SIMULADO - Literatura Inglesa I

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1a
          Questão
	Acerto: 1,0  / 1,0
	
	What is correct to claim about the English Reformation? 
I. it refused the existence of purgatory  
II. it debated questions of theology concerning free will and grace 
III. it questioned the sacraments  
		
	
	Only II and III are true 
	
	None of the above  
	
	Only I and II are true 
	
	Only I and III are true 
	 
	I, II and III are true 
	Respondido em 20/10/2021 02:25:20
	
	Explicação:
A resposta certa é: I, II and III are true 
	
		2a
          Questão
	Acerto: 1,0  / 1,0
	
	Why did Henry VIII start the English Reformation? 
		
	
	because he did not want to be Catholic anymore. 
	 
	because he wanted a divorce from Catherine of Aragon and the Pope would not grant it.  
	
	because he refused the title the Defender of the Faith given by the Pope. 
	
	because he wanted a divorce from Anne Boleyn and the Pope would not grant it.  
	
	because Anne Boleyn was pregnant. 
	Respondido em 20/10/2021 02:09:19
	
	Explicação:
A resposta certa é: because he wanted a divorce from Catherine of Aragon and the Pope would not grant it.  
	
		3a
          Questão
	Acerto: 1,0  / 1,0
	
	The Elizabethan Age (or Golden Age) was a period in which music, art and literature thrived. Choose the alternative which contains representatives of this flowering of the arts: 
		
	 
	William Shakespeare, Christopher Marlowe and Edmund Spenser 
	
	William Shakespeare, Thomas Kyd and Geoffrey Chaucer 
	
	Edmund Spenser, John Milton and John Donne 
	
	Christopher Marlowe, Edmund Spenser and Geoffrey Chaucer 
	
	Thomas Kyd, John Milton and William Shakespeare 
	Respondido em 20/10/2021 02:13:56
	
	Explicação:
A resposta certa é: William Shakespeare, Christopher Marlowe and Edmund Spenser 
	
		4a
          Questão
	Acerto: 0,0  / 1,0
	
	Still more vivid were the English imitations of Plautus, which started already at 1533 with Ralph Roister Doister, by Nicholas Udall. Although being the school principal both at Eton and Westminster, he found in Plautus a model that favored jovial humor rather than grumpy didacticism. Udall's scope might have been a pedagogical one, attempting to offer an exercise to his students. However, he conceived his play as the English equivalent of a Roman comedy, from which he borrowed its common characters of the fool, the wanton and the parasite rascal. (GASSNER, 2010, p.224)
Source: (adapted from) GASSNER, John. ''Christopher Marlowe''. In: GASSNER, John. Mestres do Teatro I. São Paulo: Editora Perspectiva, 2010.
Critic John Gassner points out that Nicholas Udall might have been ''attempting to offer an exercise to his students''. This possibility comes into play because...
		
	
	... Seneca was already being used by other authors such as Marlowe, so Udall wanted to try something different.
	 
	... Roman influences were not part of the education at Eton, so Udall provided an English example.
	
	... Plautus and Seneca were absolutely new playwrights for the English tradition.
	
	... Plautus never stopped being a popular author, and Udall probably wanted his play to educate everyone in London.
	 
	...Roman influences were part of grammar schools and university life in England¿s early modern period.
	Respondido em 20/10/2021 02:27:43
	
	Explicação:
A resposta certa é: ...Roman influences were part of grammar schools and university life in England¿s early modern period.
	
		5a
          Questão
	Acerto: 1,0  / 1,0
	
	The immediacy and concreteness of drama and the fact that it forces the spectator to interpret what is happening in front of him on a multitude of levels, compelling him to decide whether the tone of voice of the character was friendly or menacing or sarcastic, means that drama has all the qualities of the real world, the real situations we meet in life - but with one very decisive difference: in life the situations we are confronted with are real; in the theatre - or in the other forms of drama (radio, TV, the cinema) - they are merely acted, they are make-believe, play. (ESSLIN, 1976, p. 19; author's stress)
Source: ESSLIN, Martin. An Anatomy of Drama. New York: Hill and Wang, 1996.
According to the text above, the drama is ¿
		
	
	...a play between text and actors unattached to the reality of life situations surrounding it.
	
	... a copycat of reality exactly as it is experienced in our everyday life conflicts and situations.
	 
	...a play between audience and dramatic production aiming at a simulacrum of the situations we meet in life.
	
	...highly depending on the realness of the characters in scene for it to work properly.
	
	...an absolute denial of reality as such towards a surrealist framework of entertainment.
	Respondido em 20/10/2021 02:15:47
	
	Explicação:
A resposta certa é: ...a play between audience and dramatic production aiming at a simulacrum of the situations we meet in life.
	
		6a
          Questão
	Acerto: 1,0  / 1,0
	
	[Regarding the cycles], each guild was responsible for representing just one episode, staged on top of a wheel cart and, on the day of [Corpus Christi], following the sequence of the Bible, these carts enacted the whole collection of mysteries, from Genesis to Judgement Day (...). It is obvious that on top of these carts it was not possible to stage big scenarios, so that this scenic tradition has two important consequences for the Elizabethan Theater: the absence of scenarios, with a common scenic space for every action in play, and the challenge to create visual images through their words to compensate for this absence of scenarios. (HELIODORA, 2015, p.16-17)
Source: (adapted from) HELIODORA, Bárbara. ''Dramaturgia Elizabetana: Uma Introdução''. In: Dramaturgia Elizabetana. São Paulo: Perspectiva, 2015.
I. Elizabethan theater was known for its lack of props and scenarios on the stage.
BECAUSE
II. They had a lot of problems with rats at Southbank, which usually destroyed all the props and clothing of the plays.
Regarding these affirmatives, mark the correct option.
		
