Avaliação AV (ESTÁCIO) - Literatura Inglesa (Nota 7,0)

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Disciplina: LITERATURA INGLESA   AV
Aluno: GISELLE DOS SANTOS CORDEIRO 202104651546
Turma: 9001
DGT0622_AV_202104651546 (AG)   01/03/2023 19:04:07 (F) 
Avaliação: 7,00 pts Nota SIA: 8,50 pts
 
EM2120273 - A OBRA LÍRICA DE SHAKESPEARE  
 
 1. Ref.: 5902940 Pontos: 0,00  / 1,00
Read Shakespeare's Sonnet 122.
Thy gift, thy tables, are within my brain
Full charactered with lasting memory,
Which shall above that idle rank remain,
Beyond all date, even to eternity:
Or, at the least, so long as brain and heart
Have faculty by nature to subsist;
Till each to razed oblivion yield his part
Of thee, thy record never can be missed.
That poor retention could not so much hold,
Nor need I tallies thy dear love to score;
Therefore to give them from me was I bold,
To trust those tables that receive thee more:
To keep an adjunct to remember thee
Were to import forgetfulness in me.
After reading the sonnet above and the af�rmatives below, mark the only option indicating the correct set of
af�rmative(s).
I. The sonnet discusses how any memory of the beloved will fade away with time.
II. Remembering with the mind and heart is one of the main topics of this sonnet.
III. This sonnet contains two open quatrains and three variously rhymed couplets.
II, only.
I and III, only.
 II a III, only.
 I, II and III.
I, only.
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The introduction of the sonnet in England goes back to Wyatt and Henry Howard, Earl of Surrey, during the reign of
Henry VIII (...) [The later publishing of] Songes and Sonnets (1557) containing 20 sonnets from Wyatt and 16 from
the Earl of Surrey, many of them being direct translations of Petrarch. (...) But it was only in 1591, when it comes to
public, by means of an adventurous editor¿s independent publication (Thomas Newman's), the collection of sonnets
written by Sir Philip Sidney, called Astrophel and Stella, and composed by 108 sonnets. Then, the sonnet's fashion
was consolidated in the Elizabethan age. Sidney's sonnets were majorly in�uenced by Petrarch, but also by other
French sonneteers such as Ronsard and his followers.
Source: (adapted from) GUEIROS, Nehemias. ''Estudo: Mistério do Soneto Shakespeariano''. In: SHAKESPEARE,
William. 50 Sonetos (trad. Ivo Barroso). Rio de Janeiro: Nova Frontera, 2015.
Throughout the sixteenth century, Sir Philip Sidney and Thomas Wyatt were responsible for both...
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... rejecting completely the traditional Petrarchan sonnet form and starting anew the creation of an English
Sonnet.
... bringing Petrarch's Canzionere copies from Italy and distributing them in London.
 ... translating some of Petrarch's sonnets and publishing their own collection of sonnets, particularly Sidney's
Astrophel and Stella.
... writing in Italian to preserve the Petrarchan origin of the sonnets and distributing their manuscripts
throughout London.
 ... reproducing Petrarch's sonnets in Italian and copying it in manuscripts distributed in London.
 
EM2120274 - O TEATRO ELIZABETANO - WILLIAM SHAKESPEARE  
 
 3. Ref.: 5647957 Pontos: 1,00  / 1,00
Reread these lines from Othello and Romeo and Juliet, respectively, and choose the correct alternative comparing
the notion of ''pilgrimage'' on them.
(1) ''She'd come again, and with a greedy ear/ Devour up my discourse, which I, observing,/ Took once a pliant hour
and found good means/ To draw from her a prayer of earnest heart/ That I would all my pilgrimage dilate,/ Where of
by parcels she had something heard/ But not intentively. I did consent,/ And often did beguile her of her tears/ When
I did speak of some distressful stroke/ That my youth suffered.'' (1.3.151-160)
(2) ''If I profane with my unworthiest hand/ This holy shrine, the gentle sin is this:/ My lips, two blushing pilgrims,
ready stand/ To smooth that rough touch with a tender kiss.'' (1.5.92-95)
 The �rst extract alludes to the denotational meaning of the word ''pilgrimage'', for Othello had travelled to
distant lands. In the second, in contrast, Romeo evokes the image of the pilgrims to metaphorically
undermine himself in comparison to his beloved and idealized maid.
Both extracts allude to a metaphorical idea of ''pilgrimage''. The difference lies in the contexts: Othello
alludes to a trip to a distant past when talking to his lover and Romeo refers to his very lips as ''pilgrims'' that
would �nd his lover's.
In both passages the characters convey devotion to their beloved maids, but only the second quote refers to
the literal meaning of ''pilgrimage''.
While quote (1) alludes to an abstract notion of ''pilgrimage'', bound to time rather than space, quote (2) is a
reference to Romeo's literal trips to be with his lover.
None of these scenes allude to a metaphorical meaning for ''pilgrimage'', since both Othello and Romeo have
faced long trips to be with their lovers.
 4. Ref.: 5633013 Pontos: 1,00  / 1,00
Reread the following extract retrieved from The Merchant of Venice, in which the character Shylock comments on
his daughter's elopement wedding with a Christian, and choose the most appropriate option about it. ''I would my
daughter were dead at my foot, and the jewels in her ear: would she were hearsed at my foot and the ducats in her
cof�n'' (3.1.69-71)
 The frigid allusion to his daughter's death and capital accounts for the construction of the protagonist under
the derogatory stereotypes of Jews as evil and tigh�sted.
Shylock too is a blocking father �gure, but his dual morality leads to his daughter's forgiveness.
Later in the play, the audience �nds out that these lines were purely a knee-jerk reaction to his daughter's
evil betrayal, for he truly cared about her.
Such line conveys Shylock's despair on the mere possibility of his daughter's death after she runs away.
The reference to his jewels and ducats might function as a way of stimulating the audience's sympathy for
Shylock, since he had been cruely stolen by his beloved daughter.
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As you have come to realize in the previous modules, William Shakespeare's life events have had a considerable
impact on his writings. Bearing this in mind, reread the words printed in his father's ''coat of arms'' grant received in
1596 and label the statements as either True (T) or False (F): ''non sanz droict'' (''not without right'').
(1) These words allude to John Shakespeare's lifelong prestige and wealthness in his hometown.
(2) Even though the document was granted to John Shakespeare, it probably refers to his son¿s fame after years of
theatrical work.
(3) As many geniuses who leave their mark in History, Shakespeare had a posthumous recognition of his merits,
unlike his father's.
(1) F/ (2) T/ (3) T
(1) T/ (2) T/ (3) F
(1) T/ (2) T/ (3) T
 (1) F/ (2) T/ (3) F
(1) F/ (2) F/ (3) T
 
