narratologia prova

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AURIA MESQUITA PORTO
202001462422
 
Disciplina: NARRATOLOGIA DAS LITERATURAS EM LÍNGUA INGLESA AV
Aluno: AURIA MESQUITA PORTO 202001462422
Professor: SARAH LUCIA ALEM BARBIERI RODRIGUES VIEIRA
 Turma: 9001
DGT0627_AV_202001462422 (AG) 17/11/2022 11:13:26 (F) 
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03254 - TEORIA DA NARRATIVA 
 
 1. Ref.: 6107957 Pontos: 0,00 / 1,00
A leitura de narrativas curtas da tradição popular russa deu a Vladimir Propp material para formular os conceitos
de sua principal obra, Morfologia do conto maravilhoso. Apesar das limitações de sua aplicação, a análise de
Propp ainda pode ser útil para se pensar as estruturas das narrativas, principalmente no que se refere ao
fantástico e maravilhoso na literatura.
 
Assinale a alternativa que explica, corretamente, esta afirmação.
As funções descritas por Propp são suficientes para identificar os principais elementos de uma estrutura
narrativa, independentemente do tempo e do lugar.
 Todas as narrativas fantásticas, como os contos de fadas, são iguais. Apenas a língua em que são escritas é
que muda.
 Nem todas as narrativas compartilham dos mesmos elementos, mas, à medida que os gêneros narrativos
se aproximem quanto aos seus objetivos, recursos e funções, elas podem conter estruturas semelhantes. 
Os formalistas russos conseguiram, como nenhum outro grupo, sistematizar as principais estruturas para a
compreensão do gênero narrativo através dos tempos.
A estrutura proposta pelo livro de Vladimir Propp nunca deixou de ser utilizada para analisar qualquer tipo
de narrativa.
 
 2. Ref.: 6107983 Pontos: 1,00 / 1,00
No texto a seguir um autor busca a origem de uma atividade lúdica e corriqueira: empinar papagaios:
 
As ruas também podem brincar com os céus. Digo isso porque, entre os saberes universais dos humanos - falo
daqueles que não têm fronteiras -, está o de empinar papagaios; a arte de domar os ventos e rabiscar os céus.
Há quem afirme que a invenção da pipa foi chinesa e tem para mais de 3 mil anos. Aulo Gélio, gramático latino,
escreveu nas Noites áticas que Arquitas de Tarento, matemático amigo de Platão, inventou a primeira pipa. Há
quem defenda que foram hindus, polinésios, fenícios ou egípcios os inventores. A conclusão a que chego é que
diversas civilizações inventaram e empinaram papagaios. Ou deliro que as pipas são anteriores aos homens e
foram elas que nos inventaram para que alguém as empinasse.
 
Adaptado de: SIMAS, Luiz Antonio. O corpo encantado das ruas. Rio de Janeiro: Civilização Brasileira, 2019.
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Em relação às versões sobre a origem da pipa (ou papagaio), assinale a alternativa correta.
A impossibilidade de determinar a origem de uma prática cultural evidencia a falta de desenvolvimento da
arte de contar histórias.
 As narrativas diferentes a respeito de um mesmo objeto podem ser reveladoras sobre a dimensão
estrutural e coletiva da cultura.
Algumas atividades culturais são anteriores ao homem, o que demonstra a falta de vínculo entre o ser
humano e a cultura.
As diversas narrativas sobre o mesmo objeto destacam ainda mais as nossas diferenças, principalmente de
espaço e de tempo.
É mais difícil identificar a origem de um objeto cultural quando ele não está descrito em estudos
antropológicos.
 
 
03255 - NARRATIVAS DE ORDEM CLÁSSICA 
 
 3. Ref.: 6093515 Pontos: 0,00 / 1,00
Epic, long narrative poem recounting heroic deeds, although the term has also been loosely used to describe
novels, such as Leo Tolstoy's War and Peace, and motion pictures, such as Sergey Eisenstein's Ivan The Terrible.
In literary usage, the term encompasses both oral and written compositions.
Source: Encyclopaedia Britannica. Access on: https://www.britannica.com/art/epic.
 
I. The epic as a literary genre dates from the Middle Ages onward.
BECAUSE
II. No one had written any Epic in Anglo-Saxon or Old English before the Middle Ages.
 
Regarding these affirmatives, mark the correct option.
Affirmatives I and II are true, II is a correct justification of I.
 Affirmatives I and II are false.
 Affirmative I is true, and II is false.
Affirmatives I and II are true, but II is not a correct justification of I.
Affirmative I is false, and II is true.
 
