AV NARRATOLOGIA DAS LITERATURAS EM LÍNGUA INGLESA

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Disciplina: NARRATOLOGIA DAS LITERATURAS EM LÍNGUA INGLESA 
	AV
	Professor: SARAH LUCIA ALEM BARBIERI RODRIGUES VIEIRA
 
	Turma: 9001
	DGT0627_AV_202001066217 (AG) 
	 25/10/2022 02:41:54 (F) 
			Avaliação:
6,0
	Av. Parcial.:
2,0
	Nota SIA:
8,0 pts
	 
		
	03254 - TEORIA DA NARRATIVA
	 
	 
	 1.
	Ref.: 6107957
	Pontos: 1,00  / 1,00
	
	A leitura de narrativas curtas da tradição popular russa deu a Vladimir Propp material para formular os conceitos de sua principal obra, Morfologia do conto maravilhoso. Apesar das limitações de sua aplicação, a análise de Propp ainda pode ser útil para se pensar as estruturas das narrativas, principalmente no que se refere ao fantástico e maravilhoso na literatura.
Assinale a alternativa que explica, corretamente, esta afirmação.
		
	
	Todas as narrativas fantásticas, como os contos de fadas, são iguais. Apenas a língua em que são escritas é que muda.
	
	Os formalistas russos conseguiram, como nenhum outro grupo, sistematizar as principais estruturas para a compreensão do gênero narrativo através dos tempos.
	
	As funções descritas por Propp são suficientes para identificar os principais elementos de uma estrutura narrativa, independentemente do tempo e do lugar.
	 
	Nem todas as narrativas compartilham dos mesmos elementos, mas, à medida que os gêneros narrativos se aproximem quanto aos seus objetivos, recursos e funções, elas podem conter estruturas semelhantes. 
	
	A estrutura proposta pelo livro de Vladimir Propp nunca deixou de ser utilizada para analisar qualquer tipo de narrativa.
	
	
	 2.
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	No texto a seguir um autor busca a origem de uma atividade lúdica e corriqueira: empinar papagaios:
 
As ruas também podem brincar com os céus. Digo isso porque, entre os saberes universais dos humanos - falo daqueles que não têm fronteiras -, está o de empinar papagaios; a arte de domar os ventos e rabiscar os céus. Há quem afirme que a invenção da pipa foi chinesa e tem para mais de 3 mil anos. Aulo Gélio, gramático latino, escreveu nas Noites áticas que Arquitas de Tarento, matemático amigo de Platão, inventou a primeira pipa. Há quem defenda que foram hindus, polinésios, fenícios ou egípcios os inventores. A conclusão a que chego é que diversas civilizações inventaram e empinaram papagaios. Ou deliro que as pipas são anteriores aos homens e foram elas que nos inventaram para que alguém as empinasse.
 
Adaptado de: SIMAS, Luiz Antonio. O corpo encantado das ruas. Rio de Janeiro: Civilização Brasileira, 2019.
Em relação às versões sobre a origem da pipa (ou papagaio), assinale a alternativa correta.
		
	
	A impossibilidade de determinar a origem de uma prática cultural evidencia a falta de desenvolvimento da arte de contar histórias.
	
	É mais difícil identificar a origem de um objeto cultural quando ele não está descrito em estudos antropológicos.
	
	As diversas narrativas sobre o mesmo objeto destacam ainda mais as nossas diferenças, principalmente de espaço e de tempo.
	
	Algumas atividades culturais são anteriores ao homem, o que demonstra a falta de vínculo entre o ser humano e a cultura.
	 
	As narrativas diferentes a respeito de um mesmo objeto podem ser reveladoras sobre a dimensão estrutural e coletiva da cultura.
	
