Prévia do material em texto
FR EN TE Ú N IC A 97 4 Unesp 2014 Examine a tira. No segundo quadrinho da tira, a expressão that sort of thing refere-se a A working great. b styrofoam cups. c paper cups. d the sort of company. E help the planet. Texto para as questões 5 e 6. Assigning female genders to digital assistants such as Apple’s Siri and Amazon’s Alexa is helping entrench harmful gender biases, according to a UN agency. Research released by Unesco claims that the often submissive and flirty responses offered by the systems to many queries – including outright abusive ones – reinforce ideas of women as subservient. “Because the speech of most voice assistants is female, it sends a signal that women are obliging, docile and eager-to-please helpers, available at the touch of a button or with a blunt voice command like ‘hey’ or ‘OK’”, the report said. “The assistant holds no power of agency beyond what the commander asks of it. It honours commands and responds to queries regardless of their tone or hostility. In many communities, this reinforces commonly held gender biases that women are subservient and tolerant of poor treatment.” The Unesco publication was entitled “I’d Blush if I Could”; a reference to the response Apple’s Siri assistant offers to the phrase: “You’re a slut.” Amazon’s Alexa will respond: “Well, thanks for the feedback.” The paper said such firms were “staffed by overwhelmingly male engineering teams” and have built AI (Artificial Intelligence) systems that “cause their feminised digital assistants to greet verbal abuse with catch-me-if- you-can flirtation”. Saniye Gülser Corat, Unesco’s director for gender equality, said: “The world needs to pay much closer attention to how, when and whether AI technologies are gendered and, crucially, who is gendering them.” The Guardian, May, 2019. Adaptado. 5 Fuvest 2020 Conforme o texto, em relação às mu- lheres, um efeito decorrente do fato de assistentes digitais reforçarem estereótipos de gênero é A a inclusão de uma única voz nos dispositivos. b a normalização de formas de assédio sexista. c o poder de influência positiva sobre as pessoas. d o incremento de vendas e customização de robôs. E a busca por formas que reflitam problemas sociais. 6 Fuvest 2020 De acordo com o texto, na opinião de Saniye Gülser Corat, tecnologias que envolvem Inteli- gência Artificial, entre outros aspectos, A são desenvolvidas segundo normas prescritas em convenções internacionais. b devem ser monitoradas por empresas multinacio- nais geridas por mulheres. c funcionam melhor quando associadas a dispositi- vos sincronizados em escala mundial. d dependem de atualização constante para garantia de desempenho satisfatório. E requerem avaliação ampla, quanto à possível presença de elementos tendenciosos em sua concepção. PDF FINAL / CONFIGURAÇÕES DO DOCUMENTO ATUAL / WALTER.TIERNO / 11-02-2021 (10:10) PDF FINAL / CONFIGURAÇÕES DO DOCUMENTO ATUAL / WALTER.TIERNO / 11-02-2021 (10:10) 98 LÍNGUA INGLESA Capítulo 28 Getting your message across Texto para as questões 1 e 2. In My Arms As I hold you in my arms and you gently rock to sleep. I try to memorize your face, your tiny hands and feet. For I know too soon this moment will just a memory be... You’ll be grown and on your own and no longer needing me to kiss your hurts and dry your eyes and rock you till you sleep. So, I’ll treasure every moment to have memories I can keep. SCHWARTZ, Julie. In my arms. Disponível em: <www.scrapbooking-online.com/ ideas_B.htm>. Acesso em: 19 jul. 2010. 1 UFBA 2011 Based on the poem, follow the instructions: • Identify who the pronoun you refers to in this poem. • Say what the poet is trying to memorize and why. • Mention the special occasions on which the poet will no longer be needed. 2 UFBA 2011 Fill in the blanks with the alternative that, according to the poem, completes the statements correctly. a) “As” (v. 1) can be replaced by (Because/While/Although/Then/Therefore) b) “For” (v. 5) expresses (time/choice/contrast/reason/addition) c) “So” (v. 11) is the same as (Thus/Moreover/Though/Whether/Nevertheless) Texto para as questões de 3 a 5. The art of difference Mutuality in recognizing and negotiating difference is crucial for people to deal with their past and the future; it is also essential in the process of creating a culture of responsibility. How can this be achieved and what is the role of art in this process? A vision based on ideologies solves both challenges of sharing – the interpretation of