 4. Ref.: 6092870 Pontos: 0,00 / 1,00
Allegory, a symbolic fictional narrative that conveys a meaning not explicitly set forth in the narrative. Allegory,
which encompasses such forms as fable, parable, and apologue, may have meaning on two or more levels that
the reader can understand only through an interpretive process.
Source: https://www.britannica.com/art/allegory-art-and-literature
 
Around the XIX century and towards the XX century, fables became once again a rather popular means of
narrating stories. Their allegories, however, not always aged well. Choose the alternative that correctly explains
why Rudyard Kipling's stories, for instance, may not suit contemporary readers:
Talking animals became less and less popular with the advent of Artificial Intelligence.
Fables are genres that could not be revamped and eventually died out.
 Because of colonialist and racist worldviews.
Because allegories do not allow for multiple interpretations.
 Allegories, due to their moral purposes, usually have religious undertones.
 
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Fables and allegories are usually correlated. Read the statements below about the nature of allegories, then,
choose the correct option:
I- An allegorical story demands no interpretative effort on the part of the reader.
II- An allegory brings a microcosm- macrocosm relationship.
III- An allegory usually has some moral significance.
 II and III are correct
I and III are correct
Only I is correct
 Only II is correct
I, II and III are correct.
 
 
03256 - NARRATIVAS DE BASE POPULAR E RELIGIOSA 
 
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"Legends are prose narratives regarded as true by the narrator and his audience. It is set in a period less remote
when the world was such as it is today and present a human situation from which a problem arises or is
presented followed by its consequences or outcome. They also serve as a showcase and vehicles of the culture
and identity of a people, as part of the expression through language. They function as basic to social tradition,
which contribute part of the social heritage, or the "living mirrors of the past."
 
Retrieved from: GILBAS, Sherill A. Structural And Motifemic Analysis Of Legends. Journal Of International
Academic Research For Multidisciplinary, Sorsogon City, Philippines, v. 6, n. 1, p. 56-64, 1/2/2018.
 
Given the definition above, assess the following assertions and the relationship between them:
 
I. Legend is a contemporary genre which presents issues that concern those who listen or read.
 
BECAUSE
 
II. As folklore, legends illustrate people¿s identity, culture and knowledge, therefore serve as a form of
expression.
Assertion I is a true proposition, while II is a false proposition.Assertions I and II are true propositions, and II is I's correct justification.
Assertions I and II are false propositions.
 Assertion I is a false proposition, and II is a true proposition.
Assertions I and II are true propositions, but II is not I¿s correct justification.
 
 7. Ref.: 6107544 Pontos: 0,00 / 1,00
Folktales can easily be compared to biological species which evolve through transformations leaving little
evidence for posterior studies. Fossil records are inconsistent and insufficient, just as written folktales, so the
reconstruction of history occurs, many times, without proper physical evidence.
 
Select the alternative which explains the claim above:
Biologists should be utilized in the process of reconstructing original folktales due to their understanding of
fossil records and ability to rebuild history without sufficient physical evidence.
 Folktales get told and retold with minor alterations, through oral tradition. These modifications sum up
because every time they are passed on to the next generation without written documentation, they
undergo changes, and their original form can end up being lost.
The evolution of folktales, like that of biological species, is a necessary process because it improves the
stories first told making them develop into superior narratives.Educational Performace Solution EPS ® - Alunos 
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 The reconstruction of the original folktales is considered irrelevant because the important study comes from
the forms they have taken after undergoing the alterations each generation has produced.
Folktales, unlike biological species, will never be precisely understood due to the lack of evidence,
destroyed by the passage of time. Interpreters must make their own reconstructions of the original stories,
producing a great number of diverging materials.
 
 
03257 - NARRATIVAS DE CUNHO LITERÁRIO 
 
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Short stories are concise, and every word is important for the purpose of it. Precision and economy of words are
characteristics of short stories. The dramatic unit is what is relevant in the story, and only characters and events
involved in it matter. In terms of time, past and future keep lower or no significance. Why is this true?
Past is known through the digressions.
Short stories have a predictable future.
 Past and future are told by the narrator.
 Short stories portray a moment in time.
Short stories do not mention past or future. 
 
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"Novella, short and well-structured narrative, often realistic and satiric in tone, that influenced the development
of the short story and the novel throughout Europe"
Retrieved from: https://www.britannica.com/art/novella
 
What is the narrative focus in a novella? What type of narrator is found in this literary genre?
A first-person narrator
A witness of the narrated events.
 A third-person narrator
A character who observes the whole story.
One character who takes part in the main events.
 
 10. Ref.: 6116864 Pontos: 0,00 / 1,00
Literary fairy tales were written by educated authors, who wished to demonstrate their literary skill and please a
literary audience. Supernatural characters, magical elements and transformations are elements common to oral
and written fairy tales; themes appropriate for children were not a reality in the first literary fairy tales. This was
a change that occurred gradually, following changes in society and in the concept of childhood.
The magical elements in the story.
The relationship of the characters.
The relation between events.
 The mission designed for the hero.
 The acts of the characters.
 
 
 
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