PECKHAM RICK BERKLEE JAZZ GUITAR CHORD DICTIONARY Berklee Guide

berklee jazz guitar chord DICTIONAR Y rick peckham U .S. $14.95 ISBN 0-7935-1083-8 #73999-FABBHj HL00000000 Master the chor ds used in jazz. This chor d dictionar y includes ov er a hundred jazz c hord f or ms, from basic 7th chor ds with all standard tension substitutions and alterations to guide tone chor ds to triads over bass notes. It is organized to rev eal relationships betw een different types of c hords and help y ou learn the voicings quickl y and thoroughl y , in a wa y that is easy to remember . Y ou will improve y our comping and soloing, develop y our fing erboard f acility , and add more color s to y our harmonic palette. It includes: I T raditional notation, fretboar d diagrams, and tablatur e f or each c hord I Over 100 mo vable c hord f orms I Multiple versions of bar r e and 7th chor d shapes, with substitutions and alterations I T riads over bass notes, inv er sions, and guide-tone c hords I Diatonic chor d e xercises Musical Instruments/Guitar Rick Peckham is Assistant Chair of the Guitar Department at Berklee College of Music. He has mentored thousands of guitarists and is author/instructor of the Berkleemusic online course Guitar Chords 101 and the Berklee Press D VD Modal V oicing T echniques. Berklee Press, a publishing activity of Berklee College of Music, is a not-for-profit educational publisher. A vailable proceeds from the sales of our pr oducts are contributed to the scholarship funds of the college. Cover by Rober t Heath Berklee Press 1140 Boylston Street Boston, MA 02215 USA 617-747-2146 berkleepress.com U .S. $9.95 +84088-BAECFc HL50449546 ,!7IA8H6-djahjf!:p;K;t;t;P ISBN-13: 978-0-87639-079-5 ISBN-10: 0-87639-079-3 BERKLEE JAZZ GUIT AR CHORD DICTIONARY RICK PECKHAM BERKLEE PRESS edited by jonathan feist 90448 Berklee JazzGuitarChord Guts:Layout 1 4/4/07 12:23 PM Page i Berklee Press Vice President: Dave K usek Dean of Continuing Education: Debbie Cav alier Managing Editor : Jonathan Feist Director of Business Aff airs: Rober t F . Green Senior Designer : Rober t Heath Editorial Assistants: Rajasri Mallikarjuna, Jonathan Whalen ISBN-13: 978-0-87639-079-5 ISBN-10: 0-87639-079-3 Copyright © 2007 Berklee Press All Rights Reserved No par t of this pub lication may be reproduced in an y form or by any means without the prior written per mission of the Pub lisher . 1140 Boylston Street Boston, MA 02215-3693 USA (617) 747-2146 Visit Berklee Press Online at www .berkleepress.com Visit Hal Leonard Online at www .halleonard.com 90448 Berklee JazzGuitarChord Guts:Layout 1 4/4/07 12:23 PM Page ii Co n t ents Introduction iv Part I. Chords 1. Moveable 7th Chord Shapes 2 (each on ) Major 7 2 Dominant 7 3 Minor 7 3 Minor 7 % 54 Major 6 5 Minor 6 5 Diminished 7 6 Dominant 9 7 Minor 9 7 Minor 11 8 Dominant 13 8 2. Dominant 7th Chords with Alterations :9 two versions each, with roots on 6 and 5 Dominant 7 % 5 9 Dominant 7( # 11) 9 Dominant 7(9, # 9) 10 Dominant 7 # 51 0 Dominant 7( % 9, % 13) 11 Dominant 7(altered): 7 % 5( % 9), 7 % 5( # 9), 7 # 5( % 9), 7 # 5( # 9) 11 3. Guide T one Chords 13 Root 3 7 (Major 7, Dominant 7, Minor 7, Minor 7 % 5, Major 6, 13 Minor 6, Diminished 7) Root 7 3 (Major 7, Dominant 7, Minor 7, Minor 7 % 5, Major 6, 14 Minor 6, Diminished 7) 4. T riads over Bass-Note V oicings with Roots on 16 V/I 16 % VII/I 16 Other Common V oicings: (III/I, II/I, # IV/I, VI/I, VII/I) 17 5. Inversions (each on ) 19 Major 7 19 Dominant 7 20 Minor 7 21 Minor 7 % 52 3 Major 6 24 Minor 6 25 Part II. Exercises 6. Quartal V oicings Exercises 28 C Dorian V oicings 28 7. Diatonic Exercises 30 B % Major on 30 E % Major on 31 F Major on 32 B % Major on 33 F Harmonic Minor on 34 F Melodic Minor on 35 G Major 6 Bebop Scale on 36 G Minor 6 Bebop Scale on 37 About the Author 38 6 4 3 2 6 4 3 2 6 4 3 2 6 4 3 2 5 3 2 1 4 3 2 1 6 4 3 2 5 4 3 2 5 4 3 2 4 3 2 1 6 4 3 2 5 3 2 1 5 4 3 2 4 3 2 1 6 4 3 2 5 3 2 1 6 5 4 Jazz Chord Dict 4/10/07 12:43 PM Page iii Intr oduc tion The Berklee J azz Guitar Chor d Dictionary is a resource for 7th-chord v oicings and other frequently encountered jazz chord shapes on the fretboard. The follo wing diagrams indicate what notes you should use for each chord voicing. These chord blocks will sho w you the right shapes, b ut as a musician, you o we it to your audience and yourself to hear the music before you play it. This material