	
	 3.
	Ref.: 6107978
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	No século XIX, era comum a publicação de fragmentos de romances na imprensa, como artigos de jornal ou de revista, antes de ganharem sua versão em livro. Eram os chamados folhetins, narrativas de ficção de ritmo ágil e com ganchos, no final de cada capítulo, para prender a atenção do leitor. De uma certa maneira, o folhetim acompanhou a ascensão do romance como gênero literário, contribuindo para sua difusão. No Brasil, muitos autores fizeram uso do folhetim, antes de publicarem seus romances em livro, como José de Alencar, Machado de Assis e Lima Barreto. No século XX, Nelson Rodrigues foi um dos autores que tentou resgatar o gênero, mas, com o advento do rádio e da televisão, ele foi perdendo espaço.
 
Com base na informação dada, avalie as afirmações a seguir:
 
I. As telenovelas e as séries de TV, embora sejam mais extensas, fazem uso de recursos narrativos semelhantes aos dos folhetins do século XIX.
II. Uma narrativa curta, como o conto, não tem como ser adaptada para a forma folhetinesca, pois sua estrutura é mais limitada, especialmente em termos de ação e personagem.
III. O romance não possui mais a capacidade de se transformar em outros gêneros, tendo em vista o limite imposto pelos novos meios de comunicação.
É correto apenas o que se afirma em:
		
	
	II e III.
	
	II, somente.
	
	III, somente.
	
	I, II e III.
	 
	I e II.
	
	
	 
		
	03255 - NARRATIVAS DE ORDEM CLÁSSICA
	 
	 
	 4.
	Ref.: 6093511
	Pontos: 1,00  / 1,00
	
	Other worlds with strange inhabitants have been numerous in human mythologies and literatures. I'd speculate that, including all the fantasylands devised by children that never see publication, there are many more imaginary locations than there are real ones. Whether they are places we go after death "good or bad" or homes of the gods or supernatural, or lost civilizations, or planets in a galaxy far, far away, they all have this in common: they aren't here and now. (...) All myths are stories, but not all stories are myths: among stories, myths hold a special place. (ATWOOD, 2011, p. 27 & 47)
Source: ATWOOD, Margaret. In Other Worlds: SF and the Human Imagination. New York: Doubleday, 2011.According to Margaret Atwood, myths hold a special place among stories. That is because:
		
	
	... myths work as narrative superstition across storytellers, retrieving something unknown every time we tell our stories.
	
	... myths offer a catalog of variations that only the great storytellers of our times will have access to.
	
	... myths set a series of narrative rules that no story must disobey in order to be successful.
	
	... myths have been studied by scholars more than any other narrative form and are thus more proper to tell stories.
	 
	... myths offer a foundation for repeating narrative structures that have prevailed across the centuries in various cultures.
	
	
	 5.
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	Fables and allegories are usually correlated. Read the statements below about the nature of allegories, then, choose the correct option:
I- An allegorical story demands no interpretative effort on the part of the reader.
II- An allegory brings a microcosm- macrocosm relationship.
III- An allegory usually has some moral significance.
		
	 
	II and III are correct
	
	Only II is correct
	
	Only I is correct
	 
	I, II and III are correct.
	
	I and III are correct
	
	
	 6.
	Ref.: 6092867
	Pontos: 1,00  / 1,00
	
	The Sagas remain an intrinsic part of Icelander¿s identity to this day, their presence around the country unavoidable. [There] is a physical document which traces the lives of its indigenous people during a most tumultuous time, an era when the Vikings were changing the shape of society across Northern Europe and Christianity, Catholicism and Paganism were all fighting it out to be the prevailing belief system. (MYERS, 2008)
Source: MYERS, Ben.  "The Icelandic Sagas: Europe's most important book?". IN: The Guardian.  Access on: https://www.theguardian.com/books/booksblog/2008/oct/03/1
Considering the importance of the Icelandic Sagas, mark the correct affirmative:
		
	
	The Icelandic Sagas deal with cultural inheritance and particular characters who were not to be exalted as heroes of the nation.
	
	The Icelandic Sagas were minor cultural manifestations discovered recently by scholars who wanted to learn the old languages of the Northern cultures.
	
	The Icelandic Sagas were only passed on from kings to princes, to keep the royal lineage preserved.
	
