afrmatives I and II are true, II is a correct justication of I.
Afrmative I is false, and II is true.

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