the past and the projections of the future. But ideologies are somehow “total”, if not totalitarian, because there is not much space for serious public negotiation. Individuals, then, lose their integrity or are restricted to their private spheres and, in the end, their memories become part of the dominant identity discourse, their aspirations are delegated. Even in less obvious systems of ideological rule, where individual subscription to the official story line seems to be consciously voluntary and collective memories are willingly encouraged for the sake of collective identities, the negotiation of difference is often not welcome: exclusion happens quickly and non-conformist doubts produce suspicion. A democratic vision – shared aspirations for the future, based on negotiated interpretations of the past that respect diversity – is necessarily found in complex processes of private and public discourse and participatory and inclusive culture. Yet, politics tends to reduce complexity and engineer the balance between the individual and the collective rather than invest in processes of negotiation. We have learned, though, that this social engineering is a phantasm, largely limited and limiting, and, even if successful, often creates paranoid and fatal structures of homogeneity by trying to mould memories and hopes. Humankind has gathered impressive knowledge about the limitations of the human will and the failures of such “engineering”. Nevertheless, despite this, and maybe even because of it, we cannot give up trying the impossible: to create conditions for equality and solidarity for individuals to flourish. These conditions should be accompanied by narratives of a just, fair and free commonwealth of all. If history and memory seem to make this dream an unlikely scenario, can art play this part? The role of art is precisely to keep inspiration alive, to deconstruct ideology, to recall the necessary dream of freedom, of the individual and of the common good beyond the “either/or” and beyond simplicity. In this sense, art in general prevents false hopes, and thus generates hope in the most paradoxical way: the only way of hoping that reaches beyond the private sphere without some kind of ideological distortion. What makes art so unique? And why? Because the best narratives of art are purpose-free, uniquely non-instrumental, simply human. Art narrates what we don’t understand in enlightened ways. Artists in particular offer a wealth of unseen perspectives and unexpected pathways of human exploration. Art makes us aware that all memories are personal, despite the power of collective narratives. Arts and culture empower people to think freely, to imagine the unimagined, to feel responsible across borders and boundaries. Hopefully, the narratives of the future will be intercultural – and art will be the ally in the art of difference that needs to be further developed. “Art is about difference, art is difference”, as stated by Igor Dobricic*. And it is difference that will be at the origin of the new bonding narratives of confidence. *Igor Dobricic – dramaturgo sérvio WAGNER, Gottfried. Disponível em: <alliancepublishing.org>. 3 Uerj 2013 A vision based on ideologies solves both challenges of sharing – the interpretation of the past andthe projections of the future. (l. 6, 7, 8) The punctuation mark called dash, in the fragment above, signals the introduction of an explanation. The dash is equivalent to the following connective: A that is. b above all. c in addition. d for example. 5 10 Exercícios complementares 5 10 15 20 25 30 35 40 45 50 55 60 PDF FINAL / CONFIGURAÇÕES DO DOCUMENTO ATUAL / WALTER.TIERNO / 11-02-2021 (10:10) PDF FINAL / CONFIGURAÇÕES DO DOCUMENTO ATUAL / WALTER.TIERNO / 11-02-2021 (10:10) FR EN TE Ú N IC A 99 Mulheres na Engenharia Quando você pensa em alguém que faz engenharia, qual é a imagem que vem à sua mente? Debbie Sterling, engenheira, nascida nos Estados Unidos, e fundadora de uma companhia de brinquedos, fez essa pergunta à plateia de uma palestra, e a grande maioria disse que via um homem trabalhando com um computador ou um jovem parecido com o Mark Zuckerberg. Poucos imaginaram alguém como ela. Para Debbie Sterling, não é uma coincidência que a maior parte da plateia não tenha imaginado uma mulher: apenas 11% dos engenheiros nos Estados Unidos são mulheres. Essa desigualdade é, segundo Debbie, lamentável, uma vez que engenheiros são responsáveis por muitas das mudanças tecnológicas que transformam