	The Icelandic Sagas are a contemporary literary form that reimagines the past of Northern cultures on top of research about their major family trees.
	 
	TheIcelandic Sagas were fundamental to the development of a narrative style that blended historical fiction about its country¿s great families and folkloric beliefs.
	
	
	 
		
	03256 - NARRATIVAS DE BASE POPULAR E RELIGIOSA
	 
	 
	 7.
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	The story of Bluebeard can be summarized thus: a wealthy man had a blue beard which made him extremely ugly, so that women ran away from him. It was known that he had been married several times before, but what had become of his wives, nobody knew. (...) One day, Bluebeard told his wife that he had business to attend to in the country and would be gone for several days. He entrusted her with the keys to all the various rooms in the house which contained his treasure. He told her that she was free to unlock any of the doors - with the exception of one, the door to a secret closet in the house, which she was forbidden to look inside. She agreed to his wishes and waved him off. (...) She took the key to the closet and unlocked it, and found that the floor was clotted with blood, and the bodies of dead women were kept in the chamber. So, this is what had happened to all of Bluebeard's previous wives!
 
Retrieved from: TEARLE, Oliver. A Summary and Analysis of the Bluebeard Fairy Tale. In: TEARLE, Oliver. Interesting Literature. [S. l.], 10 maio 2018. Available at: https://interestingliterature.com/2018/05/a-summary-and-analysis-of-the-bluebeard-fairy-tale/. Date of access: 18 fev. 2022.
The story of the Bluebeard can be read as a folktale because it encompasses the following characteristics:
		
	
	The story is based on true events.
	
	The story demands careful and profound study due to its complex allegories.
	 
	The narrative teaches a moral lesson, in this case about toxic and abusive relations.
	
	Characters have a psychological depth to them, so no one is described as good not bad.
	 
	Characters are flat, and the story narrates the battle between good versus evil.
	
	
	 8.
	Ref.: 6107544
	Pontos: 1,00  / 1,00
	
	Folktales can easily be compared to biological species which evolve through transformations leaving little evidence for posterior studies. Fossil records are inconsistent and insufficient, just as written folktales, so the reconstruction of history occurs, many times, without proper physical evidence.
Select the alternative which explains the claim above:
		
	
	The reconstruction of the original folktales is considered irrelevant because the important study comes from the forms they have taken after undergoing the alterations each generation has produced.
	 
	Folktales get told and retold with minor alterations, through oral tradition. These modifications sum up because every time they are passed on to the next generation without written documentation, they undergo changes, and their original form can end up being lost.
	
	The evolution of folktales, like that of biological species, is a necessary process because it improves the stories first told making them develop into superior narratives.
	
	Folktales, unlike biological species, will never be precisely understood due to the lack of evidence, destroyed by the passage of time. Interpreters must make their own reconstructions of the original stories, producing a great number of diverging materials.
	
	Biologists should be utilized in the process of reconstructing original folktales due to their understanding of fossil records and ability to rebuild history without sufficient physical evidence.
	
	
	 
		
	03257 - NARRATIVAS DE CUNHO LITERÁRIO
	 
	 
	 9.
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	Literary fairy tales were written by educated authors, who wished to demonstrate their literary skill and please a literary audience. Supernatural characters, magical elements and transformations are elements common to oral and written fairy tales; themes appropriate for children were not a reality in the first literary fairy tales. This was a change that occurred gradually, following changes in society and in the concept of childhood.
		
	 
	The acts of the characters.
	 
	The magical elements in the story.
	
	The mission designed for the hero.
	
	The relationship of the characters.
	
	The relation between events.
	
	
	 10.
	Ref.: 6117037
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	The narrator is "the voice" of a narrative, telling the facts and development of it. There are different types of narrators, and the narrative focus depends on these types. One of them is known as the first-person narrator. In which case it is classified this way?   
		
	
	Narrator is the antagonist
	
	Omniscient narrator
	 
	Narrator is the protagonist
	
	Observer-narrator
	 
	Narrator is one of the characters