EM2120275 - O TEATRO ELIZABETANO - CHRISTOPHER MARLOWE  
 
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The triumphant march of English drama began with the �rst manifestations of the Elizabethan Tragedy. Between
1559 and 1566 �ve of Seneca¿s tragedies were published and the body of work attributed to him was published in
1581 in the historical volume of the Ten Tragedies. Furthermore, way before that time, Seneca was already familiar
to the Elizabethans who knew Latin. His deeply rhetorical and full of blood, lightnings and thunder style, his
seriousness and melodramaticplots offered the �rst models for dramatic writing in which passions unfolded, despite
theater still being mostly commanded by medieval in�uences (...). (GASSNER, 2010, p. 227-228)
Source: (adapted from) GASSNER, John. ''Christopher Marlowe''. In: GASSNER, John. Mestres do Teatro I. São Paulo:
Editora Perspectiva, 2010.
After reading the contextualization above and the af�rmatives below, mark the only option indicating the correct
set of af�rmative(s).
I. Seneca was only read in the original Latin throughout England.
II. Seneca was one of the most prominent Roman in�uences for the playwrights of that time.
III. Seneca¿s publishing record reveals that it was not as popular as scholars once believed.
 II, only.
II a III, only.
I, II and III.
I, only.
I and III, only.
 7. Ref.: 5647958 Pontos: 0,00  / 1,00
The [cycle] plays gave guilds the opportunity to advertise and show off their wares. A play about Noah's Ark and the
Flood would be sponsored by the Shipbuilders, who provided the ark itself, and the Goldsmiths would be in charge of
the play of the Magi, donating lavish gifts as props. According to a surviving public proclamation from York, the
guilds were also in charge of sourcing 'good players, well arranged, and openly speaking'. Signi�cantly, these players
weren¿t usually professionals. They were ordinary people with a taste for drama - so you might well see your friend,
neighbour or local butcher in the cast, as Herod, Noah or even Jesus.
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Source: HOWES, Hetta Elizabeth. Medieval drama and the mystery plays. Access: https://www.bl.uk/medieval-
literature/articles/medieval-drama-and-the-mystery-plays#authorBlock1
The English Medieval cycle plays were enacted at their time by craftsmen from various guilds. According to
professor Hetta Elizabeth Howes,
... the cycle plays were the �rst series of professional plays in England.
 ...the cycle plays were amateur productions which brought together craftsmen who had an interest in drama.
... the cycle plays were part of a bigger group of plays enacted England¿s conversion towards Anglicanism.
...the cycle plays enact episodes from the English History, sometimes alluding to religious tropes.
 ... the cycle plays enacted episodes from famous Greek and Roman epic poems such as Virgil¿s Aeneid or
Ovid¿s Metamorphosis.
 
EM2120276 - THE GOLDEN AGE - O PERÍODO ELIZABETANO  
 
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On November 30th, 1601, Queen Elizabeth delivered a speech that would be known as ''The Golden Speech''. To
everybody's surprise, instead of addressing pressing matters of her time, her speech took an unexpected turn.
Choose the alternative that contain a true statement about the content of her speech:  
She expressed concern for the health of her subjects.
She boosted the troop's morale.  
She talked about England's grandiosity. 
She mentioned the economic issues the country was facing. 
 She expressed her love for her subjects. 
 9. Ref.: 5633019 Pontos: 1,00  / 1,00
Over the years, Elizabeth I learned to use her single state as a political tool. Choose the alternative that best explains
why that was possible: 
 The possibility of marrying the queen of England became a bait either to draw in enemies, or to frighten
them by suggesting Elizabeth would marry one of their enemies. 
A woman could only raise to the throne at that time if unmarried.  
She claimed to have married her nation.  
This way she could be perceived as the Virgin Queen, by being associated with biblical models.  
This raised questions of succession. 
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Why was the restauration of the monasteries intended by Mary I very dif�cult to accomplish?  
because Rome did not want to receive England back in the Catholic faith  
because the majority of people of England were Puritans 
 because it would involve getting back the lands already given to other people under Henry VIII and Edward
VI
none of the above 
because Spain wanted to keep England a protestant country
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