o nosso mundo. Não incluir mulheres na engenharia impede que pontos de vista de metade da população humana sejam ouvidos e se transformem em inovações. A autora argumenta ainda que essa enorme disparidade se deve a fatores culturais; em particular, ela menciona como a própria escolha dos brinquedos para uma criança pode interferir de maneira altamente relevante na sua formação, fazendo com que os meninos desenvolvam melhor suas habilidades espaciais ao brincarem com brinquedos de construção, os quais não são comumente ofertados às garotas. Essa exclusão deixaria as meninas em desvantagem em carreiras que envolvem esse tipo de habilidade. A fábrica de Debbie produz brinquedos de montar para meninas, incentivando-as a desenvolver habilidades relativas à engenharia. É uma proposta para reverter esse quadro do mercado de trabalho norte-americano. Na sua opinião, o que esse projeto representa para o desenvolvimento da sociedade? Que outras ideias poderíamos adicionar a ele? Saiba mais em: STERLING, Debbie. “Inspiring The Next Generation of Female Engineers”. TED. Disponível em: https://humanengineers.com/ inspiring-the-next-generation-of-female-engineers-debbie-sterling-tedxpsu/. Acesso em: 10 dez. 2020. Texto complementar 4 Uerj 2013 We have learned, though, that this social engineering is a phantasm, (l. 27, 28) Nevertheless, despite this, and maybe even because of it, we cannot give up trying the impossible: (l. 33, 34) The connectives underlined express the same notion. They could be replaced by: A so b thus c however d therefore 5 Uerj 2013 Writers use different strategies in order to try to form more effective alliances with readers. The resource used in the last paragraph to establish this alliance is in the use of: A nouns in the plural. b rhetorical questions. c quotation by authority. d first person plural pronouns. Texto para a questão 6. To me, science is one way of connecting with the mystery of existence. And if you think of it that way, the mystery of existence is something that we have wondered about ever since people began asking questions about who we are and where we come from. So while those questions are now part of scientific research, they are much, much older than science. I’m talking about science as part of a much grander and older sort of questioning about who we are in the big picture of the universe. To me, as a theoretical physicist and also someone who spends time out in the mountains, this sort of questioning offers a deeply spiritual connection with the world, through my mind and through my body. Einstein would have said the same thing, I think, with his cosmic religious feeling. Marcelo Gleiser, March 20, 2019. (Adaptado de https://www.scientificamerican.com/article/atheism-is-inconsistent-with-the-scientific-method-prizewinning-physicist-says/?redirect=1. Acessado em 15/05/2019.) 6 Unicamp 2020 Qual das frases abaixo mais se aproxima das palavras de Gleiser reproduzidas acima? A “O bom da ciência é que ela é verdadeira, quer se acredite nela ou não.” (Neil deGrasse Tyson) b “Ciência é a única religião da humanidade.” (Arthur Clarke) c “Ciência é a chave do nosso futuro.” (Bill Nye) d “Ciência não é apenas compatível com espiritualidade; é uma profunda fonte de espiritualidade.” (Carl Sagan) PDF FINAL / CONFIGURAÇÕES DO DOCUMENTO ATUAL / WALTER.TIERNO / 11-02-2021 (10:10) PDF FINAL / CONFIGURAÇÕES DO DOCUMENTO ATUAL / WALTER.TIERNO / 11-02-2021 (10:10) 100 LÍNGUA INGLESA Capítulo 28 Getting your message across Organização textual: estratégia eficiente para escrever em Língua Inglesa a) Elementos de coerência textual » Pronomes: – pessoais. – possessivos. – relativos. b) Defining e non-defining relative clauses. c) Connectors, com a função de: – contraste. – adição. – causa e consequência. – finalidade. – tempo. – comparação. – exemplificação. – conformidade. Resumindo Quer saber mais? Sites y DEL GIUDICE, Marguerite. Why It’s Crucial to Get More Women Into Science. National Geographic, 2014. Disponível em: <http://p.p4ed.com/CJHBK>. y AAUW American Association of University Women (AAUW) é uma organização sem fins lucrativos que fomenta o acesso de meninas e mulheres à edu- cação e à pesquisa acadêmica e científica. No site é possível encontrar dados sobre o tema e artigos sobre a atuação das mulheres nas mais diversas áreas de conhecimento. Disponível em: <https://www.aauw.org/resources/research/the-stem-gap/>. PDF FINAL / CONFIGURAÇÕES DO DOCUMENTO ATUAL / WALTER.TIERNO / 11-02-2021 (10:10)