	 
	Affirmative I is true, and II is false.
	
	Affirmatives I and II are false.
	
	Affirmatives I and II are true, II is a correct justification of I.
	
	Affirmative I is false, and II is true.
	
	Affirmatives I and II are true, but II is not a correct justification of I.
	Respondido em 20/10/2021 02:17:38
	
	Explicação:
A resposta certa é: Affirmative I is true, and II is false.
	
		7a
          Questão
	Acerto: 1,0  / 1,0
	
	As you have come to realize in the previous modules, labeling the discourse genres of Shakespearean plays might be a rather complex task. Bearing this in mind, which alternative better accounts for the use of such terminologies in the Bald's legacy?
		
	
	In order to break the audience's expectation in the play King Lear, the jester of such plot is entirely dreary and melancholic.
	
	The Merchant of Venice has been labeled in the First Folio as one of the first Shakespearean tragedies.
	
	Romeo and Juliet is mainly a comedy, being arranged as such in the First Folio.
	
	Midnight Summer's Dream is one of the few Shakespearean plays which conform to the characteristics of one single discourse genre, with no traces of tragedies whatsoever.
	 
	The Bard has probably used the mixture of different discourse genres to raise the audiences' expectations and contextualize the dramatis personae's social spheres.
	Respondido em 20/10/2021 02:19:07
	
	Explicação:
A resposta certa é: The Bard has probably used the mixture of different discourse genres to raise the audiences' expectations and contextualize the dramatis personae's social spheres.
	
		8a
          Questão
	Acerto: 0,0  / 1,0
	
	As you have studied, the figures of ''constables'' were present in Shakespearean comedies such as Love's Labour's Lost, Much Ado About Nothing and Measure for Measure. Read the statements and label them as either True (T) or False (F).
(1) The comedy lines revolving around their battlesof wit confirms the constables' depiction as wise characters.
(2) The humorous tone of these characters intended to mock repressive military authorities who usually belonged to prestigious and wealthy classes of Elizabethan England.
(3) Constables' financial rewards in real life were not commensurate with their manifold duties.
		
	
	(1) T/ (2) F/ (3) F
	 
	(1) T/ (2) F/ (3) T
	
	(1) F (2) F/ (3) T
	
	(1) F/ (2 )T/ (3) T
	 
	(1) T/ (2) T/ (3) T
	Respondido em 20/10/2021 02:29:08
	
	Explicação:
A resposta certa é: (1) T/ (2) F/ (3) T
	
		9a
          Questão
	Acerto: 1,0  / 1,0
	
	We studied how the Petrarchan sonnet was transplanted to England with the help of poets such as Sir Philip Sidney and Thomas Wyatt on the 1590s. Later, Edmund Spenser, on the pages of his Astrophel and Stella, explored the sonnet form by using new rhyme schemes - which distinguished himself from an objective reproduction of the Petrarchan sonnet. However, almost every sonneteer inscribes the same general topic on their poems.
Source: (adapted from) GUEIROS, Nehemias. ''Estudo: Mistério do Soneto Shakespeariano''. In: SHAKESPEARE, William. 50 Sonetos (trad. Ivo Barroso). Rio de Janeiro: Nova Frontera, 2015.
Mark the option which correctly describes this topic.
		
	
	The speaker of the sonnet most commonly scorns other poets.
	
	The speaker of the sonnet most commonly talks about his family.
	
	The speaker of the sonnet most commonly praises his editor.
	
	The speaker of the sonnet most commonly praises the church.
	 
	The speaker of the sonnet most commonly praises his beloved.
	Respondido em 20/10/2021 02:24:50
	
	Explicação:
A resposta certa é: The speaker of the sonnet most commonly praises his beloved.
	
		10a
          Questão
	Acerto: 0,0  / 1,0
	
	So suggestive, in fact, are the circumstances described here (and elsewhere) [about the Sonnets] that readers will be forever tempted to posit a 'story' for the Sonnets. But if there is a larger story, it is of interest because it is realized in the particular, which is not to say that the Sonnets altogether lack an element of narrative, but that narrative is embedded in the recognition of newly intense emotional exchanges and changes in the imagined relationship.
Source: POST, Jonathan F. Shakespeare's Sonnets and Poems: a very short introduction. Oxford: Oxford University Press, 2017.
After reading the contextualization above, read the affirmative below.
I. Together, the sonnets in Shakespeare's sequence sketch a storyline about the sonneteer.
II. Alone, each sonnet reveals a state of mind (and heart) sprung out from the suggested series of events.
III. Reading in between sonnets is helpful to establish new connections among the sequence.
		
	 
	II, only.
	
	II a III, only.
	
	I and III, only.
	
	I, only.
	 
	I, II and III.
	Respondido em 20/10/2021 02:22:29
	
	Explicação:
A resposta certa é: I, II and III.