will help you to map out the sounds on your fretboard. W ith time, you will hear the chords before you play them. Stri ve to play these chords with a solid time feel, a full tone, and attacks with your \u201cpicking hand\u201d that match the le vel of intensity of the music you\u2019 re attempting to play . Some tips for getting a good chord sound: \u2022T ake special care to play the notes requested\u2014and to leave out , or mute the strings with the x symbol abov e them. K eep the e xtra strings out of the sound. \u2022 Use the edges of your fingers of your fretting hand to mute unwanted strings. F ocus your strumming (or finger -picking attacks) on the indicated strings. A void sounding the others. \u2022W hen strumming across the strings, make the speed of your stroke fast enough to gi ve the illusion of one simultaneous sound made up of all the chord voices. iv Jazz Chord Dict 4/10/07 12:43 PM Page iv \u2022W hen you\u2019 re using your fingers to pluck chords, take care to balance the le vel of each chord tone. A common tendency is to hit the outermost notes with the most force, resulting in a thinner texture. Y ou\u2019 re working to put those notes on the frets; make sure that the listener can hear them! \u2022W hile forming the chords, make sure that your f ingers are as close to the intended frets as possible. \u2022W hen changing chords, mute the strings by lifting your fingers from the strings, but still touching them, to hold them still as you slide to the next chord. \u2022 Make sure all notes ring. If you\u2019 re not hearing all the notes clearly , keep working to curv e your f ingers and adjust your hand position on the intended frets to make the sound shine through your instrument. Playing chords ef fecti vely takes time, and the learning process requires practice. There are three common stages of de velopment. \u2022 Physical Stamina : Building your hand muscles \u2022 Muscle Memory : Memorizing the proper chord-voicing shapes \u2022 Informed Musical Instincts : Using these chords to make music v Jazz Chord Dict 4/10/07 12:43 PM Page v Here are some other things to keep in mind: \u2022W hile practicing, stay vigilant, playing in time and using a metronome or drum machine. Stay with a musical task until you can make it groo ve with a strong time feel. \u2022 Play with other musicians whene ver possible, as often as you can. Practicing by yourself is only part of the ov erall plan. \u2022 Make sure that the chords that you play f it well into your playing situation. Should your voicings contain a lot of notes or a fe w? Listen to the ov erall texture, and mak e a musical decision. \u2022 Listen to the originators of the styles that you lov e. It\u2019 s one of the best ways to keep yourself inspired\u2014and to help you to ke ep the highest musical values in mind. \u2022 Listen to great guitarists, but don\u2019 t stop there. F ocus on performers of other instruments as well. Bring it all together to help you to de velop your o wn unique v oice. Ke ep working, and be patient with yourself. Ha ving the physical strength and the kno wledge of the shapes provide means to musical ends. W ith time, you\u2019ll be able to choose from a variety of options. If you keep at it, you\u2019ll def initely get there! \u2014Rick Peckham vi Jazz Chord Dict 4/10/07 12:43 PM Page vi PA R T I . CHORDS Jazz Chord Dict 4/10/07 12:43 PM Page 1 2 Chapter 1. Mo v eable 7th Chord Shapes Major 7 \uf026 3fr 1 324 CMaj7 \uf0cf \uf0cf \uf0cf \uf0cf \uf026 10fr 1 333 CMaj7 \uf0cf \uf0cf \uf0cf \uf0cf \uf0fa 3 5 4 5 \uf0fa 10 12 12 12 \uf026 8fr 1 342 CMaj7 \uf0cf \uf0cf \uf0cf \uf0cf \uf026 3fr 1 342 CMaj7 \uf0cf \uf0cf \uf0cf \uf0cf \uf0fa 8 9 9 8 \uf0fa 3 4 5 3 Jazz Chord Dict 4/10/07 12:43 PM Page 2 3 M inor 7 Dominant 7 M inor 7 \uf026 3fr 1 314 C7 \uf0cf \uf0cf \uf0cf \uf0cf \uf062 \uf026 10fr 1 324 C7 \uf0cf \uf0cf \uf0cf \uf0cf \uf062 \uf0fa 3 5 3 5 \uf0fa 10 12 11 12 \uf026 8fr 1 243 C7 \uf0cf \uf0cf \uf0cf \uf0cf \uf062 \uf026 3fr 1 243 C7 \uf0cf \uf0cf \uf0cf \uf0cf \uf062 \uf0fa 8 8 9 8 \uf0fa 3 3 5 3 \uf026 C\u20137 3fr 1 312 \uf0cf \uf0cf \uf0cf \uf0cf \uf062 \uf062 \uf026 C\u20137 10fr 1 423 \uf0cf \uf0cf \uf0cf \uf0cf \uf062 \uf062 \uf0fa 3 5 3 4 \uf0fa 10 12 11 11 Jazz Chord Dict 4/10/07 12:43 PM Page 3

PECKHAM RICK BERKLEE JAZZ GUITAR CHORD DICTIONARY Berklee Guide

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